發(fā)布時(shí)間：2018-01-30 15:50

  本文關(guān)鍵詞： 李文信 山水畫(huà) 地域性　出處：《西南大學(xué)》2017年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：中國(guó)山水畫(huà)發(fā)展歷時(shí)千年,在整個(gè)山水畫(huà)的發(fā)展歷程中,山水畫(huà)與地域性有緊密關(guān)系。尤其在二十世紀(jì)山水畫(huà)發(fā)展方向探索的多元實(shí)踐中,山水畫(huà)寫(xiě)生之風(fēng)盛行,在這樣的時(shí)代思潮影響下,反映地域特征的山水畫(huà)研究和實(shí)踐興盛一時(shí)。對(duì)山水畫(huà)地域性的研究,也是山水畫(huà)創(chuàng)作推陳出新的關(guān)鍵因素。李可染、傅抱石、陸儼少、賈又福都從不同的地域特征探索出不同的成果。而巴蜀著名山水畫(huà)家李文信先生,生長(zhǎng)于巴山蜀水之間,以巴蜀山水為依托,經(jīng)年寫(xiě)生研究,形成了獨(dú)具個(gè)性的山水畫(huà)風(fēng)格及其獨(dú)特的山水畫(huà)藝術(shù)語(yǔ)言。李文信山水畫(huà)在地域性探索中極具影響,而未被人所知。本文試圖通過(guò)有代表性的地域自然環(huán)境特征與山水畫(huà)表現(xiàn)題材、筆墨語(yǔ)言之間的內(nèi)在聯(lián)系,分析李文信山水的地域性探索價(jià)值所在和重要貢獻(xiàn)。山水畫(huà)藝術(shù)語(yǔ)言是區(qū)別畫(huà)家以及山水流派之間藝術(shù)風(fēng)格的重要因素。山水畫(huà)語(yǔ)言的筆墨表現(xiàn)、意象符號(hào)、設(shè)色方法等等都深深的烙著地域自然環(huán)境特征和地域文化的影響。李文信先生長(zhǎng)期寫(xiě)生于巴蜀獨(dú)特的地域自然環(huán)境中,吸收獨(dú)特的自然地貌特征面貌和地域?qū)徝捞刭|(zhì),塑造出具有獨(dú)特文化品格和個(gè)性鮮明的山水畫(huà)風(fēng)格。在山水畫(huà)的寫(xiě)生、創(chuàng)作中,堅(jiān)守地域特征,一方面,可以創(chuàng)造出地域性的山水圖式,推動(dòng)山水畫(huà)藝術(shù)面貌的創(chuàng)新。山水畫(huà)地域圖式的創(chuàng)造和堅(jiān)守,也是創(chuàng)造出地域特色化山水的重要內(nèi)容。另一方面,可以從山水畫(huà)藝術(shù)語(yǔ)言層面研究地域性山水畫(huà)筆墨語(yǔ)言、意向符號(hào)、設(shè)色技法,創(chuàng)造出優(yōu)秀的山水作品。論文首先從理清地域性與山水畫(huà)之間的關(guān)系著手,梳理地域自然環(huán)境特征、地域文化與山水畫(huà)之間的緊密關(guān)系。通過(guò)對(duì)李文信先生的師承關(guān)系、時(shí)代影響和蜀山情懷等藝術(shù)背景研究,進(jìn)一步闡述李文信對(duì)巴蜀地域自然環(huán)境特征的山水畫(huà)藝術(shù)語(yǔ)言探索。第二部分主要結(jié)合李文信先生的山水作品對(duì)有代表性、典型的地域自然環(huán)境特征進(jìn)行分析,分為于林木處奪天工、曲徑清溪、設(shè)色濃重清雅等組成。第三部分,研究李文信巴蜀山水畫(huà)的形式構(gòu)造和藝術(shù)語(yǔ)言的獨(dú)特之處和藝術(shù)價(jià)值所在。山水畫(huà)地域圖式來(lái)源于特定地域自然環(huán)境的藝術(shù)處理,是形成個(gè)人藝術(shù)風(fēng)格的重要標(biāo)志。本文通過(guò)對(duì)李文信山水畫(huà)風(fēng)格的地域性探索的研究,深刻挖掘李文信先生山水畫(huà)藝術(shù)語(yǔ)言與巴蜀地域特征之間的緊密關(guān)系。研究山水畫(huà)的地域性是構(gòu)建山水畫(huà)地域性圖式和探索地域性藝術(shù)語(yǔ)言的必然選擇,是形成地域山水流派的個(gè)人價(jià)值所在。實(shí)現(xiàn)山水畫(huà)的圖式創(chuàng)新和藝術(shù)語(yǔ)言創(chuàng)造,是創(chuàng)作經(jīng)典山水范式的必要條件,因此地域性的探索對(duì)當(dāng)代山水畫(huà)的創(chuàng)新有極其重要的作用。
[Abstract]:The development of Chinese landscape painting lasted for thousands of years, in the whole landscape painting development process, landscape painting and regional characteristics have a close relationship, especially in 20th century landscape painting development direction of exploration of the multiple practice. Landscape painting of the prevailing wind, under the influence of such a trend of thought, reflecting the regional characteristics of landscape painting research and practice flourished for a while. It is also a key factor in the creation of landscape painting. Li Keran, Fu Baoshi, Lu Yanshao, Lu Yanshao from different regional characteristics to explore different results. And Bashu famous landscape painter Mr. Li Wenxin. Growing between Bashan and Shu, relying on the Bashu landscape and studying the sketches over the years, the unique style of landscape painting and its unique artistic language of landscape painting have been formed. Li Wenxin landscape painting has great influence in the regional exploration. This paper attempts to represent the natural environment characteristics of the region and the theme of landscape painting performance, the internal relationship between the pen and ink language. Analyze the regional exploration value and important contribution of Li Wenxin. Landscape painting art language is an important factor to distinguish the artistic style between painters and landscape schools. The color setting method and so on are deeply branded by the regional natural environment characteristics and the influence of the regional culture. Mr. Li Wenxin has been sketching in the unique regional natural environment of Bashu for a long time. Absorb the unique features of natural landform features and regional aesthetic characteristics, create a unique cultural character and distinctive personality of landscape painting style. In the painting of landscape painting, the creation, adhere to the regional characteristics, on the one hand. It can create regional landscape schema and promote the innovation of landscape painting art. The creation and adherence of landscape painting regional schema is also an important content to create regional characteristics of landscape. On the other hand. From the aspect of landscape painting art language, we can study the regional landscape painting language, intention symbols, color techniques, create excellent landscape works. Firstly, this paper starts with the relationship between regional painting and landscape painting. Combing the characteristics of regional natural environment, the close relationship between regional culture and landscape painting. Through the relationship of Mr. Li Wenxin, the influence of the times and the feelings of Shushan art background. Further elaborated Li Wenxin to the Bashu region natural environment characteristic landscape painting artistic language exploration. The second part mainly unifies Mr. Li Wenxin's landscape works to have the representative, the typical region natural environment characteristic carries on the analysis. It is divided into natural work in the forest, Qujing Qingxi, color, heavy, elegant and so on. The third part. This paper studies the unique features and artistic value of Li Wenxin's Bashu landscape painting. The regional schema of landscape painting originates from the artistic treatment of the natural environment of a specific region. This paper studies the regional exploration of Li Wenxin's landscape painting style. Deeply excavating the close relationship between the artistic language of Mr. Li Wenxin's landscape painting and the regional characteristics of Bashu. It is an inevitable choice to construct the regional pattern of landscape painting and explore the regional artistic language of landscape painting to study the regionality of landscape painting. It is the personal value of forming the regional landscape school. To realize the schema innovation and artistic language creation of landscape painting is the necessary condition for the creation of classical landscape paradigm. Therefore, regional exploration plays an extremely important role in the innovation of contemporary landscape painting.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：J212

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