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當下國產(chǎn)校園青春電影的價值觀研究(2013-2016)

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  本文關(guān)鍵詞:當下國產(chǎn)校園青春電影的價值觀研究(2013-2016) 出處:《西南大學》2017年碩士論文 論文類型:學位論文


  更多相關(guān)文章: 青春電影 校園青春電影 青少年 價值觀


【摘要】:青春是電影永恒的話題,校園青春作為一種青春期的集體記憶更成為當下年輕消費者們共享青春回憶的最佳題材之一。每一年的畢業(yè)季,為校園青春電影的創(chuàng)作及上映開辟一片專有空間,這也成為近幾年校園青春熱潮不斷的主要原因之一。從2013年《致我們終將逝去的青春》以七億票房的優(yōu)異成績超越好萊塢《環(huán)太平洋》榮登第三名后,國產(chǎn)青春電影,尤其校園青春電影在中國電影市場上展現(xiàn)出高昂的發(fā)展勢頭。在多元化的社會文化背景下,國產(chǎn)校園青春電影盡可能地挖掘校園青春的青春百態(tài),展示多樣化的青年價值。當下校園青春電影展現(xiàn)出多樣分層的現(xiàn)象,電影的青春價值觀也呈現(xiàn)出紛繁復雜的樣態(tài)。價值觀是電影的內(nèi)核,校園青春電影的目標受眾是青少年,青少年正處于價值觀建立、形成時期,特征是迷茫、混亂、不穩(wěn)定、易受影響。因此,校園青春電影所傳達的價值觀尤為重要,它不僅再現(xiàn)青春記憶,為青年受眾創(chuàng)造回憶空間,同時也影響少年受眾價值觀的樹立。這也成為本研究的背景。本研究主要對校園青春電影敘事中呈現(xiàn)的主要價值觀作系統(tǒng)梳理和分類研究,并結(jié)合電影的時代背景和創(chuàng)作環(huán)境研究影片的價值影響及問題。本研究的目標在于對校園青春電影的價值觀進行較完整地覆蓋,探討電影的價值內(nèi)涵和創(chuàng)作引導問題,從而為電影創(chuàng)作者創(chuàng)作出內(nèi)容豐富、符合時代要求并具有較高藝術(shù)文化深度的作品提供可參考意見。具體論述分為六個部分,緒論主要闡述研究的背景和理論、實踐意義,明確界定研究對象并說明研究范圍,指明具體的研究思路及方法。第一章聚焦當下多元化中國電影市場格局,從政府政策、市場改革、創(chuàng)作群體和受眾構(gòu)成情況對電影市場進行讀解。在此基礎上,探討當下中國電影市場的現(xiàn)象電影以及現(xiàn)象電影中的校園青春電影熱潮出現(xiàn)的必然性,總結(jié)出校園青春電影的流行是時代和市場的雙重選擇,強調(diào)電影價值觀研究的重要性。第二章將結(jié)合社會歷史語境對當下校園青春電影影像敘事中呈現(xiàn)的主要價值觀進行具體文本分析。主要分為世俗現(xiàn)實與理想主義下的愛情觀,消費語境與時代潮流下的友誼觀,新舊交融下的理想觀和應試教育與代際差異下的教育觀。通過影像和背景兩方面的分析,探討電影中的價值觀多元化樣態(tài)及與現(xiàn)實的關(guān)系及敘事意義。第三章在影像價值觀分析的基礎上,對當下國產(chǎn)校園青春電影多元化價值觀呈現(xiàn)的特點做一個系統(tǒng)歸納總結(jié),重點探究電影呈現(xiàn)的價值觀共識性的特征。特征主要分為積極、消極兩方面,積極方面表現(xiàn)為電影對真、善、美主流價值觀的堅守,消極方面則主要呈現(xiàn)為消極價值觀中的物質(zhì)、享樂和個人思想。在此基礎上,從社會歷史語境、劇本改編選擇和創(chuàng)作者創(chuàng)作目的三方面切入研究影響價值觀呈現(xiàn)積極、消極兩種特征的主要成因。第四章主要聚焦創(chuàng)作問題和策略兩方面。一方面指出當下國產(chǎn)校園青春電影在思想層面上和藝術(shù)層面上出現(xiàn)的問題:思想上缺少人文關(guān)懷和時代精神,藝術(shù)上呈現(xiàn)為商業(yè)與藝術(shù)的失衡,缺少藝術(shù)創(chuàng)新。另一方面,針對問題提出相應的創(chuàng)作策略,強調(diào)電影應該要注重影像真實、挖掘多元化敘事,加強教育引導。另外,以《七月與安生》為例具體分析校園青春電影的敘事創(chuàng)新和價值觀展現(xiàn)。最后一部分是對整個研究進行總結(jié)。首先強調(diào)了電影藝術(shù)的精神作用,與觀眾關(guān)系以及電影的傳播引導職能。其次根據(jù)當下中國電影市場的“低齡化”受眾特點以及觀影需求分析校園青春電影的價值觀重要性。接著立足當下,指出當代青年的社會地位的特殊性和挖掘其時代精神的重要性,最后指出校園青春電影必須要重視價值觀敘事,發(fā)揮好教育引導的職能并創(chuàng)作出更符合主流色彩的高品質(zhì)多元化作品。
[Abstract]:Youth is the eternal topic of the film, the campus as a youth adolescence collective memory become more contemporary young consumers share one of the best memories of youth theme. Every year graduation season, set up a proper space for the campus youth film creation and release, which has become one of the main reasons for the recent upsurge of campus youth from 2013 to continue. "We eventually lost youth > > topped the third Hollywood Pacific beyond seven hundred million at the box office to" outstanding achievements, the Chinese youth movie, especially the campus youth movie in China film market showing high momentum. In the diversified social and cultural background, the domestic campus film as much as possible mining campus youth youth youth attitudes, showing diverse value. The present campus youth movie show various layered phenomenon, also showed the movie Youth Value A kind of complex values. The film core campus film target audience is young people, young people are in the values, the formation period, is characterized by confusion, chaos, unstable, easily affected. Therefore, convey the campus film values is particularly important, it not only reproduce the memories of youth create a space for the young audience, memories, but also affects the young audience set values. This also becomes the background of this research. This research mainly focuses on the main campus youth value presented in the film narrative view systematically and classified research, and combined with the value of film background and creative environment of the film and the problem. The aim of this research is on the campus youth movie values are completely covered, discusses the meaning and value of writing guidance problem, so as to create content rich filmmakers, To meet the requirements of the times and has high artistic and cultural depth work can provide reference opinions. Paper is divided into six parts, the introduction mainly expounds the research background and theory, practical significance, clearly defines the research object and scope of the study, pointed out the specific research ideas and methods. In the first chapter, the focus of the current diversified China film market pattern, from government policy, market reform, creative groups and audience composition of the film market reading. On this basis, to explore the necessity of the Chinese film market phenomenon in the movie film and campus youth movie upsurge, summed up the campus youth movie is popular double times and the market, emphasizing the importance of the movie values. The second chapter will combine the social historical context for the specific on the main value presents the present campus youth movie in the image narrative view The analysis of the text, mainly divided into secular reality and idealism of the love view, consumption context and the trend of the times under the view of friendship, the ideal blend of old and new concept and examination oriented education and intergenerational differences under the view of education. Through the analysis of the two aspects of image and background, discusses the values of the state and the reality and diversification the relationship and significance of narrative view. In the third chapter, on the base of analyzing the image value, on the current domestic campus youth movie diversified values show the characteristics of a system are summarized, focusing on the film showing characteristics of the values of consensus. Main features are divided into positive and negative two aspects, the positive aspects of performance for the movie true, good, beautiful stick to mainstream values, the negative aspects are mainly presented as negative values in the material, enjoyment and personal thoughts. On this basis, from the social and historical context, selection and adaptation of the play set Objective to study the creation of three aspects influence values positive, negative two main causes features. The fourth chapter mainly focus on the creation of the two issues and strategies. On the one hand pointed out that the current domestic campus film appeared in the ideological level and artistic level of ideological problems: lack of humane care and the spirit of the times, the art show as the imbalance between commerce and art, lack of artistic innovation. On the other hand, put forward the corresponding strategies for the creation of problem, emphasize the film should be paid attention to real image mining, diversified narrative, strengthen education and guidance. In addition, the "July and quiet" as the narrative innovation and value analysis of specific cases of campus youth movie concept show. Finally a part of the research are summarized. Firstly emphasized the spirit of movie art, and audience relations and the spreading of film guide functions. Then according to the current China The film market "dilinghua" characteristics of the audience and viewing needs analysis of the campus youth movie value importance. Then based on the present, pointed out that the contemporary youth's social status and particularity of mining the importance of the spirit of the times, finally pointed out that campus film must be considered the values of narrative function, good education and guidance and creation high quality diversification works more in line with the mainstream color.

【學位授予單位】:西南大學
【學位級別】:碩士
【學位授予年份】:2017
【分類號】:J909.2

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