基于地域性背景下的大理雙鴛如此銀作工坊室內(nèi)陳設(shè)設(shè)計研究
本文關(guān)鍵詞: 地域性 室內(nèi)陳設(shè)設(shè)計 工坊 出處:《昆明理工大學(xué)》2017年碩士論文 論文類型:學(xué)位論文
【摘要】:陳設(shè)設(shè)計是建筑設(shè)計及室內(nèi)設(shè)計的深化設(shè)計,是對環(huán)境空間深層次設(shè)計及精神性的提升,在中國是一個新興的設(shè)計門類,是設(shè)計學(xué)科隨著經(jīng)濟(jì)的發(fā)展細(xì)分出來的一個設(shè)計方向;A(chǔ)弱、根基淺,至今還沒有一個統(tǒng)一的專業(yè)學(xué)科指導(dǎo)是其軟肋。各大高校及設(shè)計企業(yè)也都是依托在設(shè)計學(xué)室內(nèi)設(shè)計方向的背景之下發(fā)展,形成各自特色的現(xiàn)狀。隨之而來使陳設(shè)設(shè)計流于室內(nèi)設(shè)計的表面,僅以“輕裝修、重裝飾”或“軟裝、擺設(shè)”之語附庸于室內(nèi)設(shè)計之后。中國目前的陳設(shè)設(shè)計特征性不強(qiáng),與室內(nèi)空間的功能、使用者背景聯(lián)系較弱,因而平淡了陳設(shè)設(shè)計的本質(zhì)。陳設(shè)設(shè)計不是脫離于室內(nèi)設(shè)計后的一個簡單設(shè)計環(huán)節(jié),其與環(huán)境設(shè)計中的建筑、景觀及室內(nèi)設(shè)計等專業(yè)關(guān)系緊密。陳設(shè)設(shè)計師在項目初期就應(yīng)介入其中,并與其他專業(yè)的設(shè)計師交流溝通,在項目設(shè)計的早期就把陳設(shè)設(shè)計的精神內(nèi)在貫徹其中。課題分三個部分對室內(nèi)空間中的陳設(shè)設(shè)計進(jìn)行分析研究,第一部分通過論文的一、二章展開對選題的背景及相關(guān)概念的研究,梳理問題、明確概念。第二部分是論文的主要部分,由論文的三、四章組成。以地域性特征作為陳設(shè)設(shè)計中的一個基本點(diǎn)展開研究,通過相關(guān)案例分析和項目背景與項目實地的調(diào)研,以明確陳設(shè)在室內(nèi)設(shè)計中的使用背景及文化屬性為前提,研究項目的運(yùn)作流程、品牌戰(zhàn)略及項目地相關(guān)的地域特征。對研究的資料進(jìn)行歸納分類,從中發(fā)現(xiàn)符合項目空間陳設(shè)的元素,使自然和文化的屬性在室內(nèi)空間陳設(shè)設(shè)計中的呈現(xiàn)奠定基礎(chǔ)。第三部分由五、六章組成,是論文的核心。在這部分中,通過對課題項目的建筑改造和室內(nèi)空間的設(shè)計,明確陳設(shè)與建筑設(shè)計和室內(nèi)設(shè)計的關(guān)系。在這個設(shè)計環(huán)節(jié)就在項目設(shè)計中貫徹陳設(shè)設(shè)計的文化特性,并使以后的室內(nèi)陳設(shè)設(shè)計定位得到整體性的體現(xiàn)和延續(xù)。把前期研究的成果在實踐設(shè)計中應(yīng)用,從而來驗證前期研究的合理性和不足。當(dāng)下的中國室內(nèi)設(shè)計領(lǐng)域已較成熟,但較多設(shè)計還停留在造型的視覺形態(tài)及工藝材料的價值高低上,設(shè)計作品的共性特征明顯,而缺乏空間背景的實質(zhì)本意關(guān)注較少。通過課題研究,試圖拋磚引玉、以點(diǎn)帶面來開闊設(shè)計視野、拓展使用空間的設(shè)計內(nèi)涵,擺脫簡單的“選品、擺設(shè)”式的陳設(shè)設(shè)計。
[Abstract]:Display design is the deepening design of architectural design and interior design. It is a new design category in China. It is a deep level design and spiritual promotion of environmental space. Design subject with the development of economic development out of a design direction. Weak foundation, shallow foundation. So far, there is not a unified professional discipline guidance is its weakness. Colleges and universities and design enterprises are also relying on the design of indoor design direction under the background of development. Form their own characteristics of the status quo. Followed by the display design flow in the interior design surface, only with "light decoration, heavy decoration" or "soft clothing." The language of furnishings is attached to the interior design. The features of the present furnishings in China are not strong and have a weak connection with the function of the interior space and the user background. Therefore, the essence of the display design is plain. The display design is not a simple design link after the interior design, but the architecture in the environmental design. Landscape and interior design are closely related. Designers should be involved in the early stage of the project and communicate with other professional designers. In the early stage of the project design, the spirit of the display design is carried out internally. The subject is divided into three parts to analyze and study the display design in the interior space. The first part is through the first part of the paper. The second part is the main part of the thesis, which consists of three parts: research on the background of the topic and related concepts, combing the problem and defining the concept. Four chapters. Regional features as a basic point in the display design, through the relevant case analysis and project background and project field research. Based on the premise of defining the background and cultural attributes of the display in interior design, the operation process, brand strategy and relevant regional characteristics of the project are studied. The materials of the research are summarized and classified. Find out the elements in line with the project space display, so that natural and cultural attributes in the interior space display design presentation laid the foundation. The third part is composed of five, six chapters, is the core of the paper. In this part. Through the architectural transformation and interior space design of the project, the relationship between furnishings and architectural design and interior design is clarified. In this design link, the cultural characteristics of display design are carried out in the project design. And make the later indoor furnishings design positioning to be the overall embodiment and continuation of the previous research results in the practice of the application of the design. In order to verify the rationality and shortcomings of the previous research. At present, the field of interior design in China has been more mature, but more designs still stay in the shape of the visual form and the value of the material. The common features of the design works are obvious, but the essence of the lack of space background is less concerned. Through the research of the subject, we try to open the design field of vision and expand the design connotation of the use space. Get rid of the simple "selection, furnishings" style of display design.
【學(xué)位授予單位】:昆明理工大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2017
【分類號】:J525.1
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