本文選題：朱山坡 + 中短篇小說��； 參考：《廣西大學》2017年碩士論文

【摘要】：近年來廣西作家朱山坡的小說引起了文壇的廣泛關注。他本人也成功躋身于中國當代優(yōu)秀青年作家的行列,被評論家認為是廣西文壇“后三劍客”的代表人物之一,其小說對底層民眾苦難處境的描寫及其獨特的表現(xiàn)方式,奠定了他在當代文壇的特殊地位。從內容上看,朱山坡構建了完整的藝術世界,詳細探討了家庭、村莊、城市的形態(tài)、特點及其相互之間的關系。家庭是其藝術世界構建的第一個層面。小輩的始終存在性和成員的不完整性是其基本特征,表達了作者對少年和苦難家庭的同情。他對夫妻關系和親子關系的探討,表達了對婚姻、家庭教育等問題的思考,表現(xiàn)出呼喚和諧家庭的愿望,并成功塑造了獨特的人物形象系列。村莊是作家藝術世界的第二個層面,“我”之家的嵌入與不完整的其它家庭的呈現(xiàn)構成了村莊言說的基本特點,作家重點表現(xiàn)了家與家之間既合作又對抗的關系,表達了欣慰又失望的復雜感情。總體而言,其筆下的鄉(xiāng)土世界是苦難的,體現(xiàn)了作家悲天憫人的人道主義情懷,但也不乏對世外桃源的描寫,表達了其超脫苦難的理想。城市是作家藝術世界構建的最后一個層面。它是鄉(xiāng)下人想象中實現(xiàn)人生夢想的場所,但從城鄉(xiāng)之間既依賴又排斥的關系看,鄉(xiāng)下人始終是受害者,城市并不是其夢想實現(xiàn)的舞臺,表達了作者對城鄉(xiāng)背景下鄉(xiāng)人們了無出路命運的關切和同情。從形式上看,作家多變的敘事技巧、奇特的語言藝術和新巧的結構為其藝術世界形態(tài)的構建提供了審美保證,使其作品在整體上呈現(xiàn)出一種嚴肅、悲涼的效果。病人和少年這兩類特殊敘事視角的選擇,既增強了作品的真實性,也深刻揭示了人物的內心世界,起到了深化主題的作用。而靈活的敘述方式則又增強了小說的故事性,使作品引人入勝。作家的語言具有詩性、荒誕和幽默的特點,與苦難主題書寫形成一種反差,表現(xiàn)了小人物的卑微和脆弱,體現(xiàn)了作家情感零度介入作品的姿態(tài)。作者在結構上多運用雙線互補,既增強了小說的故事性,又拓寬了小說的意蘊。此外,對元小說的借鑒既體現(xiàn)了作家受到先鋒文學的影響,又表明其追求創(chuàng)新的意識。作家獨特的藝術世界形態(tài)及其表現(xiàn)方式,使其作品具有了悲涼、嚴肅的審美意義,揭露現(xiàn)實、引起關注的社會意義,體現(xiàn)了他的人道主義思想以及銳意創(chuàng)新的意識。
[Abstract]:In recent years, the novels of Zhu Hillside, a Guangxi writer, have attracted wide attention in the literary world. He himself has also succeeded in joining the ranks of Chinese contemporary excellent young writers, and is regarded by critics as one of the representative figures of the late three swordsmen in Guangxi literary world. His novels describe the plight of the underclass people and their unique ways of expression. Established his special position in the contemporary literary world. From the content point of view, Zhu Hillside constructs a complete artistic world and discusses in detail the shape, characteristics and relationship among families, villages and cities. The family is the first level of its artistic world. The existence of the younger generation and the imperfection of the members are its basic characteristics, which express the author's sympathy for the young and the suffering family. He discussed the relationship between husband and wife and parent-child relationship, expressed his thoughts on marriage and family education, showed his desire to call for a harmonious family, and successfully created a unique series of characters. The village is the second level of the writer's art world. The embedding of "I" home and the appearance of incomplete other families constitute the basic characteristics of the village's speech, and the writer focuses on the relationship of cooperation and confrontation between the home and the home. Express the complex feelings of relief and disappointment. In general, the local world in his works is suffering, which reflects the humanitarian feelings of the writer, but there is no lack of description of the paradise, expressing his ideal of transcending suffering. City is the last level of the writer's art world. It is the place where the country people imagine to realize their dreams of life, but from the relationship of dependence and exclusion between urban and rural areas, the rural people are always victims, and the city is not the stage for the realization of their dreams. The author expresses his concern and sympathy for the fate of rural people under the background of urban and rural areas. From the formal point of view, the writer's changeable narrative skills, peculiar language art and new structure provide aesthetic guarantee for the construction of his artistic world form, and make his works present a serious and sad effect on the whole. The choice of two special narrative perspectives, the patient and the teenager, not only enhances the authenticity of the works, but also reveals the inner world of the characters, and plays a role in deepening the theme. The flexible way of narration enhances the story of the novel and makes it fascinating. The writer's language has the characteristics of poetry, absurdity and humor, which is in contrast to the writing of the subject of suffering. It shows the inferiority and fragility of the little man, and reflects the attitude of the writer's emotional zero involvement in his works. The author uses two lines to complement each other in structure, which not only strengthens the story of the novel, but also widens the meaning of the novel. In addition, the reference to metafiction not only reflects the influence of pioneer literature on writers, but also shows their consciousness of pursuing innovation. The writer's unique artistic world form and its expression style make his works have a sad, serious aesthetic significance, reveal the reality, arouse the attention of the social significance, reflect his humanitarianism thought and the consciousness of innovation.
【學位授予單位】：廣西大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I207.42

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本文編號：2026437