本文關(guān)鍵詞： 綜合繪畫 材料 當(dāng)代性 觀念　出處：《天津美術(shù)學(xué)院》2015年碩士論文　論文類型：學(xué)位論文

【摘要】：綜合材料在繪畫上的使用始于二十世紀(jì)出的,立體主義的藝術(shù)家首先嘗試了在油畫中拼貼多元的材料,隨著時代的發(fā)展與藝術(shù)的進程向前推進,綜合材料繪畫這一門類越來越受到藝術(shù)家們的青睞,從二十世紀(jì)初的立體主義開始,各個主要的藝術(shù)流派中都出現(xiàn)了很多優(yōu)秀的材料藝術(shù)家。隨著東西方文化的交流與融合,這種極具當(dāng)代意味的繪畫形式也被帶入了中國影響了很多藝術(shù)家。綜合繪畫在近百年的發(fā)展歷史中,表現(xiàn)了獨特的藝術(shù)魅力,打破了傳統(tǒng)界限,使畫種與畫種之間有了直接聯(lián)系,為架上繪畫帶來了新的觀念,注入了新鮮血液。
[Abstract]:The use of comprehensive materials in painting began in 20th century, cubism artists first tried to collage in the oil painting of multiple materials, along with the development of the times and the process of art forward. The category of composite material painting is more and more popular among artists, beginning with cubism at the beginning of 20th century. There are many excellent material artists in all major art schools. With the exchange and integration of eastern and western cultures. This very contemporary style of painting has also been brought into China to influence many artists. Comprehensive painting in the development of nearly 100 years of history, showing a unique artistic charm, breaking the traditional boundaries. So that there is a direct relationship between painting and painting, for the shelf painting brought new ideas, injected fresh blood.
【學(xué)位授予單位】：天津美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：J205

【參考文獻】

相關(guān)碩士學(xué)位論文 前1條

1 馬江陵;論造型藝術(shù)語言中材料功能的轉(zhuǎn)變[D];河南大學(xué);2008年

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本文編號：1454507