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論東西方當(dāng)代藝術(shù)中動(dòng)物形象運(yùn)用的寓意

發(fā)布時(shí)間:2018-04-03 14:30

  本文選題:動(dòng)物形象 切入點(diǎn):觀念 出處:《湖北美術(shù)學(xué)院》2017年碩士論文


【摘要】:動(dòng)物作為藝術(shù)創(chuàng)作的一個(gè)重要內(nèi)容與其它題材有著很大程度的區(qū)分。動(dòng)物是大自然的重要成員之一,并與人類有著密不可分的關(guān)系,無論從生存狀態(tài)還是生態(tài)環(huán)境來講,動(dòng)物是藝術(shù)創(chuàng)作比較良好的題材選擇。動(dòng)物的各種形象特征也為藝術(shù)作品提供了更為寬泛的維度和意義。當(dāng)代藝術(shù)中關(guān)于動(dòng)物的藝術(shù)形象也頗為豐富,在繪畫、雕刻、影像、裝置、行為等不同藝術(shù)形式中都能看到動(dòng)物形象的出現(xiàn)。人類社會(huì)工業(yè)化城市化急速發(fā)展,導(dǎo)致了人性的缺失,人和動(dòng)物的生存關(guān)系也發(fā)生了巨大的變化。從遠(yuǎn)古的恐懼、敬畏,到馴化、圈養(yǎng),再到現(xiàn)代社會(huì)動(dòng)物寄生于人類,寵物撫慰人類。動(dòng)物之于人類遠(yuǎn)遠(yuǎn)超過了精神象征或者崇拜,也不同于生活的需求。當(dāng)代藝術(shù)作品中的動(dòng)物的表達(dá)方式以及形成的獨(dú)特的圖式,創(chuàng)造出的獨(dú)立的視覺、聽覺、思維的沖擊,都構(gòu)成了當(dāng)代藝術(shù)發(fā)展脈絡(luò)上的重要課題。不同藝術(shù)作品中出現(xiàn)的動(dòng)物形象也有一定的差異,文化背景不同對(duì)動(dòng)物關(guān)注的視角會(huì)不一樣,同一種動(dòng)物在中國(guó)藝術(shù)家和西方藝術(shù)家的運(yùn)用上也存在不一樣的觀念和審美。
[Abstract]:As an important part of artistic creation, animals are distinguished from other subjects to a great extent.Animals are one of the most important members of nature, and they are closely related to human beings. In terms of living conditions and ecological environment, animals are a good choice of subjects for artistic creation.The various image features of animals also provide a broader dimension and meaning for the works of art.The art image of animals is also very rich in contemporary art. The appearance of animal images can be seen in different art forms such as painting, carving, image, installation, behavior and so on.The rapid development of industrialization and urbanization of human society leads to the lack of human nature and the great changes have taken place in the relationship between human beings and animals.From ancient fear, awe, domestication, captivity, to modern society animals parasitic humans, pets comfort humans.Animals to human beings far exceed spiritual symbols or worship, and are different from the needs of life.The expression of animals in contemporary works of art and the formation of unique schemata, the creation of independent visual, auditory, thinking impact, constitute an important subject in the development of contemporary art.There are also some differences in animal images in different works of art. Different cultural backgrounds have different perspectives on animals, and the same kind of animals have different concepts and aesthetics in the application of Chinese and Western artists.
【學(xué)位授予單位】:湖北美術(shù)學(xué)院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:J05

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 劉永亮;王力平;;中國(guó)當(dāng)代藝術(shù)中的動(dòng)物方式及視覺表述[J];浙江藝術(shù)職業(yè)學(xué)院學(xué)報(bào);2014年04期

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本文編號(hào):1705602

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