本文選題：新表現(xiàn)主義繪畫 + 存在主義哲學　； 參考：《河北大學》2017年碩士論文

【摘要】：20世紀60-70年代,西方藝術(shù)界被追求極致簡約的極簡主義和去物質(zhì)化的觀念藝術(shù)所引領(lǐng),繪畫被認為是一種陳舊的傳統(tǒng)藝術(shù)媒介且不合時宜。20世紀70年代末,“反藝術(shù)”潮流逐漸平息,繪畫被重新重視并登上世界藝術(shù)的舞臺。這種回到繪畫的“復(fù)舊”造就了80年代的“新意”,那些被形容成為“猛烈的”、“粗狂的”等風格的繪畫開始成為藝術(shù)市場的主流和博物館青睞的對象,這股繪畫“復(fù)蘇”的潮流從歐洲大陸興起,席卷北美并走向世界。“新表現(xiàn)主義”是這次繪畫“回歸”運動的總稱,它以薩特的存在主義哲學為依托,倡導(dǎo)思想自由、“以人為本”的藝術(shù)理念,真實反映出了當代人的生活狀態(tài)和精神訴求。眼鏡蛇畫派的繪畫藝術(shù)吸取了原始主義、民間文化和稚拙藝術(shù)等風格,向我們展現(xiàn)了一幅幅飽含激情、充滿活力的繪畫作品。德國新表現(xiàn)主義,以極具個性的藝術(shù)作品來表達對歷史和社會的關(guān)懷,并由此形成了一種具有新歷史主義傾向的文化景觀,畫家們通過藝術(shù)作品,挑戰(zhàn)、反抗歷史文本,試圖改變教條、僵澀的知識體系,強調(diào)個人與歷史和社會之間的關(guān)系。筆者在研究生學習期間,較為深入的研究了新表現(xiàn)主義繪畫的繪畫理念和藝術(shù)風格,旨在通過論述新表現(xiàn)主義繪畫的發(fā)展歷程和藝術(shù)價值,以及其對筆者畢業(yè)作品的影響,來表達對繪畫藝術(shù)的認知。
[Abstract]:In the 60-70 years of the twentieth Century, the western art world was led by the pursuit of minimalist minimalism and materialized concept art. Painting was regarded as an old traditional medium of art and was inopportune in the late 70s of.20. The "anti art" trend gradually subsided, and painting was re attached to and on the stage of world art. The "revival" of the painting has created the "new idea" of the 80s, which has been described as "violent", "rough" and other style painting began to become the mainstream of the art market and the object of the museum. The trend of "resuscitation" of this painting rose from the European continent, swept North America and went to the world. "New Expressionism" is the painting. The general term of "return" movement, based on Sutter's existentialist philosophy, advocates freedom of thought and the "people-oriented" artistic concept, which truly reflects the living state and spiritual appeal of the contemporary people. The painting art of the cobra painting school draws on the style of primordial, folk culture and childish art. The New Expressionism in Germany expresses the concern of history and society with the artistic works of great individuality, and thus forms a cultural landscape with a new historical tendency. Through the works of art, the painters challenge the historical text, try to change the dogma, the rigid knowledge system, and the rigid knowledge system. In the period of graduate study, the author studied the painting concept and artistic style of new expressionist painting in depth during the graduate study. It aims to express the understanding of the art of painting by discussing the development and artistic value of the new expressionist painting, as well as its influence on the author's graduation works.
【學位授予單位】：河北大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J205

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本文編號：2076180