【摘要】：服飾從其產(chǎn)生之日起,就包含了文化的顯性之義,反映著當時社會的人文、地理、經(jīng)濟等多方面的情況。而《詩經(jīng)》作為我國第一部古典詩歌總集,除了多識于鳥獸草木之名外,所涉服飾名物更是其一大特色。大量的服飾描寫,很好的為我們反映了西周初年至春秋中葉服飾與社會文化之間的密切聯(lián)系。此外,《詩經(jīng)》中的服飾描寫,在展現(xiàn)人物的復雜形象之外,同時也在傳達美好的情思。因此,本文主要將服飾與文學關(guān)聯(lián),從描寫角度來探究《詩經(jīng)》服飾的具體內(nèi)涵,以期深刻的了解當時周朝人們的生活形態(tài)、審美要求以及價值判斷等內(nèi)容。本文主要從五個方面來具體展開。緒論主要探討了《詩經(jīng)》服飾描寫研究的價值與方法,同時對“服飾”研究作了較為詳細的界定以及對以往學術(shù)研究的一個簡單回顧。第一章主要介紹服飾被描寫的具體概況,即從形制、顏色及圖案等三部分來厘清《詩經(jīng)》中服飾描寫的各個方面,以此明確文章的研究范圍。第二章則主要從服飾描寫的區(qū)域特征及描寫方式兩方面來探究,《詩經(jīng)》中代表十五國風的民歌,無論是從其代表的區(qū)域看,還是從其描寫的內(nèi)容來看,無不體現(xiàn)出了濃厚的地域文化色彩。因此區(qū)域特征將著重考察不同地理環(huán)境,風俗習慣下的《詩經(jīng)》服飾描寫的不同特點。文學是一種描寫的藝術(shù),《詩經(jīng)》作為我國文化遺產(chǎn)里的珍寶,其描寫方式也是極具有藝術(shù)效果。第三章主要從《詩經(jīng)》中服飾描寫的文學功能和文化功能兩方面來進行具體介紹。文學功能擬從符號功能,抒情功能及美刺功能三個層面去進行討論。文化功能主要表現(xiàn)為禮儀功能,“禮樂”文化在周朝扮演著重要的角色,而服飾作為實現(xiàn)“周禮”的重要媒介和表現(xiàn)形式,自然與“周禮”有著莫大的關(guān)聯(lián),因此本節(jié)從這里入手,采用文本解讀與歷史文獻相結(jié)合的方法,去逐一介紹各種禮儀下的服飾所表現(xiàn)的不同功能。第四章則將《詩經(jīng)》中的服飾描寫納入到跟其他文學作品中服飾現(xiàn)象描寫的比較中進行研究�！冻o》中的服飾展現(xiàn)的是“香草美人”的文學內(nèi)蘊及屈原人格的精神氣質(zhì),漢樂府中的服飾更多的是表現(xiàn)出一種娛樂化和審美化的傾向,而《詩經(jīng)》中的服飾所展現(xiàn)的是一種樸素之美,其內(nèi)涵更多承載著人的身份、地位和等級等特殊意義。因此比較分析主要從這里入手,去探究《詩經(jīng)》服飾描寫所獨有的文化意蘊。
[Abstract]:Since its birth, costumes have contained the overt meaning of culture, reflecting the human, geographical, economic and other aspects of the society at that time. It reflects the close relationship between clothing and social culture from the early Western Zhou Dynasty to the middle of the Spring and Autumn Period. In addition, the description of clothing in the Book of Songs not only shows the complex image of the characters, but also conveys beautiful feelings. The introduction mainly discusses the value and method of the study on the description of costumes in the Book of Songs. At the same time, it gives a more detailed definition of the study of costumes and a brief review of the previous academic research. This paper mainly introduces the general situation of the description of costumes, that is, to clarify the various aspects of the description of costumes in the Book of Songs from the aspects of shape, color and pattern, so as to clarify the scope of the article. From the point of view of the region it represents, or from the content of its description, it reflects a strong regional cultural color. Therefore, the regional characteristics will focus on the different geographical environment, customs and habits of the < Book of Songs > clothing description of the different characteristics. Literature is a kind of art of description, < Book of Songs > as a treasure in China's cultural heritage, its way of description. The third chapter mainly introduces the literary function and cultural function of costume description in the Book of Songs. Literary function is discussed from three aspects: symbolic function, lyrical function and aesthetic function. The role of costume, as an important medium and form of expression for realizing Zhou rites, is naturally closely related to Zhou rites. Therefore, this section starts from here and introduces the different functions of costumes under various rites one by one by combining text interpretation with historical documents. The clothes in Chu Ci show the literary connotation of "vanilla beauty" and the spiritual temperament of Qu Yuan's personality. The clothes in Han Yuefu show a tendency of entertainment and aesthetics, while the clothes in the Book of Songs show a tendency of entertainment and aesthetics. The beauty of simplicity bears more special meanings such as human identity, status and rank. Therefore, the comparative analysis mainly starts from here to explore the unique cultural implications of the description of costumes in the Book of Songs.
【學位授予單位】：安徽師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I207.22

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