本文選題：李金遠 + 金水墨�。� 參考：《四川師范大學(xué)》2017年碩士論文

【摘要】：李金遠先生是一名川籍藝術(shù)家,他堅持道法自然、天人合一的觀點,將中國繪畫與西方藝術(shù)相融合,獨創(chuàng)了擁有神奇之美的“金水墨藝術(shù)”。歷史上曾有許多藝術(shù)家到藏羌彝地區(qū)進行創(chuàng)作,但是就題材的廣泛性、系統(tǒng)性和作品的嚴謹性上,李金遠都是名列前茅的。在他50余年的藝術(shù)創(chuàng)作中,堅持以藏羌彝地區(qū)為繪畫題材,創(chuàng)造出的作品具有很高的藝術(shù)與學(xué)術(shù)價值。本次畢業(yè)設(shè)計課題選擇了李金遠先生“大美藏羌彝”系列的“金水墨”經(jīng)典作品做藝術(shù)衍生品的研發(fā)與設(shè)計推廣,帶有很強的地域性特色,充分展現(xiàn)出當代藏羌彝產(chǎn)業(yè)走廊幾千年來燦爛深厚的文化底蘊和神奇多采的歷史與現(xiàn)實的自然、人文景觀。借由李金遠先生的藝術(shù)衍生品研究,逐步探索出一條融匯藝術(shù)原創(chuàng)+設(shè)計+非遺+傳播+體驗+供需平臺的全新產(chǎn)業(yè)模式。并且隨著該課題與旅游產(chǎn)業(yè)的深度融合,能夠推動四川藏羌彝地區(qū)文化旅游業(yè)的發(fā)展,同時還能把金水墨藝術(shù)精神帶到世界各地,共享世界文化藝術(shù)成果。本文分為五章,分別是緒論、李金遠的金水墨藝術(shù)概論、水墨藝術(shù)衍生品的發(fā)展與藝術(shù)衍生品市場的調(diào)研分析、李金遠金水墨藝術(shù)的衍生品設(shè)計研究、全文總結(jié)。筆者通過詳細解讀李金遠的金水墨藝術(shù)特色與精神內(nèi)涵,重點以金水墨藝術(shù)為例進行文化創(chuàng)新設(shè)計的實踐研究。藝術(shù)衍生品是對原生藝術(shù)品再設(shè)計與市場化的延展應(yīng)用,此課題藝術(shù)衍生品的開發(fā)已得到了李金遠先生的授權(quán)。筆者從其作品中提取重要元素進行視覺化解構(gòu)、重組和再造,找到金水墨元素與設(shè)計構(gòu)成之間的關(guān)系,并研發(fā)出系列金水墨藝術(shù)衍生品。本文的研究成果希望借由更多的推廣平臺將這些藝術(shù)產(chǎn)品與品鑒會同時推廣,面對市場,讓更多的人了解中國水墨藝術(shù)和藝術(shù)家,從而使藝術(shù)融入到大眾的生活中并得到普及,即“藝術(shù)生活化”。
[Abstract]:Mr. Li Jinyuan is a Sichuan artist. He insists on the idea of natural way and harmony of nature and man. He combines Chinese painting with western art and creates the "Golden Ink Art" with magical beauty. In history, many artists went to the Tibetan and Qiang Yi areas to create, but Li Jinyuan was among the best in terms of the breadth, systematicness and rigor of his works. In his more than 50 years of artistic creation, he insisted on the Tibetan Qiang Yi region as the subject matter of painting, and created works of high artistic and academic value. This graduation project selected the classic works of "Golden Ink and Ink" series of Mr. Li Jinyuan's "Da Mei Zang Qiang Yi" series as art derivatives research and development and design promotion, with strong regional characteristics. Full display of the contemporary Tibetan Qiang Yi industry corridor for thousands of years of brilliant and profound cultural heritage and magical history and reality of the natural and human landscape. Through the research of art derivatives by Mr. Li Jinyuan, we gradually explore a new industrial model which combines the original art design with the experience of supply and demand. With the deep integration of the subject and the tourism industry, it can promote the development of cultural tourism in the Tibetan and Qiang Yi areas in Sichuan, and at the same time, it can bring the spirit of gold ink and ink art to all parts of the world and share the world cultural and artistic achievements. This article is divided into five chapters, respectively is the introduction, Li Jinyuan's introduction to the art of gold ink, the development of ink art derivatives and art derivatives market investigation and analysis, Li Jinyuan gold ink art derivatives design research, summary of the full text. Through the detailed interpretation of Li Jinyuan's artistic characteristics and spiritual connotation of Jinshui ink, the author focuses on the practical research on cultural innovation design of Jinjin ink art as an example. Art derivatives are the extension and application of original art redesign and marketization. The development of art derivatives has been authorized by Mr. Li Jinyuan. The author extracted important elements from his works for visual deconstruction, reorganization and reconstruction, found the relationship between the elements of gold ink and design, and developed a series of gold ink art derivatives. The research results of this paper hope that through more promotion platforms to promote these art products and tasting sessions at the same time, facing the market, let more people understand Chinese ink and ink art and artists, so that art can be integrated into the life of the public and be popularized. That is, the life of art.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J212

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本文編號：2018017