本文選題：紀(jì)實(shí)攝影 + 表現(xiàn)��； 參考：《浙江大學(xué)》2017年碩士論文

【摘要】：本文通過對(duì)西方現(xiàn)當(dāng)代攝影史的梳理和對(duì)西方眾多紀(jì)實(shí)攝影理論的總結(jié)歸納:紀(jì)實(shí)攝影是對(duì)現(xiàn)實(shí)的記錄和再現(xiàn),紀(jì)實(shí)攝影師帶著人文主義情懷而不是私人化感情,將自身對(duì)人類和社會(huì)相關(guān)的終極問題的態(tài)度藏在真實(shí)而非虛構(gòu)的畫面之后。筆者將中國紀(jì)實(shí)攝影分為早期中國紀(jì)實(shí)攝影(1840-1919)、新中國成立之前的中國紀(jì)實(shí)攝影(1919-1949)、改革開放前的中國紀(jì)實(shí)攝影(1949-1976)、改革開放后的中國紀(jì)實(shí)攝影(1976-2000)以及新世紀(jì)的中國攝影(2000至今)。通過對(duì)每個(gè)特定階段紀(jì)實(shí)攝影的文本和實(shí)踐兩個(gè)方面的研究,對(duì)該特定階段中國紀(jì)實(shí)攝影的觀念與實(shí)踐的特點(diǎn)進(jìn)行了分析與總結(jié)。同時(shí),以對(duì)紀(jì)實(shí)攝影的認(rèn)知發(fā)展為順序,從其目的、意義和特定時(shí)期人們對(duì)其的理解中歸納中國紀(jì)實(shí)攝影演變的歷程。本文重點(diǎn)研究中國改革開放后現(xiàn)當(dāng)代紀(jì)實(shí)攝影的演變,結(jié)合實(shí)例,將中國紀(jì)實(shí)攝影演變的原因分為時(shí)代環(huán)境的變化是紀(jì)實(shí)攝影發(fā)展的前提條件,藝術(shù)思潮的影響推動(dòng)紀(jì)實(shí)攝影的當(dāng)代化,理論觀念的變革延展紀(jì)實(shí)攝影邊界。技術(shù)發(fā)展與革新多樣化紀(jì)實(shí)攝影的語言和表達(dá)方式四個(gè)方面,并對(duì)上述四個(gè)方面如何影響中國紀(jì)實(shí)攝影的發(fā)展進(jìn)行了分析。最后,本文結(jié)合前文研究結(jié)果及實(shí)例,發(fā)現(xiàn)中國紀(jì)實(shí)攝影無法突破西方既有形式和理論體系的困境,嘗試提出擺脫困境的出路。
[Abstract]:This paper summarizes the western modern and contemporary photography history and summarizes many documentary photography theories in the West: documentary photography is a record and reproduction of reality, documentary photographers with humanistic feelings rather than personal feelings,Hide your attitude towards the ultimate problems of human and society behind real, not fictional images.The author divides Chinese documentary photography into early Chinese documentary photography (1840-1919), Chinese documentary photography before the founding of New China (1919-1949), Chinese documentary photography before reform and opening up to the outside world (1949-1976), Chinese documentary photography after reform and opening up (1976-2000) and Chinese photography in the new century from 2000 to the present.Based on the study of the text and practice of documentary photography in each particular stage, this paper analyzes and summarizes the characteristics of the concept and practice of documentary photography in China at this particular stage.At the same time, taking the cognitive development of documentary photography as the order, this paper sums up the evolution of Chinese documentary photography from its purpose, significance and understanding of the specific period.This paper focuses on the evolution of documentary photography after the reform and opening up in China. Combining with an example, the reasons for the evolution of documentary photography in China are divided into the change of the times environment, which is the prerequisite for the development of documentary photography.The influence of artistic trend of thought promotes the contemporary of documentary photography and extends the boundary of documentary photography.Four aspects of language and expression of diversified documentary photography are analyzed, and how these four aspects affect the development of documentary photography in China is analyzed.Finally, combining with the previous research results and examples, it is found that the Chinese documentary photography can not break through the predicament of the western existing forms and theoretical systems, and try to put forward a way out of the dilemma.
【學(xué)位授予單位】：浙江大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J409.2

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本文編號(hào)：1767909