本文關(guān)鍵詞：抗戰(zhàn)時(shí)期重慶版《新華日?qǐng)?bào)》詩(shī)歌研究　出處：《重慶師范大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

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【摘要】：抗戰(zhàn)時(shí)期,作為中國(guó)共產(chǎn)黨在大后方唯一公開發(fā)行的機(jī)關(guān)報(bào)紙,重慶版《新華日?qǐng)?bào)》刊載的文學(xué)作品數(shù)量十分可觀,包括文學(xué)評(píng)論、詩(shī)歌、散文、小說(shuō)、報(bào)告等多種文學(xué)樣式。這些文學(xué)作品不僅豐富了抗戰(zhàn)大后方文學(xué)的時(shí)代內(nèi)涵,在促進(jìn)抗戰(zhàn)大后方文學(xué)的健康發(fā)展方面也發(fā)揮了重要的作用。據(jù)初步統(tǒng)計(jì),抗戰(zhàn)時(shí)期重慶版《新華日?qǐng)?bào)》共登載詩(shī)歌700余首,是大后方登載詩(shī)歌作品最多的報(bào)刊。作為大后方抗戰(zhàn)詩(shī)歌的有機(jī)組成部分,這些詩(shī)歌不僅豐富了大后方抗戰(zhàn)詩(shī)歌的思想內(nèi)涵和審美特質(zhì),也在一定程度上構(gòu)成了大后方抗戰(zhàn)詩(shī)歌景觀的縮影。本論文擬從詩(shī)體的角度入手對(duì)重慶版《新華日?qǐng)?bào)》詩(shī)歌進(jìn)行全面梳理、研究。因此,基于學(xué)界對(duì)詩(shī)體的普遍共識(shí)和各類詩(shī)歌創(chuàng)作的語(yǔ)言形式特點(diǎn),抗戰(zhàn)時(shí)期重慶版《新華日?qǐng)?bào)》詩(shī)歌主要有歌謠體、自由體新詩(shī)和舊體詩(shī)三類。首先,詩(shī)歌語(yǔ)言和民間語(yǔ)言形式的融合使得歌謠體詩(shī)歌的創(chuàng)作在戰(zhàn)時(shí)重新活躍起來(lái)。重慶版《新華日?qǐng)?bào)》中的歌謠體詩(shī)歌多直接采用民間歌謠的結(jié)構(gòu)形式,其語(yǔ)言表現(xiàn)出明顯的音樂(lè)性特征。這些歌謠體詩(shī)歌追求一種清新、質(zhì)樸的審美傾向,是為人民大眾所喜聞樂(lè)見的民間詩(shī)歌形式。其次,詩(shī)歌語(yǔ)言與現(xiàn)代口語(yǔ)形式的結(jié)合使得自由體新詩(shī)在戰(zhàn)時(shí)更加豐富。重慶版《新華日?qǐng)?bào)》中的自由體新詩(shī)在結(jié)構(gòu)形式上表現(xiàn)出散文美的審美特征,語(yǔ)言鮮活、自然,進(jìn)而追求一種自然美的詩(shī)歌語(yǔ)言特質(zhì)。同時(shí),舊體詩(shī)這一民族傳統(tǒng)詩(shī)歌形式在戰(zhàn)時(shí)復(fù)興。重慶版《新華日?qǐng)?bào)》中的舊體詩(shī)既表現(xiàn)出對(duì)傳統(tǒng)舊體詩(shī)詞形式的承繼,也在傳統(tǒng)舊體詩(shī)原有的工整嚴(yán)謹(jǐn)?shù)囊繇�、平仄、�?duì)仗方面做出了改良,表現(xiàn)出沉郁、硬朗的審美特征。重新對(duì)《新華日?qǐng)?bào)》詩(shī)歌進(jìn)行全景式梳理,并將這些詩(shī)歌置于中國(guó)新詩(shī)發(fā)展的框架下進(jìn)行審視有著重要意義。首先,重慶版《新華日?qǐng)?bào)》詩(shī)歌在思想內(nèi)涵方面表現(xiàn)出鮮明的時(shí)代性、戰(zhàn)斗性和人民性特征。這些詩(shī)歌始終保持著與時(shí)代、人民的緊密聯(lián)系,積極地反映著抗戰(zhàn)這一特殊歷史時(shí)代中的復(fù)雜現(xiàn)實(shí)境況,擔(dān)負(fù)起了時(shí)代賦予詩(shī)歌的現(xiàn)實(shí)使命和戰(zhàn)時(shí)功用。同時(shí),重慶版《新華日?qǐng)?bào)》詩(shī)歌在一定程度上也體現(xiàn)了抗戰(zhàn)時(shí)期大后方詩(shī)歌各類詩(shī)歌形式競(jìng)相發(fā)展的詩(shī)歌景觀,呈現(xiàn)出了詩(shī)歌在特殊歷史時(shí)代中的難能可貴的審美品質(zhì)和詩(shī)體發(fā)展的豐富性追求。
[Abstract]:During the War of Resistance against Japan, the Chongqing edition of Xinhua Daily, the only official newspaper of the Communist Party of China in the rear area, published a considerable number of literary works, including literary reviews, poetry, prose, and novels. Reports and other literary styles. These literary works not only enriched the connotation of the era of literature in the rear area of the War of Resistance against Japan, but also played an important role in promoting the healthy development of literature in the rear area of the War of Resistance against Japan. The Chongqing edition of "Xinhua Daily" published more than 700 poems during the War of Resistance against Japan, which is the most widely published poetry in the rear area, which is an organic part of the poems of the War of Resistance against Japan in the rear area. These poems not only enrich the ideological connotation and aesthetic characteristics of the anti-Japanese poetry in the rear area. To a certain extent, it also constitutes a miniature of the landscape of the Anti-Japanese War of the Great Rear. This thesis intends to comb and study the Chongqing version of "Xinhua Daily" poetry from the perspective of poetic style. Based on the general understanding of the poetic style and the language form characteristics of all kinds of poetry creation, the Chongqing edition of "Xinhua Daily" poetry during the Anti-Japanese War mainly includes three types: ballad style, free style new poem and old style poem. First of all, there are three types of poetry: ballad style, free style new poem and old style poem. The combination of poetic language and folk language forms made the creation of ballad poetry re-active in wartime. Chongqing version of the "Xinhua Daily" ballad poetry directly used the structure of folk ballads. These ballads pursue a fresh, simple aesthetic tendency and are popular folk poetry. Secondly. The combination of poetic language and modern spoken form makes the new poems of free style more abundant in wartime. The new poems of free style in Chongqing edition of Xinhua Daily show the aesthetic characteristics of prose and the fresh language in the structural form. Nature, and then pursue a natural beauty of poetic language characteristics. At the same time. The old poetry, the traditional form of poetry of the nation, was revived during the war. The old style poems in Chongqing edition of Xinhua Daily showed not only the inheritance of the traditional poetry forms, but also the original neat and rigorous rhyme of the traditional poetry. Ping Zhen made some improvements on the aspect of war and showed the aesthetic characteristics of depression and hardness. The whole scene of the poetry of Xinhua Daily was combed again. It is of great significance to examine these poems in the framework of the development of Chinese new poetry. First of all, the Chongqing version of "Xinhua Daily" poetry in the ideological connotation of the distinctive characteristics of the times. These poems always maintain close contact with the times and the people, and positively reflect the complex reality of the War of Resistance against Japan in this special historical era. At the same time, Chongqing version of the "Xinhua Daily" poetry to a certain extent also reflects the anti-Japanese war period poetry in the main rear poetry forms of the development of poetry landscape. It presents the unique aesthetic quality of poetry in the special historical era and the rich pursuit of poetic style development.
【學(xué)位授予單位】：重慶師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.25

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