本文關(guān)鍵詞：佛禪意蘊在意象油畫中的應(yīng)用研究　出處：《廣西師范大學(xué)》2016年碩士論文　論文類型：學(xué)位論文

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【摘要】：在多元文化不斷碰撞不斷交融發(fā)展的今天,我們身邊的一切都在快速的變化著,伴隨著這些變化。人們的情感、欲望、價值觀念都不在那么清晰可辨,物質(zhì)走向越發(fā)豐富的同時,精神卻時常被壓抑著,找不到心靈的居所。經(jīng)濟(jì)的騰飛與文化的錯位造成的矛盾,使越來越多人們開始向中國的傳統(tǒng)文化復(fù)歸,開始不斷的思索文化的根性問題。用傳統(tǒng)的文化精神去抵制現(xiàn)實的生活的誘惑。在各個領(lǐng)域倡導(dǎo)一種東方自信,中國意象油畫的異軍突起就是鑒于一種文化自信回歸。發(fā)展和繼承本民族的優(yōu)秀文化傳統(tǒng),將千年的文化財富與新的時代文學(xué)藝術(shù)結(jié)合起來換發(fā)出新的光輝。中國意象以一種內(nèi)隱的方式來呈現(xiàn)中華民族千年的文明和情懷,包羅萬象的精神內(nèi)涵與自由純粹的作畫方式給架上繪畫帶來更多新的可能。佛禪意蘊是中國傳統(tǒng)文化的美學(xué)典范,對心性自由的重視,對萬物自然的接納和融合都應(yīng)是意象油畫創(chuàng)作表達(dá)所珍視的瑰寶。佛禪意蘊通過空靈的意境,神秘的氣息映射至高的精神追求。意象油畫的在經(jīng)過幾代藝術(shù)家的虔誠問道探索中。逐漸形成了多元互補,交融綜合的格局,佛禪意蘊是中國文化的精髓,蘊藏著深厚的文化積淀,是構(gòu)成中國美學(xué)以及繪畫審美的獨特因素之一。將其應(yīng)用到意象油畫的探索表達(dá)中具有深刻的現(xiàn)實意義和學(xué)術(shù)價值。儒釋道的精神是中華五千年的的民族血脈。是文藝創(chuàng)作的傳統(tǒng)之源。鑒于筆者的興趣和個人藝術(shù)創(chuàng)作方向現(xiàn)將以佛禪意蘊在意象油畫中的應(yīng)用為切入點進(jìn)行研究。對佛禪意蘊在意象油畫中的價值,探索與轉(zhuǎn)化作為重點梳理,佛禪文化是中國傳統(tǒng)文化彌足珍貴的一部分,它吸取印度佛學(xué)以及中國的儒道思想的精華。其里蘊涵著深厚的智慧和美學(xué),講求明心見性,向內(nèi)求索,在任何時代它都有其積極的審美價值和現(xiàn)實意義。筆者試圖將佛禪意蘊與意象油畫創(chuàng)作相結(jié)合,對進(jìn)行意象油畫創(chuàng)作中帶有佛禪因素的畫家及作品進(jìn)行梳理,研究。來突出意象油畫中禪意油畫的隱性價值和現(xiàn)實意義。佛禪意蘊是超越物質(zhì)和精神束縛的空靈之美,里面暗含著濃厚的藝術(shù)價值和啟示智慧。德國哲學(xué)家馬克說“沒有一個偉大的純潔的藝術(shù),是無宗教的,藝術(shù)愈宗教化,它就愈有藝術(shù)性。這意味著哲學(xué)、宗教、藝術(shù)在真、善、美的頂點都殊途同歸�！蓖ㄟ^前輩藝術(shù)家和筆者本人在禪意油畫創(chuàng)作方面的探索來表達(dá)其研究的目的和意義。筆者認(rèn)為藝術(shù)應(yīng)在更大層面去教人向善,去啟發(fā)觀者,感悟觀者。應(yīng)該向人們傳達(dá)一種寧靜與希冀。讓人們平和的看待名和利。思索人生更高層次精神追求,在經(jīng)濟(jì)文化快餐式發(fā)展的今天更應(yīng)該倡導(dǎo)什么,應(yīng)該堅持什么。透過空靈禪意,關(guān)照精神當(dāng)下。
[Abstract]:Today, when multiculturalism is constantly colliding and developing, everything around us is changing rapidly, with these changes. People's emotions, desires, values are not so clearly discernible. While the material trend is more and more abundant, the spirit is often suppressed, and can not find the place of the soul. The contradiction caused by the rapid development of economy and the dislocation of culture makes more and more people begin to return to the traditional culture of China. Began to think about the root of culture. With the traditional cultural spirit to resist the temptation of real life. In various fields to promote a kind of Oriental self-confidence. The emergence of Chinese imagery oil painting is in view of the return of cultural self-confidence, development and inheritance of this nation's excellent cultural tradition. Combining the cultural wealth of the millennium with the literature and art of the new era, the Chinese image presents the civilization and feelings of the Chinese nation in an implicit way. The all-encompassing spiritual connotation and the free pure painting method bring more new possibilities to the frame painting. The meaning of Buddhism is the aesthetic model of Chinese traditional culture, which attaches importance to the freedom of mind and sex. The acceptance and integration of the nature of all things should be the precious treasure of the creation and expression of image oil painting. The mysterious breath reflects the highest spiritual pursuit. After several generations of artists' pious inquiry and exploration, the image oil painting has gradually formed a multi-complementary, integrated pattern, the meaning of Buddhism is the essence of Chinese culture. There is a profound cultural accumulation. It is one of the unique factors that constitute Chinese aesthetics and painting aesthetics. It has profound practical significance and academic value to apply it to the exploration and expression of image oil painting. The spirit of Confucianism, Buddhism and Taoism is the national blood vein of China for five thousand years. Is the traditional source of literary and artistic creation. In view of the author's interest and the direction of individual art creation will now be based on the application of Buddhist Zen in image oil painting as a starting point. The value of Buddhist meaning in image oil painting. Exploration and transformation as the focus of combing, Buddhist culture is a precious part of Chinese traditional culture, it draws on the essence of Indian Buddhism and Chinese Confucianism and Taoism, which contains profound wisdom and aesthetics. It has its positive aesthetic value and realistic significance in any time. The author tries to combine the meaning of Buddhism with the creation of image oil painting. On the image oil painting with Buddhist elements in the creation of artists and works to comb. Research. To highlight the hidden value and practical significance of Zen oil painting in image oil painting. The implication of Buddhist meditation is the beauty of emptiness beyond the bondage of material and spirit. The German philosopher Mark said, "there is no great pure art, no religion, the more religious art, the more artistic it is. This means philosophy." Religion, art in truth, good. The top of the United States is the same way. "through the previous generation of artists and the author himself in Zen oil painting to express the purpose and significance of its research. I believe that art should teach people in a larger level to be good." To enlighten the viewer, to understand the viewer. Should convey to people a kind of tranquility and hope. Let people look at fame and profit peacefully. Think about the higher level of spiritual pursuit of life. In the economic and cultural fast-food development today, we should advocate what, should adhere to what, through the spiritual Zen, caring for the spirit of the present.
【學(xué)位授予單位】：廣西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2016
【分類號】：J213

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