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論《玫瑰門》女性形象的符號(hào)意義

發(fā)布時(shí)間:2018-08-27 12:12
【摘要】:正當(dāng)代著名作家鐵凝的第一部長(zhǎng)篇小說《玫瑰門》自出版以來一直是文學(xué)界經(jīng)久不衰的話題。這不僅緣于作品的敘事方法具有獨(dú)到之處,更重要的是作家在這部長(zhǎng)篇小說中,以血緣關(guān)系為結(jié)構(gòu)紐帶,塑造了頗具談資的"玫瑰門"家族女性人物形象。二十多年里,評(píng)論家們對(duì)這些女性人物的解讀已是碩果累累,但重讀經(jīng)典的幸運(yùn)事莫過于在超越時(shí)空、階級(jí)和民族......式的精神之旅中獲得新的積淀。作為生命的象征,"玫瑰門"既有女性的內(nèi)在涵義,又是彰顯人性意識(shí)的通道,從探討這道生命之門所聯(lián)系的女性人物群像及其符號(hào)意義的角度再次細(xì)讀文本,希望解析能夠更接近小說的原旨。
[Abstract]:The first novel, Rose Gate, by Tie Ning, a famous contemporary writer, has been an enduring topic in literary circles since its publication. This is not only due to the unique narrative method of the novel, but more importantly, the writer in this novel, with the blood relationship as the structural link, created the "Rose Gate" family female characters. For more than two decades, critics have read these women with great success, but the lucky thing to reread the classics is to transcend time and space, class and race. The spirit of the type of journey to gain a new accumulation. As the symbol of life, "Rose Gate" not only has the inherent meaning of women, but also is the channel to reveal the consciousness of human nature. From the angle of discussing the female figures associated with this door of life and its symbolic significance, the text is carefully read again. It is hoped that the analysis will be closer to the original purpose of the novel.
【作者單位】: 云南民族大學(xué);
【分類號(hào)】:I207.425

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相關(guān)期刊論文 前2條

1 王瓊曼;;士與俠的消隱——對(duì)《檀香刑》中文化符號(hào)意義的解讀[J];太原城市職業(yè)技術(shù)學(xué)院學(xué)報(bào);2010年06期

2 趙艷花;;郁達(dá)夫小說中類型化女性形象的符號(hào)意義[J];鄭州大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2010年04期



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