本文關(guān)鍵詞： 抽象因素 具象因素 具象繪畫 表現(xiàn)形式　出處：《內(nèi)蒙古大學(xué)》2012年碩士論文　論文類型：學(xué)位論文

【摘要】：藝術(shù)作為表現(xiàn)、傳達(dá)人類感情的方式,存在著多種多樣的表現(xiàn)手法,在造型藝術(shù)中就有具象與抽象兩大方式的存在。具象繪畫與抽象繪畫皆是畫家對于周圍生活與客觀現(xiàn)實(shí)的揣摩、描繪,由此表現(xiàn)畫家的特定情感。具象繪畫是一種寫實(shí)性的繪畫,其特征主要是保留了客觀物象的直觀形態(tài),真實(shí)地再現(xiàn)了與自然對象基本相似或極為相似的藝術(shù)形象。畫面形式上表現(xiàn)客觀生活,與人的直觀所見近乎一致,具有直觀、真實(shí),可識別和易為人們接受的藝術(shù)效果。然而,好的具象繪畫作品背后一定有抽象因素的支撐。具象繪畫家擺脫具象藝術(shù)再現(xiàn)視覺感受的束縛,對繪畫的形式語言進(jìn)行主觀能動(dòng)的運(yùn)用,憑著抽象性大量舍棄、排除具體物象的非本質(zhì)方面,以高度概括的形態(tài)將具象繪畫提升到一定的高度與深度,從而使之獲得了超出具象范圍更為深遠(yuǎn)的藝術(shù)價(jià)值。 抽象性的表現(xiàn)方式多種多樣,具體對象的線條、形體、色彩、筆觸、光影,構(gòu)圖等都屬于抽象性的表現(xiàn)方式。然而,吳冠中在《吳冠中話語錄》中有言：“具體對象的形、光、色彩、質(zhì)感、量感,都混在一起了,交錯(cuò)著,表現(xiàn)中如要求面面俱到,好像很完整,往往作品味同嚼蠟,因此必須把里頭的某一方面抽取出來,強(qiáng)調(diào)某一點(diǎn),把握美感的結(jié)構(gòu),就不是盲目的了。這種觀察方法應(yīng)當(dāng)做發(fā)現(xiàn)美感的一把鑰匙�！笨梢钥吹�,繪畫史上每一個(gè)時(shí)期,每一位具象繪畫家對畫面中抽象性因素的運(yùn)用都有不同的側(cè)重點(diǎn)和不同的表現(xiàn)方式。
[Abstract]:As a way of expressing and conveying human feelings, art has a variety of ways of expressing itself. In plastic arts, there are two major ways of figurative and abstract. Both figurative painting and abstract painting are the painters' guess and description of the life around them and the objective reality. The concrete painting is a kind of realistic painting, which is characterized by the retention of the intuitive form of the objective object image. It truly reproduces the artistic image which is basically similar to or very similar to the natural object. The picture shows objective life in form and is almost consistent with the visual view of man. It has visual, real, recognizable and acceptable artistic effects. However, A good figurative painting must have the support of abstract factors behind it. Figurative painters get rid of the bondage of visual feelings of figurative art, use the formal language of painting subjectively, and abandon it in large numbers by means of abstractness. By excluding the non-essential aspects of the concrete object image, the concrete painting is promoted to a certain height and depth in a highly generalized form, which makes it gain more profound artistic value beyond the scope of the concrete image. There are various ways of expressing abstract objects, such as lines, forms, colors, strokes, light and shadow, composition and so on. However, Wu Guanzhong has words in the quotation of Wu Guanzhong: "form, light, light of specific objects," Color, quality, and sense of quantity are all mixed together, crisscrossed, in the performance of which all aspects are required, it seems to be very complete, and the works often have the same taste and wax. Therefore, it is necessary to extract one aspect of the work, emphasize a certain point, and grasp the structure of the aesthetic feeling. It is not blind. This observation method should be a key to the discovery of beauty. "you can see that every time in the history of painting, Every figurative painter has different emphases and different ways of expressing abstract factors in the picture.
【學(xué)位授予單位】：內(nèi)蒙古大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J205

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本文編號：1511233