本文關(guān)鍵詞： 擬人化 卡通形象 動(dòng)物卡通形象　出處：《中國(guó)礦業(yè)大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：該文從“擬人化”這一修辭手法入手，選取中、美兩國(guó)經(jīng)典動(dòng)物卡通形象為主要研究對(duì)象，論述了“擬人化”動(dòng)物卡通形象在兩國(guó)不同文化體系下所表現(xiàn)出的差異性以及導(dǎo)致差異性的原因，歸納出經(jīng)典動(dòng)物卡通形象的“擬人化”規(guī)律，以此對(duì)我國(guó)當(dāng)代動(dòng)物卡通形象存在的問(wèn)題提出建議，并運(yùn)用在該文關(guān)于“擬人化”動(dòng)物卡通形象的實(shí)踐部分。 論文首先對(duì)動(dòng)物卡通形象的誕生與發(fā)展進(jìn)行了系統(tǒng)梳理，并對(duì)“擬人化”的概念、特性予以解釋，歸納了“擬人化”這一修辭手法運(yùn)用于動(dòng)物卡通形象上的優(yōu)勢(shì)。接著進(jìn)入該文的論述重點(diǎn)，從中美兩國(guó)歷年來(lái)的經(jīng)典動(dòng)物卡通形象出發(fā)，從造型、身份與活動(dòng)場(chǎng)景兩方面具體論述兩者在“擬人化”表現(xiàn)上的差異。以此，，分析了其背后深層次的歷史文化原因：創(chuàng)作理念的迥異與民族文化的映射。通過(guò)差異性表現(xiàn)與原因的總結(jié)，歸納出經(jīng)典動(dòng)物卡通形象的“擬人化”規(guī)律。隨后提出我國(guó)當(dāng)代動(dòng)物卡通形象現(xiàn)階段所面臨的一些問(wèn)題，并根據(jù)上文總結(jié)的“擬人化”規(guī)律提出了相對(duì)應(yīng)的建議。最后是研究實(shí)踐部分，運(yùn)用動(dòng)物卡通形象的“擬人化”規(guī)律設(shè)計(jì)了原創(chuàng)動(dòng)物卡通形象，將理論聯(lián)系于實(shí)踐，同時(shí)也作為動(dòng)物卡通形象“擬人化”規(guī)律的驗(yàn)證過(guò)程。
[Abstract]:This paper begins with the rhetoric of "personification", and selects the cartoon images of the American and American classic animals as the main research objects. This paper discusses the differences of animal-cartoon images in different cultural systems of the two countries and the causes of the differences, and concludes the "personification" laws of the classic animal-cartoon images. In this paper, the author puts forward some suggestions on the problems existing in the contemporary animal cartoon images in China, and applies them to the practical part of the "personification" of animal cartoon images. Firstly, the paper systematically combs the birth and development of animal cartoon images, and explains the concept and characteristics of "personification". This paper sums up the advantages of the figure of speech "personification" applied to animal cartoon images, and then enters the emphases of this article, starting from the classic animal cartoon images of China and the United States over the years, starting from the modeling, This paper discusses the differences between the two aspects in the performance of "personification" from the two aspects of identity and activity scene. This paper analyzes the deep historical and cultural reasons behind it: the difference of creative ideas and the mapping of national culture. This paper sums up the "personification" law of the classic animal cartoon image, and then puts forward some problems faced by the contemporary animal cartoon image in our country at the present stage. And according to the "personification" law summarized above, the corresponding suggestions are put forward. Finally, in the part of research practice, the original animal cartoon image is designed by using the "anthropomorphic" law of animal cartoon image, and the theory is combined with practice. At the same time, as the animal cartoon image "personification" of the law of verification process.
【學(xué)位授予單位】：中國(guó)礦業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J218.7

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 關(guān)曉朋;;動(dòng)畫(huà)角色的擬人化特征初探[J];安徽文學(xué)(下半月);2010年08期

2 馬華;;動(dòng)畫(huà)創(chuàng)作中“中國(guó)風(fēng)”的“變”與“不變”——《花木蘭》與《功夫熊貓》給中國(guó)動(dòng)畫(huà)創(chuàng)作的啟示[J];北京電影學(xué)院學(xué)報(bào);2009年03期

3 沈可;;淺談民族元素在動(dòng)畫(huà)形象中的運(yùn)用[J];包裝世界;2011年02期

4 劉易明;;從美國(guó)動(dòng)畫(huà)看社會(huì)文化的排斥與融合[J];電影文學(xué);2009年15期

5 馬偉蓮;趙翠玲;;中國(guó)元素在動(dòng)畫(huà)電影《功夫熊貓》中的運(yùn)用[J];電影文學(xué);2012年08期

6 曲師;苗貴松;;從以善為美的價(jià)值取向看中國(guó)動(dòng)畫(huà)的審美藍(lán)圖[J];電影評(píng)介;2007年12期

7 曲玉紅;;淺談動(dòng)畫(huà)電影中動(dòng)物的人性化情感[J];電影評(píng)介;2007年12期

8 張靜;鄧婧;;美國(guó)動(dòng)畫(huà)角色造型符號(hào)化的圖解模式[J];電影評(píng)介;2009年03期

9 胡濱濱;王偉;;現(xiàn)代動(dòng)畫(huà)角色形象探析[J];電影文學(xué);2013年14期

10 李濤;;動(dòng)漫名貓的品牌與產(chǎn)業(yè)化運(yùn)作[J];新聞界;2006年03期

相關(guān)博士學(xué)位論文 前1條

1 季海宏;皮爾斯符號(hào)學(xué)思想探索[D];南京師范大學(xué);2011年

本文編號(hào)：1497138