【摘要】：華縣皮影是燈與影的神奇碰撞、是在中國漫漫歷史的長河中沉淀下的寶貴的遺產(chǎn)。它是融宗教教化、娛樂和酬神祈福等作用于一體的民間表演形式。在當(dāng)代信息化的社會里,大量的信息沖擊與外來文化的刺激使得人們的審美觀、消費方式、生活方式發(fā)生了巨大的改變,使文化成為了一種消費品走入了市場的洪流。在當(dāng)代的社會中,消費已經(jīng)取代了生產(chǎn)成為社會生活的主要的動力和目標(biāo)。消費市場向著特色消費、觀念消費轉(zhuǎn)變。人們在消費中對于個性需求的追求,使得人們在注重物質(zhì)產(chǎn)品功能的同時,更加注重功能價值以外的符號價值、精神價值、注重情感的訴求。華縣皮影這一具有千年歷史的民間文化形式逐漸失去了生存的土壤,喪失了抵抗的力量、逐步走向了衰落。本論文針對華縣皮影的現(xiàn)狀,為了使其更有效地融入信息化的社會、實現(xiàn)更有效的傳播進(jìn)行研究,以增加人們對其的關(guān)注及理解,為華縣皮影的發(fā)展帶來更多的可能性,從而實現(xiàn)對其保護(hù)。首先,本論文基于現(xiàn)代信息化環(huán)境,從設(shè)計學(xué)與信息可視化的角度,運用符號學(xué)的基本原理,結(jié)合人—物—環(huán)境—社會—文化—藝術(shù)之間的符號互動關(guān)系對華縣皮影文化進(jìn)行了符號的能指與所指關(guān)系的梳理與研究。這個部分由兩個部分構(gòu)成:第一在符號學(xué)理論的指導(dǎo)下,主要結(jié)合戲曲、歷史等對華縣皮影的影響,從其角色塑造特征的角度進(jìn)行研究。這部分包括頭茬、服飾、表演三個方面的內(nèi)容。第二,在符號學(xué)理論指導(dǎo)下,主要結(jié)合美學(xué)、中國傳統(tǒng)文化觀對華縣皮影的影響,從皮影符號語言特征的角度進(jìn)行研究。這個部分從語言構(gòu)成原則和表現(xiàn)方式兩個方面分析研究。其次,在上述研究的基礎(chǔ)上,運用定量與定性相結(jié)合的研究方法、感性工程學(xué)的方法,采用相機、計算機輔助設(shè)計軟件、統(tǒng)計分析軟件IBM SPSS Statistics 20等對華縣皮影符號符碼的數(shù)字化提取方法進(jìn)行探究。為華縣皮影藝術(shù)的在線傳播提供信息思路,為皮影文化的符號及構(gòu)成元素在現(xiàn)代創(chuàng)意產(chǎn)業(yè)中的應(yīng)用提供數(shù)字可視素材,對于其他的傳統(tǒng)文化保護(hù)與傳播也具有一定的參考作用。第三,設(shè)計實踐部分是對上述研究的正確性和可操作性的驗證。通過移動終端APP客戶端的設(shè)計實踐將人們對傳統(tǒng)文化的了解與娛樂互動相結(jié)合,最終有助于實現(xiàn)傳統(tǒng)文化的傳播、保護(hù),并未其發(fā)展提供可能。
[Abstract]:Huaxian shadow is a magical collision between lamp and shadow, and is a precious heritage deposited in the long river of China's long history. It is a form of folk performance that combines religious enlightenment, entertainment and divine blessing. In the modern information society, a great deal of information shock and the stimulation of foreign culture make people's aesthetic standards, consumption style and life style change greatly, which makes culture become a kind of consumer goods flowing into the market. In contemporary society, consumption has replaced production as the main motive force and goal of social life. Consumer market toward characteristic consumption, concept consumption changes. The pursuit of personality demand in consumption makes people pay more attention to the symbolic value, spiritual value and emotional appeal besides the function of the material product at the same time. Shadow of Huaxian, a folk culture form with a history of 1000 years, gradually lost the soil for survival, lost the strength of resistance and gradually declined. This paper aims at the present situation of Huaxian shadow, in order to make it more effective into the information society, to achieve more effective communication, in order to increase people's attention and understanding, and bring more possibilities for the development of Huaxian shadow. In order to achieve its protection. First of all, based on the modern information environment, this paper uses the basic principles of semiotics from the angle of design and information visualization. Combining the symbolic interaction between human, material, environment, society, culture and art, this paper analyzes and studies the signifier and signified relationship of shadow culture in Huaxian. This part is composed of two parts: first, under the guidance of semiotics theory, mainly combining the influence of drama and history on the shadow of Huaxian County, the study is carried out from the angle of shaping characteristics of its role. This part includes the first stubble, dress, performance three aspects of the content. Secondly, under the guidance of semiotics theory, the influence of aesthetics and Chinese traditional cultural view on shadow in Huaxian County is studied from the perspective of the linguistic features of shadow symbols. This part analyzes and studies from two aspects: the principle of language formation and the way of expression. Secondly, on the basis of the above research, using quantitative and qualitative research methods, perceptual engineering methods, the use of cameras, computer-aided design software, Statistical analysis software IBM SPSS Statistics 20 and so on to Huaxian shadow symbol code digital extraction method. It provides information ideas for online communication of shadow art in Huaxian and digital visual material for the application of symbols and components of shadow culture in modern creative industry. It is also useful for other traditional cultures to protect and spread. Third, the design practice is to verify the correctness and maneuverability of the above research. Through the design practice of mobile terminal APP client, people's understanding of traditional culture is combined with entertainment interaction, which is helpful to realize the spread and protection of traditional culture, but it is not possible to develop it.
【學(xué)位授予單位】：陜西科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：J528.3

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