發(fā)布時間：2018-01-30 12:01

  本文關鍵詞： “靜物繪畫” “素” “靜” “素心” “靜觀”　出處：《中央民族大學》2013年碩士論文　論文類型：學位論文

【摘要】：在美術史的發(fā)展長河之中,“靜物”一直是畫家們長于表現(xiàn)的題材之一。不論是西方的靜物畫還是中國的花鳥畫及一部分小品畫,畫家都在極盡所能的用畫家之眼和畫家之心進行描繪,并意圖在畫面之外表達些什么。在這里,“靜物”不再只是畫家筆下簡單的物象,而經(jīng)常被賦予了“物”之外的“意”,以寄托畫家的情思。本文以畫面意境和情趣對一部分以“物的靜態(tài)呈現(xiàn)”為題材的繪畫進行了重新的分類和解讀,并以中國傳統(tǒng)審美意趣為出發(fā)點,提取兩個關鍵詞——“素”與“靜”,以此角度重新閱讀“靜物繪畫”,并探討其背后的文化內(nèi)涵。 一,本文選取了“靜物繪畫”作為探討的對象。這類繪畫雖然題材較小,但與生活貼近,易使人產(chǎn)生親切感。且正如莊子于《齊物論》中所論,世界皆由小物組成,每種“物”都有其存在的價值；事物由道而生,而“道通為一”,這與“靜物繪畫”中以物寄情之思互相契合。本文一方面就繪畫角度對“靜物繪畫”進行了分析和探討；另一方面,通過對關鍵詞“素”與“靜”的闡釋,體味承載于此類“靜物繪畫”之中的文化內(nèi)涵及其存在于現(xiàn)當代藝術環(huán)境中的特殊意義。 二,本文涉及東西兩方面哲學、美學觀念及作品的探討,立足于東方審美意趣,并在寫作過程中援引西方理論支撐。通過對于相關理論和繪畫作品的翻閱和探究,打破地域限制,整理出其中具備相近情緒的一部分作品,進行探討和研究。一方面,對于“靜物繪畫”在本文中所指范疇以意境和情趣進行了歸類和思考；另一方面,以“素”與“靜”為出發(fā)點對這類“靜物繪畫”進行分析和再解讀。 三,當今社會飛速發(fā)展,信息流通的便捷使地球變得越來越小。身處當代,大量文化信息充斥在生活之中,豐富了文化生活。但就另一個角度而言,爆炸的信息也沖擊著人們的內(nèi)心。在這種氛圍之中,如何存留內(nèi)心的一份清靜、如何理性客觀的取舍、如何保護自己內(nèi)心的文化力量就顯得尤為重要。而中國傳統(tǒng)釋道精神所提倡的“空”、“無”等哲學思想,則以東方的大智慧為我們找到了一種留存內(nèi)心文化能量的方式。繪畫中的“素”與“靜”,既是流淌于畫面之上的質(zhì)樸寧靜,也是深植于繪畫之內(nèi)的那份淡然澄明。本論文中涉及的這部分繪畫作品,雖為描繪物象之作,但其質(zhì)樸淡然、寧靜致遠的風貌,如同一劑養(yǎng)心良藥,于平淡不經(jīng)之中滋潤著畫者和讀者的心田。在充滿多元文化現(xiàn)象的當代,這部分作品也許略顯平淡,并不奪人眼球,但其依然是值得我們關注的視覺現(xiàn)象之一,具有不可替代的存在意義。
[Abstract]:In the development of art history, "still life" has always been one of the subjects that painters are good at. Painters are doing everything they can to paint with the artist's eyes and the artist's heart, with the intention of expressing something outside the picture. Here, "still life" is no longer just a simple image in the artist's pen. This paper reclassifies and interprets a part of painting with the theme of "static presentation of things" by the artistic conception and interest of the picture. Taking Chinese traditional aesthetic interest as the starting point, this paper extracts two key words, "element" and "Jing", and then rereads "still life painting" from this angle, and probes into the cultural connotation behind it. First, this paper chooses "still life painting" as the object of discussion. Although this kind of painting is small in subject matter, but it is close to life, it is easy to make people feel close to each other, and it is as Zhuangzi discussed in "Qi thing Theory". The world is made up of small things, each kind of "thing" has its existence value; Things come from Tao, and "Tao is one", which coincides with the thought of sending emotion to things in "still life painting". On the one hand, this paper analyzes and discusses "still life painting" from the perspective of painting; On the other hand, through the explanation of the key words "element" and "Jing", the cultural connotation and the special meaning in the modern and contemporary artistic environment are carried by the body taste in this kind of "still life painting". Second, this article involves two aspects of philosophy, aesthetic concepts and works, based on the oriental aesthetic interest. And in the process of writing cited Western theoretical support. Through the relevant theories and paintings to read and explore, break the geographical restrictions, sort out some of the works with similar emotions. On the one hand, the category of "still life painting" in this paper is classified and considered by artistic conception and interest; On the other hand, this paper analyzes and reinterprets this kind of "still life painting" based on "Su" and "Jing". Third, the rapid development of today's society, the convenient flow of information makes the earth become smaller and smaller. In the contemporary, a large number of cultural information in life, enriched cultural life. But from another perspective. In this kind of atmosphere, how to keep a quiet heart, how to make a rational and objective choice. How to protect their inner cultural power is particularly important, while the traditional Chinese philosophy of "emptiness" and "nothingness" advocated by the spirit of Buddhism and Taoism. Then with the great wisdom of the East, we find a way to retain the inner cultural energy. The "element" and "quiet" in painting are both simple and quiet flowing on the screen. This part of the painting works involved in this paper, although for the description of the image of the work, but its simple, quiet and distant style, as a good medicine for the heart. This part of the works may be slightly dull, not eye-catching, but it is still one of the visual phenomena worthy of our attention. Has the irreplaceable existence significance.
【學位授予單位】：中央民族大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J211.27

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本文編號：1476189