本文選題：煙臺 + 水彩畫��； 參考：《魯東大學》2017年碩士論文

【摘要】：水彩畫由西方傳入中國經歷了百年滄桑巨變,傳入中國的水彩畫受寫實主義的影響,中國的水彩藝術家在借鑒的同時也將中國的繪畫傳統(tǒng)滲透其中,保持了中國水彩畫本土繪畫價值。隨著水彩畫在國內的不斷傳播交流與發(fā)展,富有中國特色的水彩畫形態(tài)觀念應運而生,表現出蓬勃發(fā)展的面貌。煙臺地處齊魯之邦,文化底蘊深厚,煙臺水彩畫是中國水彩畫發(fā)展中的重要組成部分,具有鮮明的地域風格,跟隨著中國水彩畫的逐步壯大而成長,形成了富有地域特征的形態(tài)與觀念。早在20世紀30年代初,煙臺西畫傳播先驅張思威開始學習西方繪畫,臨摹水彩畫畫冊,這代表著煙臺水彩畫的萌芽狀態(tài)。此時煙臺畫家開始學習西方的水彩畫技法,逐步形成了富有地域特色的繪畫風格,這便開始了煙臺幾代水彩畫家的探究之路。煙臺水彩畫經歷了萌芽、發(fā)展、繁榮、拓展以及多元化幾個歷史時期,已經形成了獨特的地域風格。地域差異的繪畫個性表達是中國當代水彩語言個性化表現必不可少的部分,繪畫內容與題材的選擇,色彩的運用無一不體現著地域特征對畫家的影響,因此,在新時代背景下,加強對本土化水彩畫的研究成為極有價值的課題。本文以煙臺水彩畫的形態(tài)為線索橫向延伸,以時間為軸縱向闡述,在歷史發(fā)展脈絡的基礎上總結梳理煙臺水彩畫,進行了深入分析。論文由以下幾個主要部分組成,第一部分,對煙臺水彩畫進行概述,分析煙臺水彩畫的基本形態(tài)、創(chuàng)作特點和精神內涵以及概括性地梳理其發(fā)展脈絡。第二部分,闡述煙臺水彩畫發(fā)展的早期萌芽,探究煙臺水彩畫在地理、文化、環(huán)境等因素影響下的發(fā)展背景。第三部分,論述煙臺水彩畫發(fā)展的繁榮時期,對水彩畫獲得繁榮發(fā)展的原因及其呈現的面貌進行研究。第四部分,闡述煙臺水彩畫發(fā)展的拓展時期,探究水彩畫在此時題材與風格的轉變特點。第五部分,論述新時期煙臺水彩畫多樣化的表現形式并探究煙臺水彩畫的現狀及對未來的展望。通過本次研究,將煙臺水彩畫的歷史發(fā)展脈絡進行梳理,探究煙臺地域范圍內水彩畫藝術所呈現的發(fā)展趨勢,挖掘煙臺本土水彩畫家的藝術創(chuàng)作與生活狀態(tài),展示和提升煙臺地域具有悠久歷史的水彩畫藝術,呈現出較為系統(tǒng)的煙臺水彩畫理論研究,推進煙臺水彩畫的蓬勃發(fā)展。
[Abstract]:Watercolor painting has been introduced from the west to China for a hundred years. The watercolor painting introduced into China has been influenced by realism. Chinese watercolor artists have also infiltrated the Chinese painting tradition while drawing lessons from it. The local painting value of Chinese watercolor painting has been maintained. With the continuous communication and development of watercolor painting in China, the concept of watercolor painting with Chinese characteristics emerges as the times require, showing a vigorous development. Yantai is located in the land of Qilu with profound cultural background. Yantai watercolor painting is an important part of the development of Chinese watercolor painting. It has a distinct regional style and grows with the gradual growth of Chinese watercolor painting. The formation of rich regional characteristics of the form and concept. As early as the early 1930s, Zhang Siwei, a pioneer in the dissemination of western Yantai paintings, began to learn Western painting and copy watercolor paintings, which represented the budding state of Yantai watercolor paintings. At this time Yantai painters began to learn Western watercolor painting techniques and gradually formed a painting style rich in regional characteristics which began to Yantai several generations of watercolor painters explore the road. Yantai watercolor painting has experienced several historical periods of germination, development, prosperity, expansion and diversification, and has formed a unique regional style. The expression of regional difference in painting personality is an essential part of the individualized expression of Chinese contemporary watercolor language. The selection of painting content and subject matter and the use of color all reflect the influence of regional characteristics on the painter, therefore, in the new era background, Strengthening the study of local watercolor painting has become a valuable topic. This paper takes the shape of Yantai watercolor painting as the clue of horizontal extension, taking time as the axis of vertical elaboration, summarizes and combs Yantai watercolor painting on the basis of historical development, and makes in-depth analysis. The thesis is composed of the following main parts. The first part summarizes Yantai watercolor painting, analyzes the basic form, creative characteristics and spiritual connotation of Yantai watercolor painting, and generally combs its development context. The second part, expounds the early germination of Yantai watercolor painting, explores the development background of Yantai watercolor painting under the influence of geography, culture, environment and so on. The third part discusses the prosperous period of Yantai watercolor painting. The fourth part, expounds the development period of Yantai watercolor painting, explores the changing characteristics of the subject matter and style of watercolor painting at this time. The fifth part discusses the diversity of Yantai watercolor painting in the new period and explores the present situation and future prospects of Yantai watercolor painting. Through this research, the historical development of Yantai watercolor painting is combed, the development trend of Yantai watercolor art is explored, and the artistic creation and living state of Yantai local watercolor painters are excavated. To display and promote the Yantai area has a long history of watercolor art, presents a more systematic study of Yantai watercolor theory, to promote the vigorous development of Yantai watercolor painting.
【學位授予單位】：魯東大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J215

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