本文關(guān)鍵詞： 當(dāng)代中國人物畫 傳統(tǒng) 時代感 藝術(shù)精神 責(zé)任與使命　出處：《山東師范大學(xué)》2016年碩士論文　論文類型：學(xué)位論文

【摘要】：當(dāng)代中國人物畫的發(fā)展建立在整個中國的傳統(tǒng)文化藝術(shù)的進(jìn)程之上,且與中西文化交流的加深、西方藝術(shù)形態(tài)的影響有很大關(guān)系。人物畫的發(fā)展,不僅體現(xiàn)在西方藝術(shù)的沖擊下,傳統(tǒng)的工具、技法、表現(xiàn)方式等等各方面的突破創(chuàng)新,更體現(xiàn)在新時代的藝術(shù)家的個性表達(dá),以及對社會與民族的責(zé)任使命和人文關(guān)懷。在多元共生的藝術(shù)語境下,富有遠(yuǎn)見卓識的畫家們?nèi)诤衔鞣降乃囆g(shù)理念和技法,革故鼎新,探索、發(fā)展、豐富了許多符合當(dāng)代審美需要的中國人物畫的表現(xiàn)語言和形式。然而,隨著中國社會的發(fā)展,中國人物畫創(chuàng)作進(jìn)入了一個新的歷史時期,保持民族傳統(tǒng)文化的純潔性成為新的藝術(shù)創(chuàng)作熱點和潮流�，F(xiàn)代社會對藝術(shù)價值判斷的標(biāo)準(zhǔn)逐漸趨向多元,整個民族的藝術(shù)觀念、審美意識多元多樣,推動藝術(shù)創(chuàng)作者不斷探索、選擇相應(yīng)的表現(xiàn)手段和形式,構(gòu)建更具個性的、時代的繪畫語言和陣地。當(dāng)代中國人物畫的嬗變,源于繪畫主體無法回避順應(yīng)劇烈變動的世界藝術(shù)格局,同時也源于傳統(tǒng)繪畫范式在當(dāng)代語境下的自我調(diào)整和重新定位。中國人物畫有著悠久的歷史和深厚的底蘊,在多次社會動蕩歷史變遷的數(shù)千年歷史中傳承發(fā)展。其藝術(shù)內(nèi)涵是創(chuàng)作者對社會、民族、人生的認(rèn)識感悟以及對美學(xué)的追求,并吸收融合傳統(tǒng)的與現(xiàn)代的藝術(shù)精華,將藝術(shù)升華,達(dá)到精神境界的高度。當(dāng)代中國人物畫逐漸走出了近現(xiàn)代單一的寫實主義范疇,由傳統(tǒng)形態(tài)向當(dāng)代形態(tài)的轉(zhuǎn)型過程中,不斷進(jìn)行筆墨語言與西方造型觀念的融合。藝術(shù)的魅力在于打動人心,當(dāng)代中國人物畫作為展現(xiàn)藝術(shù)家思想情感與審美意識的載體之一,凝聚了畫家的經(jīng)歷、體驗、涵養(yǎng)以及社會責(zé)任。當(dāng)代中國人物畫創(chuàng)作者在創(chuàng)作中,吸收融合了傳統(tǒng)與現(xiàn)代的藝術(shù)精華,把對社會、民族、人生的親身體驗與深刻感悟,毫無保留地傾注到紙筆之間。因此,優(yōu)秀的人物畫作品往往能夠很好地體現(xiàn)藝術(shù)家們對藝術(shù)和美的獨特闡釋與不懈追求,并滲透到畫面的每一根線條、每一個色塊、每一個布局,展示著時代賦予的責(zé)任和使命,從而引發(fā)觀眾的強烈共鳴。無論多小的主題、多大的畫面,都以一種純粹的思想情感,追求人物畫藝術(shù)與思想精神高度契合乃至天衣無縫的境界。然而,在社會經(jīng)濟與藝術(shù)市場的影響和推動下,當(dāng)代中國人物畫與市場的合作、互動越來越密切,這一趨勢向新一代創(chuàng)作者提出了新的命題和要求。年輕創(chuàng)作者在進(jìn)行人物畫藝術(shù)創(chuàng)作時,要注意避免陷入市場的盲目以及社會的浮躁。因此,年輕創(chuàng)作者們應(yīng)悉心學(xué)習(xí)前輩藝術(shù)家門的精神,突破已有的各種藝術(shù)條框,表達(dá)自己對人生、社會、理想等方面的心聲和藝術(shù)思考,力爭在當(dāng)代中國人物畫的情感表現(xiàn)、語言形式及思想內(nèi)涵等方面承前啟后、既往開來。
[Abstract]:The development of contemporary Chinese figure painting is based on the process of the whole Chinese traditional culture and art, and with the deepening of the cultural exchange between China and the West, the influence of the western art form is very much related to the development of the figure painting. Not only reflected in the impact of Western art, traditional tools, techniques, ways of expression and other aspects of breakthrough innovation, but also reflected in the new era of artists' personality expression. In the multi-symbiotic art context, the visionary painters integrate the western artistic ideas and techniques, reform the old style, explore and develop. It enriches the expression language and form of Chinese figure painting, which meets the needs of contemporary aesthetics. However, with the development of Chinese society, the creation of Chinese figure painting has entered a new historical period. To maintain the purity of national traditional culture has become a new hot spot and trend of art creation. The standard of art value judgment in modern society has gradually tended to be pluralistic, and the whole nation's artistic concept and aesthetic consciousness are diverse. Promote the art creators to explore, choose the corresponding means and forms of expression, and build a more personalized, era painting language and position. The evolution of contemporary Chinese figure painting. From the painting subject can not avoid to adapt to the dramatic changes of the world art pattern. At the same time, it also stems from the traditional painting paradigm in the contemporary context of self-adjustment and re-positioning. Chinese figure painting has a long history and deep inside information. Its artistic connotation is the creators' understanding of society, nation and life and the pursuit of aesthetics. And absorb the traditional and modern essence of art to sublimate art to the height of the spiritual realm. Contemporary Chinese figure painting gradually out of the modern single category of realism. In the process of transformation from traditional form to contemporary form, the combination of pen and ink language and western styling concept is carried on continuously. The charm of art lies in moving people's heart. Contemporary Chinese figure painting, as one of the carriers to show the artist's thought, emotion and aesthetic consciousness, condenses the painter's experience, experience, self-cultivation and social responsibility. Absorb the traditional and modern essence of art, the social, national, life experience and profound feelings, without reservation, pour between the paper and pen. Outstanding figure painting works often can well reflect the artists' unique interpretation and unremitting pursuit of art and beauty, and permeate every line of the screen, every color block, every layout. Show the responsibility and mission entrusted by the times, thus arousing the audience's strong resonance. No matter how small the theme, no matter how large the picture, with a pure thought and emotion. The pursuit of figure painting art and ideological spirit is highly compatible with and even seamless realm. However, under the influence and promotion of social economy and art market, the cooperation between contemporary Chinese figure painting and market is becoming more and more close. This trend puts forward new propositions and requirements to the new generation of creators. Young creators should pay attention to avoid falling into the blind market and social impetuosity. Young creators should carefully learn the spirit of their predecessors, break through the existing art bars, and express their aspirations and artistic reflections on life, society, ideals, and so on. Strive to connect the past and the future in the emotional expression, language form and ideological connotation of contemporary Chinese figure painting.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2016
【分類號】：J212
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本文編號：1448419