【摘要】：21世紀(jì)是地鐵建設(shè)蓬勃發(fā)展的時(shí)代,地鐵站的建設(shè)打破了原有的傳統(tǒng)城市交通格局,新的地鐵建筑空間環(huán)境的確立,對(duì)于其周邊環(huán)境的影響以及人們出行的生活方式都產(chǎn)生了巨大的改變。2016年廣西南寧成為自治區(qū)第一個(gè)開通地鐵的城市,為展現(xiàn)城市多元化的少數(shù)民族特色,地鐵站的空間設(shè)計(jì)應(yīng)結(jié)合時(shí)代的發(fā)展具有一定的包容性、多樣性、民族性特征。而侗族裝飾圖案在少數(shù)民族中又獨(dú)具特色,從侗族拼布藝術(shù)圖案中提取設(shè)計(jì)元素并應(yīng)用到空間設(shè)計(jì)中,為地鐵站空間設(shè)計(jì)展現(xiàn)民族文化進(jìn)行一種新的嘗試。首先,本課題的研究是通過(guò)對(duì)拼布藝術(shù)圖案特征和地鐵空間相關(guān)概念、理論的梳理,根據(jù)裝飾圖案元素在空間設(shè)計(jì)中的應(yīng)用原則、方法對(duì)地鐵空間進(jìn)行藝術(shù)設(shè)計(jì)實(shí)踐。其次,設(shè)計(jì)的意義在于計(jì)劃、規(guī)劃、設(shè)想所能更好的服務(wù)、滿足、適應(yīng)于人類需求的物質(zhì)生活條件。掌握拼布在現(xiàn)代設(shè)計(jì)中的應(yīng)用形式,對(duì)侗族拼布技藝創(chuàng)作的裝飾圖案進(jìn)行深入分析,運(yùn)用形態(tài)構(gòu)成方法,將裝飾圖案與地鐵站空間中的功能原則相結(jié)合。最后,民族文化深深的植根于社會(huì)人類發(fā)展的過(guò)程中。南寧是廣西壯族自治區(qū)的省會(huì)城市,其廣西少數(shù)民族文化特色鮮明,古老的駱越族裔民族文化所涵蓋了西南地區(qū)地域性文化。根據(jù)其中侗族少數(shù)民族裝飾圖案的特色,通過(guò)藝術(shù)設(shè)計(jì)手法,應(yīng)用到地鐵站空間環(huán)境設(shè)計(jì)的實(shí)踐中,對(duì)地鐵站空間環(huán)境設(shè)計(jì)中的民族文化提出展望。
[Abstract]:The 21st century is the era of the vigorous development of subway construction, the subway station construction broke the original traditional urban traffic pattern, the establishment of the new subway building space environment. The impact of its surrounding environment and the way people travel have changed dramatically. In 2016, Guangxi Nanning became the first city in the autonomous region to open a subway, in order to show the diversity of the city's ethnic characteristics. The space design of subway station should be inclusive, diverse and national in combination with the development of the times. However, the decoration pattern of Dong nationality has its own characteristics among the minority nationalities. The design elements are extracted from the artistic pattern of Dong nationality patchwork and applied to the space design, which is a new attempt to display the national culture for the space design of subway station. First of all, the research of this subject is based on the combing of the characteristics of the art pattern and the concept of subway space, the theory, the application principle of the decorative pattern element in the space design, the method of the art design practice of the subway space. Secondly, the meaning of design lies in planning, and imagining better service, satisfying and adapting to the material living conditions of human needs. In order to grasp the application form of patchwork in modern design, this paper analyzes the decorative pattern of Dong nationality's craftsmanship, and combines the decorative pattern with the function principle of subway station space by using the method of form constitution. Finally, the national culture is deeply rooted in the process of social and human development. Nanning is the capital city of Guangxi Zhuang Autonomous region with distinctive cultural characteristics of minority nationalities in Guangxi. The ancient Locke ethnic culture covers the regional culture in Southwest China. According to the characteristics of the decorative patterns of Dong ethnic minorities, this paper applies the artistic design method to the practice of space environment design of subway station, and puts forward the prospect of the national culture in the space environment design of subway station.
【學(xué)位授予單位】：廣西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：U231.4

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