古龍武俠小說的故事形態(tài)研究
發(fā)布時(shí)間：2019-01-07 10:37
【摘要】：本次研究以結(jié)構(gòu)主義敘事學(xué)為研究的方法學(xué),具體分析古龍武俠小說的內(nèi)部敘事結(jié)構(gòu)及主題。文中主要選擇的具體方法為俄國(guó)普洛普的故事形態(tài)學(xué),輔助以布雷蒙的敘述邏輯、格雷馬斯的行動(dòng)元及蘇珊·蘭瑟的女性主義敘事學(xué)的部分理論。論文的第二章著眼于古龍武俠小說的敘述功能,并分析了古龍?jiān)O(shè)置這些敘述功能的動(dòng)機(jī)。該章節(jié)歸納出了十一種敘事功能,分別是“拯救他人”、“查明真相”、“扳倒梟雄”、“親近之人被傷害”、“蒙冤”、“親近之人背叛”、“假裝中計(jì)”、“發(fā)現(xiàn)破綻”、“對(duì)手倒戈”、“欲擒故縱”、“回歸紅塵”。并將這十一種敘事功能分為四個(gè)類別,分別是“承擔(dān)使命”、“陷入困境”、“轉(zhuǎn)危為安”、“完成使命”。其中“承擔(dān)使命——完成使命”為古龍武俠小說敘事的大循環(huán),“陷入困境——轉(zhuǎn)危為安”為敘事的小循環(huán),故事因除卻初始狀態(tài)和最終狀態(tài)外的功能項(xiàng)產(chǎn)生的“改善”或是“惡化”選項(xiàng)而進(jìn)行小循環(huán)的三種形式的復(fù)合,復(fù)合后的小循環(huán)組成了最終的大循環(huán)。通過對(duì)古龍武俠小說敘事功能項(xiàng)的總結(jié)、分析以及對(duì)比,尋找出了古龍?jiān)谕黄苽鹘y(tǒng)武俠小說,尋求“新”與“變”方面所做出的努力。論文的第三章,基于普洛普角色“行動(dòng)圈”理論和格雷馬斯的“行動(dòng)元”理論,對(duì)古龍的“角色模式”進(jìn)行了探索和歸納,探討了古龍武俠小說的故事發(fā)展模式,并從“英雄”、“梟雄”、“友人”、“女性”四個(gè)方面,探討了古龍創(chuàng)作人物的方式及對(duì)于“俠”的內(nèi)涵的建設(shè)。本次研究旨在,首先分離古龍武俠小說的敘事特色,建構(gòu)古龍武俠小說的敘事學(xué)基礎(chǔ),彌補(bǔ)該方面研究的部分空白。其次,讓古龍武俠小說的分析回歸文本。透過古龍武俠小說常見的敘事功能以及敘事順序,從而探討古龍武俠小說的敘事模式及方向,用敘事特色為基礎(chǔ)以求相對(duì)客觀的來探討小說的主題。
[Abstract]:Based on the methodology of structuralism narratology, this study analyzes the internal narrative structure and theme of the martial arts novels. The main method chosen in this paper is the morphology of Russian Prop's story, which is supplemented by Bremond's narrative logic, Graymas' action element and Susan Lanser's partial theory of feminist narratology. The second chapter focuses on the narrative functions of Gu long's martial arts novels, and analyzes the motive of setting up these narrative functions. The chapter summarizes eleven narrative functions: "Save others," find out the truth, "bring down the great hero," hurt the close, "be wronged," betray the close, "pretend to cheat," discover the flaw, " "opponent defection", "hard to get", "return to the Red Dust." The eleven narrative functions are divided into four categories, which are "undertaking mission", "getting into trouble", "turning the corner" and "accomplishing the mission". "taking the mission-accomplishing the mission" is the cycle of the narration of Gu long's martial arts novels, and "getting into a predicament-turning the crisis into a safe place" is the small circle of narration. The story is composed of three forms of small loop because of the "improvement" or "deterioration" option caused by the function term except the initial state and the final state, and the composite small loop forms the final large cycle. By summing up, analyzing and comparing the narrative functions of the martial arts novels, the author finds out the efforts made by Gu long in breaking through the traditional martial arts novels and seeking for "new" and "changing". In the third chapter, based on the theory of Plop's role "action circle" and Graymas's "action element" theory, the author explores and induces Gulong's "role model", and probes into the story development mode of Gu long's martial arts novel. From the four aspects of "Hero", "Great Hero", "friend" and "female", this paper probes into the ways of creating characters and the construction of the connotation of "Xia". The purpose of this study is to separate the narrative features of the martial arts novels, to construct the narrative basis of the martial arts novels, and to make up some gaps in this field. Secondly, let the analysis of the martial arts novels return to the text. Through the common narrative function and narrative sequence of the martial arts novels, this paper probes into the narrative mode and direction of the martial arts novels, and explores the theme of the novels on the basis of the narrative characteristics in order to find out the relative objectivity of the novel.
【學(xué)位授予單位】：西南交通大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：I207.42
本文編號(hào)：2403560
[Abstract]:Based on the methodology of structuralism narratology, this study analyzes the internal narrative structure and theme of the martial arts novels. The main method chosen in this paper is the morphology of Russian Prop's story, which is supplemented by Bremond's narrative logic, Graymas' action element and Susan Lanser's partial theory of feminist narratology. The second chapter focuses on the narrative functions of Gu long's martial arts novels, and analyzes the motive of setting up these narrative functions. The chapter summarizes eleven narrative functions: "Save others," find out the truth, "bring down the great hero," hurt the close, "be wronged," betray the close, "pretend to cheat," discover the flaw, " "opponent defection", "hard to get", "return to the Red Dust." The eleven narrative functions are divided into four categories, which are "undertaking mission", "getting into trouble", "turning the corner" and "accomplishing the mission". "taking the mission-accomplishing the mission" is the cycle of the narration of Gu long's martial arts novels, and "getting into a predicament-turning the crisis into a safe place" is the small circle of narration. The story is composed of three forms of small loop because of the "improvement" or "deterioration" option caused by the function term except the initial state and the final state, and the composite small loop forms the final large cycle. By summing up, analyzing and comparing the narrative functions of the martial arts novels, the author finds out the efforts made by Gu long in breaking through the traditional martial arts novels and seeking for "new" and "changing". In the third chapter, based on the theory of Plop's role "action circle" and Graymas's "action element" theory, the author explores and induces Gulong's "role model", and probes into the story development mode of Gu long's martial arts novel. From the four aspects of "Hero", "Great Hero", "friend" and "female", this paper probes into the ways of creating characters and the construction of the connotation of "Xia". The purpose of this study is to separate the narrative features of the martial arts novels, to construct the narrative basis of the martial arts novels, and to make up some gaps in this field. Secondly, let the analysis of the martial arts novels return to the text. Through the common narrative function and narrative sequence of the martial arts novels, this paper probes into the narrative mode and direction of the martial arts novels, and explores the theme of the novels on the basis of the narrative characteristics in order to find out the relative objectivity of the novel.
【學(xué)位授予單位】：西南交通大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：I207.42
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