本文選題：現(xiàn)實(shí)主義　切入點(diǎn)：文學(xué)性　出處：《上海師范大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：現(xiàn)實(shí)主義繪畫(huà)在中國(guó)發(fā)展至今,佳作輩出�，F(xiàn)實(shí)主義,勝于寫實(shí),似乎失語(yǔ)于現(xiàn)今多遠(yuǎn)文化環(huán)境下的勃勃生機(jī),為當(dāng)代藝術(shù)所詰難。現(xiàn)實(shí)主義繪畫(huà)從革命歷史題材至描繪社會(huì)形象,幾十年來(lái)這現(xiàn)實(shí)又何曾相同過(guò)?作為生活于這社會(huì)中的個(gè)體,有怎樣的體悟,又以怎樣的角度觀察、反思這個(gè)擺在我們眼前的社會(huì)現(xiàn)象,將這一切轉(zhuǎn)化為繪畫(huà)語(yǔ)言,在不失卻寫實(shí)這一“真”的同時(shí),又能有更具當(dāng)代視角的精神訴求。反觀當(dāng)代藝術(shù),似乎并未逃出升天,并未五谷不食,依然借“現(xiàn)實(shí)”揮就當(dāng)代藝術(shù)語(yǔ)言的作品。如何將現(xiàn)實(shí)主義與當(dāng)代藝術(shù)都面對(duì)的現(xiàn)實(shí),采用繪畫(huà)語(yǔ)言更深刻的表現(xiàn)現(xiàn)實(shí)?筆者在此欲將魔幻現(xiàn)實(shí)主義手法作為延展現(xiàn)實(shí)主義繪畫(huà)藝術(shù)的一種途徑。借助藝術(shù)夸張的魔幻表現(xiàn)手法,意在突出繪畫(huà)中的詩(shī)性表達(dá),從而回到繪畫(huà)的文學(xué)性。避開(kāi)魔幻當(dāng)做現(xiàn)實(shí)的超現(xiàn)實(shí)表現(xiàn)手法,力求更深刻的表達(dá)筆者對(duì)于活于當(dāng)下的生命體悟,同時(shí)立足于傳統(tǒng)寫實(shí)手法不失于“真”的視覺(jué)效果,守住中國(guó)特色價(jià)值觀、中國(guó)人文精神,將現(xiàn)實(shí)主義勇敢的繼承。
[Abstract]:Realistic painting has developed in China up to now. Realism is better than realism, and it seems to be aphasic to the vitality of today's far cultural environment. Heckled by contemporary art. Realistic painting from revolutionary historical themes to portray the social image, decades of this reality has not been the same? As an individual living in this society, what kind of understanding, and from what angle of view, to reflect on this social phenomenon in front of us, to transform all this into painting language, while not losing the reality of this "truth", There is also a spiritual appeal from a more contemporary perspective. Looking at contemporary art, it seems that it has not escaped the ascendant, that it is not without grain, that it is still using "reality" to wield its works on the language of contemporary art, and how to bring realism and the reality of contemporary art into the face. The use of painting language more profound expression of reality? The author wants to use magic realism as a way to extend realistic painting art. With the help of artistic exaggeration of magic expression, the author intends to highlight the poetic expression in painting. In order to return to the literariness of painting. Avoid magic as a surreal expression of reality, and strive to express the author's understanding of living life in the present, and at the same time base on the traditional realistic approach without losing the visual effect of "truth". Hold on to the values of Chinese characteristics, the Chinese humanistic spirit, will inherit the realism bravely.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J205
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本文編號(hào)：1568834