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藝術社會學視角下的左翼電影及其音樂探析

發(fā)布時間:2018-05-14 20:22

  本文選題:藝術社會學 + 文化菱形��; 參考:《西安音樂學院》2017年碩士論文


【摘要】:誕生于19世紀30年代的中國左翼電影藝術,是文化、政治、經(jīng)濟等多方面因素相互滲透的結果,它的產(chǎn)生使中國電影藝術的面貌煥然一新,使中國電影史發(fā)生了巨大改變,同時影響了中國現(xiàn)代社會的發(fā)展,深刻地反映出藝術與社會之間的復雜關系。本文試圖從宏觀視角對左翼電影藝術與社會之間的關系做出客觀、準確的思考與研究,重回歷史現(xiàn)場,整理左翼電影藝術的歷史脈絡,從生產(chǎn)發(fā)行、傳播策略、票房收入出發(fā),運用藝術社會學、電影學、音樂學的相關理論及研究方法,探尋左翼電影產(chǎn)業(yè)的在當時觀景下的生存之路。為了呈現(xiàn)出左翼電影藝術與社會環(huán)境之間的特殊關系,本文從三個部分著手進行細致深入的分析研究。第一梳理左翼電影的歷史脈絡。第二闡述了社會文化環(huán)境對左翼電影的影響。第三從左翼電影的導向作用入手,闡釋藝術與社會的互動方式。結語部分,總結左翼電影藝術在中國電影史中的地位及其開拓性貢獻,以及它對當下中國電影產(chǎn)業(yè)良性發(fā)展的借鑒意義。
[Abstract]:Chinese left-wing film art, which was born in the 1830s, is the result of cultural, political, economic and other factors that permeate each other. Its emergence has brought about a new look of Chinese film art and made great changes in the history of Chinese cinema. At the same time, it affects the development of Chinese modern society and reflects the complex relationship between art and society. This paper attempts to make objective and accurate thinking and research on the relationship between left-wing film art and society from a macro perspective, to return to the historical scene, to sort out the historical context of left-wing film art, and to proceed from the production, distribution, dissemination strategy and box office income. By using the relevant theories and research methods of sociology of art, cinematology and musicology, this paper explores the survival of the left-wing film industry in the view of that time. In order to show the special relationship between the left wing film art and the social environment, this paper begins with three parts to carry on the detailed and thorough analysis and research. First combing the historical context of left-wing films. The second part expounds the influence of social and cultural environment on left-wing films. Third, from the guiding role of the left-wing film, to explain the interaction between art and society. The last part summarizes the position and pioneering contribution of left-wing film art in the history of Chinese film, and its reference significance to the benign development of Chinese film industry.
【學位授予單位】:西安音樂學院
【學位級別】:碩士
【學位授予年份】:2017
【分類號】:J909.2;J617.6

【參考文獻】

相關期刊論文 前2條

1 黃獻文;對三十年代“軟性電影論爭”的重新檢視[J];電影藝術;2002年03期

2 李衛(wèi)國;聲畫對立的藝術效果[J];河南大學學報(社會科學版);2000年05期

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