【摘要】：畢飛宇的小說存在一種"錯位敘事",它使小說文本的內部要素偏離正常狀態(tài)或應有位置,涉及了小說從創(chuàng)作到閱讀過程中的各個主體。從故事層來說,小說的錯位敘述主要圍繞著"人物設置的錯位"和"情境設置的錯位"兩個方面進行,呈現了小說文本表層的各種處于非正常狀態(tài)下的角色、關系和情境。而從敘述層來說,畢飛宇通過設置"邊緣化的敘述視角"、"有意味的敘述時間"、"多重式的敘述結構"等敘述技巧,拉開敘述距離,試圖在真實世界和文本世界架起溝通的橋梁。透過對小說文本內部因素的分析,可以發(fā)現錯位敘事的形成與"權力壓迫下的主體選擇"、"距離控制下的主體關系"等兩個因素有著重要的聯(lián)系。在畢飛宇設置的錯位敘事下,他的小說呈現出了"日常之于荒誕"、"破碎之于疼痛"、"具象之于虛幻"等三個方面的美學風格。本文采用文本細讀法和文獻分析法,以錯位敘事作為研究畢飛宇小說的切入口,展示了畢飛宇試圖關照和批判世界的努力,也是對畢飛宇小說的一次新的發(fā)現和闡釋。
[Abstract]:Bi Feiyu's novels have a kind of "dislocation narration", which makes the internal elements of the novel text deviate from the normal state or its proper position, involving the main body of the novel from creation to reading. From the narrative level, Bi Feiyu tries to bridge the real world and the text world by setting up narrative skills such as "marginalized narrative perspective", "meaningful narrative time", "multiple narrative structure". Through the analysis of the internal factors of the novel, we can find that the formation of the dislocation narrative is closely related to the "subject choice under the oppression of power" and the "subject relationship under the control of distance". This paper uses the text close reading method and the literature analysis method to study Bi Feiyu's novels through the dislocation narrative. It shows Bi Feiyu's efforts to care for and criticize the world, and it is also a new discovery and interpretation of Bi Feiyu's novels.
【學位授予單位】：浙江大學
【學位級別】：碩士
【學位授予年份】：2015
【分類號】：I207.42

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1 湯玲;批判中的脈脈溫情——畢飛宇小說論湯玲[J];當代文壇;2005年03期

2 薛勝男;;疼痛中的救贖——畢飛宇小說的疼痛題旨解讀[J];湖南冶金職業(yè)技術學院學報;2007年03期

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本文編號：2230435