本文關(guān)鍵詞： 中國傳統(tǒng)美術(shù)元素 形式 內(nèi)容 借鑒 影響　出處：《渤海大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：學(xué)習(xí)本民族以外的藝術(shù)文化，并融合外來民族的藝術(shù)精髓到自己的繪畫創(chuàng)作中，并形成獨(dú)具魅力的繪畫藝術(shù)，居斯塔夫·克里姆特就是一位這樣的藝術(shù)家�？死锬诽氐睦L畫在借鑒了中國傳統(tǒng)美術(shù)的諸多元素中，并沒有直接拿來使用美術(shù)元素，而是進(jìn)行藝術(shù)加工，加入自己的理解，從而使融合了東西方文化藝術(shù)精華的繪畫作品完美的展現(xiàn)在我們的面前，藝術(shù)作品超越了“模仿自然”的藝術(shù)概念，而是創(chuàng)造一個(gè)新的藝術(shù)形象。這樣的藝術(shù)風(fēng)格在視覺上雖然比一幅古典繪畫要簡單，但是在藝術(shù)表現(xiàn)上更具有獨(dú)創(chuàng)性，實(shí)際上是派生出更為復(fù)雜的視覺領(lǐng)域，，這是進(jìn)一步從形式和內(nèi)容解脫出來的結(jié)果，是藝術(shù)語言高度純化的必然，從而產(chǎn)生開放性、無邊的可能性和更多的表現(xiàn)物象的方法。 對(duì)于研究克里姆特對(duì)中國傳統(tǒng)美術(shù)元素的借鑒，就要先了解中國傳統(tǒng)美術(shù)元素。由于中國傳統(tǒng)文化博大精深,各式各樣的美術(shù)元素?zé)o疑都凝聚著我們本民族的藝術(shù)精華,并滲透在作品的造型、構(gòu)圖和色彩之中,本論文也將指出一些特征比較明顯與本論文論述主題相關(guān)的一些美術(shù)元素進(jìn)行總結(jié)和歸納,從克里姆特繪畫的表現(xiàn)形式和內(nèi)容兩個(gè)方面具體深入的闡述對(duì)中國傳統(tǒng)美術(shù)元素的借鑒，特別列舉了一些繪畫作品進(jìn)行探討。這樣有利于我們理解中國傳統(tǒng)美術(shù)元素對(duì)克里姆特繪畫所產(chǎn)生的影響，以及了解19世紀(jì)末20世紀(jì)初的東西方文化藝術(shù)的交流,有助于我們認(rèn)識(shí)甚至解決當(dāng)下對(duì)本民族傳統(tǒng)藝術(shù)的繼承和發(fā)展問題。
[Abstract]:Learn the art and culture other than this nation, and integrate the essence of foreign national art into their own painting creation, and form a unique charm of painting art. Gustav Klimt is one of these artists, and Klimt's paintings, among the many elements that draw on Chinese traditional art, don't use them directly, but they're processed. Add their own understanding, so that the combination of eastern and western cultural and artistic essence of painting in front of us, art beyond the "imitation of nature" art concept. It is to create a new artistic image. Although this artistic style is simpler than a classical painting, it is more original in artistic expression, and in fact it is derived from a more complex visual field. This is the result of further extrication from form and content, and the necessity of high purification of artistic language, which leads to openness, boundless possibility and more methods of representation of objects. For the study of Klimt's reference to the elements of Chinese traditional art, we must first understand the elements of Chinese traditional art, because of the extensive and profound Chinese traditional culture. There is no doubt that all kinds of art elements are condensing the artistic essence of our nation, and permeate in the modeling, composition and color of the works. This paper will also point out some features are obviously related to the theme of this paper to sum up and sum up some elements of the fine arts. From the expression of Klimt painting and the content of two aspects of the specific and in-depth elaboration of the elements of Chinese traditional art reference. It is helpful to understand the influence of Chinese traditional art elements on Klimt's painting. It is helpful for us to understand and even solve the problem of inheriting and developing the traditional art of our nation by understanding the exchange of culture and art between the East and the West from the end of 19th century to the beginning of 20th century.
【學(xué)位授予單位】：渤海大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J205

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本文編號(hào)：1475409