墨竹畫的源流析
發(fā)布時間:2018-01-20 11:06
本文關(guān)鍵詞: 蕭悅 道臻 章懷太子墓壁畫 吳道子 畫竹 嘉yP 尋根問祖 李夫人 文湖州 叢竹 出處:《公關(guān)世界》2016年20期 論文類型:期刊論文
【摘要】:正中國人有尋根問祖之美德,對墨竹畫亦然。據(jù)今資料顯示,唐代墨竹已始流行,但都"道聽途說"而已:一云吳道子作畫"不施丹青已極形似",為黃庭堅《道臻師畫墨竹序》所及;二云王維(摩詰)為開元寺畫過兩叢竹,被蘇軾在宋仁宗嘉yP六年冬于鳳翔發(fā)現(xiàn)該畫刻于石上所推論;三云蕭悅是唐代畫竹名家,以白居易《蕭悅畫竹論》"舉頭忽看不似畫,側(cè)耳靜聽疑有聲"為證;四云唐章懷太子墓壁畫中有侍
[Abstract]:The Chinese people have the virtue of seeking root and asking the ancestors , and also the ink and bamboo picture . According to the information , Tang Dynasty Ink Bamboo started to be popular , but all " Taoist priests said " : A cloud of Wu Daozi painting " no Danqing has become very similar " , and Su Shi in the Song Ren Zong JiayP six years in the winter in Fengxiang discovered the painting engraved on the stone ;
【分類號】:J212
【正文快照】: 中國人有尋根問祖之美德,對墨竹畫亦然。據(jù)今資料顯示,唐代墨竹已始流行,但都“道聽途說”而已:一云吳道子作畫“不施丹青已極形似”,為黃庭堅《道臻師畫墨竹序》所及;二云王維(摩詰)為開元寺畫過兩叢竹,被蘇軾在宋仁宗嘉yP六年冬于鳳翔發(fā)現(xiàn)該畫刻于石上所推論;三云蕭悅是唐代,
本文編號:1447964
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