本文關(guān)鍵詞：土家族風(fēng)雨橋建筑結(jié)構(gòu)中的視覺圖式探析　出處：《湖北美術(shù)學(xué)院》2015年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 土家族風(fēng)雨橋 宣恩文瀾橋 建筑結(jié)構(gòu) 視覺圖式 藝術(shù)價值

【摘要】：風(fēng)雨橋是我國少數(shù)民族的特色橋種類之一,代表了我國少數(shù)民族的智慧結(jié)晶,既是一種在侗族、土家族、苗族等少數(shù)民族中廣為流傳的民間建筑,也是一種較為特殊的交流通道,在這些少數(shù)民族中起到了重要的作用。宣恩文瀾橋是湖北恩施宣恩縣的代表類橋,豐富的表現(xiàn)出了風(fēng)雨橋的基本構(gòu)造和藝術(shù)特色,2002年年末開始動工,經(jīng)過近兩年的施工完成了該風(fēng)雨橋的施工工作,橋上部采用的全是木質(zhì)材料,表現(xiàn)出了風(fēng)雨橋的全部藝術(shù)特點,是湖北省的代表橋梁。宣恩文瀾橋在空間變化上不是單純是交通空間,而是包括了交通空間、景觀空間、生活空間和生態(tài)空間在內(nèi)的多種空間,并且各個空間之間并不完全獨立,這也是風(fēng)雨橋的特點體現(xiàn)。在結(jié)構(gòu)上左右對稱,從視覺圖式的角度上來看,整個橋梁可以從軸線處一分為二、左右對稱,和生命體一樣有對稱的結(jié)構(gòu),能在一定程度上保持平衡,保證了風(fēng)雨橋經(jīng)過多年的使用不會出現(xiàn)穩(wěn)定性的危險,以軸線為中心體現(xiàn)了土家人對和諧和完美的追求,也符合對均衡的要求。宣恩文瀾橋在整體節(jié)奏韻律上有規(guī)律的向上伸展和重復(fù),也是對整體變化的韻律。希望通過本文對宣恩文瀾橋的視覺圖式分析能更好的理解風(fēng)雨橋的構(gòu)造,為之后風(fēng)雨橋建造工作提供理論支持,也對風(fēng)雨橋的審美提出了新層次的理解,讓土家族風(fēng)雨橋能從一定程度上更好的展現(xiàn)民族特色。
[Abstract]:Wind and rain bridge is one of the characteristic bridges of ethnic minorities in our country. It represents the crystallization of the wisdom of ethnic minorities in China. It is a kind of folk architecture widely spread among the Dong, Tujia, Miao and other minority nationalities. It is also a special communication channel, which plays an important role in these minorities. Xuanen Wenlan Bridge is the representative bridge of Xuanen County in Enshi, Hubei Province. Rich performance of the basic structure and artistic characteristics of the bridge, the end of 2002 began construction, after nearly two years of construction completed the wind and rain bridge construction work, the upper part of the bridge is all wood materials. Xuan en Wenlan Bridge in the space change is not simply a traffic space, but includes the traffic space, landscape space. Living space and ecological space, and each space is not completely independent of each other, which is also the characteristics of wind and rain bridge. In the structure of left and right symmetry, from the perspective of visual schemata. The whole bridge can be divided into two from the axis, left and right symmetry, with the same symmetrical structure as life, can maintain a certain degree of balance, ensuring that the wind and rain bridge after many years of use will not appear the danger of stability. Axis as the center reflects the Tujia people's pursuit of harmony and perfection, but also in line with the requirements of balance. Xuanen Wenlan Bridge in the overall rhythm of the rhythm of the regular upward extension and repetition. It is also the rhythm of the overall change. It is hoped that the visual schema analysis of Xuanen Wenlan Bridge can better understand the structure of the wind and rain bridge, and provide theoretical support for the construction of the wind and rain bridge. It also puts forward a new level of understanding to the aesthetics of wind and rain bridge, so that the Tujia bridge can better show the national characteristics to a certain extent.
【學(xué)位授予單位】：湖北美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：U441;TU31

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 蔣響元;李偉;丁加明;;湖南風(fēng)雨橋之淺探[J];湖南交通科技;2010年04期

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本文編號：1412147