本文選題：耒陽民歌 + 湖南民歌��； 參考：《中國音樂學院》2017年碩士論文

【摘要】：在我國,有著漫長的民族文化傳統(tǒng)和深沉的藝術積淀傳統(tǒng)地方民歌,隨著新時代知識經(jīng)濟的快速發(fā)展,在新的歷史時期有了長足的發(fā)展,傳統(tǒng)地方民歌與通俗流行歌曲之間的聯(lián)系也日益緊密。湖南耒陽地區(qū)的民歌,風格獨特,簡約質樸,它們是華夏民族五千年絢麗非物質文化遺產(chǎn)中的重要瑰寶,更是一代代耒陽人為全人類的文化事業(yè)發(fā)展做出的杰出貢獻。取材廣泛、感情豐富的耒陽民歌,與現(xiàn)實生活的方方面面都有涉及,深刻地反映了社會生產(chǎn)、生活在耒陽人民心中所引發(fā)的情緒、情感。耒陽民歌是我國古代小農(nóng)經(jīng)濟社會發(fā)展的寶貴成果,它見證著不同時代背景下耒陽人民的審美思維的演變,在傳承和發(fā)展傳統(tǒng)文化的同時也有著時代性,在新時代多樣化的音樂中仍然葆有其獨特的藝術魅力。耒陽民歌內容豐富、體裁多樣,山歌、勞動號子、小調、田歌是耒陽民歌在民歌理論上大致的區(qū)分。本文以湖南耒陽地區(qū)的民歌為研究對象,從聲樂演唱和民歌發(fā)展的角度出發(fā),對耒陽民歌的歷史文化淵源,地方特色風格和專有的演唱技法進行系統(tǒng)歸納和分析研究。在對耒陽民歌的演唱方法進行整理和提煉的基礎上,剖析湖南耒陽民歌聲樂演唱的藝術特點和地方色彩。試圖為進一步深入研究耒陽民歌提供一點微小的研究參考,為地方傳統(tǒng)民歌在當下的學習及弘揚提供實證借鑒并提出自己的思考。本文主要內容如下:第一章簡介耒陽民歌孕育的地理文化環(huán)境。從催生耒陽民歌的地理環(huán)境、經(jīng)濟狀況、文化淵源與社會結構以及傳統(tǒng)耒陽社會的風土人情、語言特點等方面來詳細分析耒陽地理、文化環(huán)境在耒陽民歌發(fā)展中起到的不容小覷的作用。第二章和第三章根據(jù)中國民歌的分類,對耒陽民歌進行分類整理,詳細闡述耒陽民歌的調式、音階、旋法、音域、音程等音樂特色方面。第四章總結出耒陽民歌的地方特色,具體到耒陽民歌的語言、音調、歌詞的表達手法等,總結出了耒陽民歌的特有演唱技法。第五章介紹耒陽民歌在現(xiàn)今的傳承和發(fā)展狀況。通過對耒陽民歌的傳唱現(xiàn)狀進行分析,并結合筆者自身,在經(jīng)過多年系統(tǒng)科學的聲樂發(fā)聲方法的基礎上,提出地方民歌傳承在學校音樂教育中的思考。
[Abstract]:In China, there is a long tradition of national culture and deep artistic accumulation of traditional local folk songs. With the rapid development of knowledge economy in the new era, there has been considerable development in the new historical period. Traditional local folk songs and popular songs are increasingly closely linked. The folk songs in Leiyang area of Hunan Province are unique in style and simple. They are important treasures of the five thousand years gorgeous intangible cultural heritage of the Chinese people and are also the outstanding contributions made by Leiyang for the development of the cultural cause of all mankind from generation to generation. Leiyang folk songs, which are widely used and rich in feelings, are involved in all aspects of real life, reflecting deeply the emotions and emotions caused by social production and living in the hearts of people in Leiyang. Leiyang folk song is the precious achievement of the development of the small peasant economy and society in ancient China. It bears witness to the evolution of the aesthetic thinking of the people in Leiyang under the different background of the times. It inherits and develops the traditional culture at the same time it also has the nature of the times. In the new era of diversified music still retain its unique artistic charm. Leiyang folk songs are rich in content, diverse in genres, folk songs, labor numbers, minor tune, and Tian Ge are roughly distinguished from Leiyang folk songs in theory. This paper takes the folk songs in Leiyang area of Hunan Province as the research object, from the angle of vocal music singing and folk song development, systematically induces and analyzes the historical and cultural origin, local characteristic style and special singing techniques of Leiyang folk songs. Based on the arrangement and refinement of the singing methods of the folk songs in Leiyang, this paper analyzes the artistic characteristics and local colors of the vocal music singing in the folk songs of Leiyang in Hunan Province. This paper tries to provide a little reference for the further study of Leiyang folk songs, to provide empirical reference for the study and development of local traditional folk songs in the present and to put forward their own thinking. The main contents of this paper are as follows: the first chapter introduces the geographical and cultural environment nurtured by Leiyang folk songs. The geographical environment, economic situation, cultural origin and social structure of Leiyang folk songs, the local customs and language characteristics of traditional Leiyang society are analyzed in detail from the geographical environment, economic situation, cultural origin and social structure of Leiyang folk song. The cultural environment plays an important role in the development of Leiyang folk songs. According to the classification of Chinese folk songs, the second and third chapters classify the folk songs of Leiyang, and expound in detail the music characteristics of Leiyang folk songs, such as mode, scale, rotation, range, interval and so on. The fourth chapter summarizes the local characteristics of Leiyang folk songs, specifically to Leiyang folk songs language, tone, lyric expression techniques, summed up Leiyang folk songs unique singing techniques. The fifth chapter introduces the inheritance and development of Leiyang folk songs. Based on the analysis of the present situation of the folk songs in Leiyang and the author's own, on the basis of many years of systematic and scientific vocal music vocalization methods, the author puts forward the thinking of the local folk song inheritance in the school music education.
【學位授予單位】：中國音樂學院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J607

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