【摘要】："一代有一代之文學(xué)"是20世紀(jì)最有影響的文學(xué)史觀,但研究者在關(guān)注文體的演化盛衰時(shí),卻常常忽視對(duì)于文體演變之可能與必要的考察,故而文學(xué)史書(shū)寫(xiě)在最為基礎(chǔ)的層面上卻最缺乏歷史感。韻律單位、詞匯與語(yǔ)法結(jié)構(gòu)的演化是文學(xué)語(yǔ)言演化的主要呈現(xiàn)方式,"文體代興"的可能以及特定文體的興衰存續(xù)由此而定。語(yǔ)體作為話語(yǔ)交際是標(biāo)志距離的產(chǎn)物,既能展現(xiàn)共時(shí)與歷時(shí)的古今差異,亦能兼顧文體成形的外緣與內(nèi)因,在"文體代興"之必要的分析上,是較功能與風(fēng)格概念更為適切的概念。語(yǔ)體完形是話語(yǔ)交際的必然要求,也是文體演化的內(nèi)在動(dòng)力。
[Abstract]:"Generation of Literature" is the most influential view of literary history in the 20th century. However, when researchers pay attention to the evolution of literary style, they often ignore the possibility and necessity of the evolution of literary style. Therefore, the writing of literary history lacks the sense of history at the most basic level. The evolution of prosodic units, lexical and grammatical structures is the main presentation of the evolution of literary language, and the possibility of "stylistic generation" and the existence and decline of specific styles depend on it. As a product of distance, stylistic communication can not only show the differences of synchronic and diachronic, but also give consideration to the external and internal causes of stylistic formation, so as to analyze the necessity of "stylistic generation". Is a more relevant concept than the concept of function and style. Gestalt is the inevitable requirement of discourse communication and the internal motive force of stylistic evolution.
【作者單位】： 蘭州大學(xué)文學(xué)院;
【基金】：國(guó)家社科基金項(xiàng)目“初盛唐的儒學(xué)與文學(xué)”(16xzw003);國(guó)家社科基金重大項(xiàng)目“唐詩(shī)學(xué)研究”(12&ZD156) 蘭州大學(xué)中央高�；緲I(yè)務(wù)費(fèi)項(xiàng)目“漢語(yǔ)演化與中古文學(xué)研究”(IZU20172W003)
【分類號(hào)】：I209

【參考文獻(xiàn)】

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