本文選題：南朝 + 墓志��； 參考：《遼寧大學(xué)》2017年碩士論文

【摘要】：墓志作為中國古代文體的一種,很早就已經(jīng)出現(xiàn)了。其內(nèi)容體例,如馬衡在《凡將齋金石叢稿》中所言:“冢墓之文,有墓志,有墓前。墓志記年月、姓名及生平事跡,系之以銘,故又謂之墓志銘�！蹦怪疽话闶怯蒙Ⅲw文字?jǐn)⑹鏊勒叩纳绞论E,志后有“銘”,一般多用韻文,是對(duì)死者的稱揚(yáng)贊頌。墓志文體的發(fā)展,到南朝時(shí)期已經(jīng)基本定型成熟,其創(chuàng)作對(duì)于后世墓志文體的發(fā)展具有重要的影響。本文即以南朝墓志作為研究對(duì)象,從文體學(xué)角度入手,對(duì)其發(fā)展源流、內(nèi)容體制以及行文方式、對(duì)后世的影響等進(jìn)行專門研究。本文總體分為五個(gè)部分:緒論部分主要介紹南朝墓志的研究現(xiàn)狀、研究意義以及本文的創(chuàng)新之處;第二部分主要對(duì)墓志文體進(jìn)行尋源溯流的考察介紹,包括“墓志”釋名和發(fā)展源流兩部分。其中具體介紹了前人關(guān)于墓志起源的五種說法,即:秦代說、西漢說、東漢說、魏晉說、南朝說。同時(shí),結(jié)合自己的分析,對(duì)墓志的起源進(jìn)行了總結(jié)性的歸納;第三部分主要研究南朝墓志的內(nèi)容和體例。在內(nèi)容方面,按照墓志對(duì)象的不同,南朝墓志大致可以分為皇族墓志、官員墓志、釋家墓志和其他墓志四大類。而且對(duì)象不同,作家在寫作墓志時(shí)所采用的筆法和體式也各有不同。在體例方面,經(jīng)過宋、齊、梁、陳四個(gè)朝代的發(fā)展,南朝墓志基本形成了以首題、序、志傳、志銘、尾記五大要素為主,而以志傳和志銘為核心的體例。具體來看,又可以細(xì)分為有志無銘式、有銘無志式、先志后銘式、先銘后志式等多種體例,每種體例都有其自身獨(dú)具的特征;第四部分主要研究南朝墓志的體制。根據(jù)行文方式的不同,南朝墓志可以分為駢體墓志、散體墓志以及駢散結(jié)合墓志;同時(shí),還從南朝墓志的對(duì)偶、用典、藻飾三方面展開論述,深度挖掘南朝墓志的駢化之美;第五部分主要寫南朝墓志對(duì)后世的影響。南朝墓志在經(jīng)歷了時(shí)間的打磨之后最終定型,確立了獨(dú)特的行文格式和撰寫風(fēng)格,對(duì)后世墓志文的寫作產(chǎn)生了深遠(yuǎn)的影響,尤其是隋唐兩朝,直至唐朝初年墓志的寫作一直都延續(xù)著南朝墓志的風(fēng)氣,由此可見南朝墓志的影響之深。
[Abstract]:As a kind of ancient Chinese style, epitaph has appeared very early. Its content style, as Ma Heng said in all the Jinji Jin-Shi Cong manuscript: "Tomb of the text, there are epitaph, there is tomb front." The years, names and life deeds of the epitaph are also called epitaph. " The epitaph is usually written in prose to describe the life story of the deceased. There is an inscription after the inscription, and it is generally used in rhymes to praise the dead. The development of the epitaph style was basically mature in the Southern Dynasty, and its creation had an important influence on the development of the later epitaph style. This article takes the Southern Dynasty epitaph as the research object, from the stylistic angle, carries on the specialized research to its development source, the content system and the writing way, to the later generation influence and so on. This paper is divided into five parts: the introduction mainly introduces the research status of the Southern Dynasty epitaphs, the significance of the study and the innovation of this paper. It includes two parts: the release of epitaph and the origin and development of the epitaph. Among them, it introduces five kinds of theories about the origin of epitaph, that is, Qin Dynasty, Western Han Dynasty, Eastern Han Dynasty, Wei Jin Dynasty and Southern Dynasty. At the same time, combined with their own analysis, the origin of the epitaph is summarized. The third part mainly studies the contents and style of the epitaph of the Southern Dynasty. In terms of content, according to the different epitaph objects, the epitaph of the Southern Dynasty can be divided into four categories: imperial epitaph, official epitaph, Shujia epitaph and other epitaphs. And different objects, writers in the writing epitaph using different strokes and styles. In terms of style, through the development of Song, Qi, Liang and Chen dynasties, the epitaph of the Southern Dynasty has basically formed five main elements: the first question, the preface, the biography, the inscription, and the tail note, while the core of the epitaph is the biographies and the inscriptions. Specifically, it can be subdivided into many styles, such as ambition without inscriptions, inscriptions without ambition, first inscriptions after inscriptions, and so on. Each style has its own unique characteristics. The fourth part mainly studies the system of epitaphs in the Southern Dynasty. According to the different ways of writing, the epitaph of the Southern Dynasty can be divided into the epitaph of parallel body, the epitaph of individual body and the epitaph combined with double body, and at the same time, it is discussed from the three aspects of the duality of epitaph of the Southern Dynasty, the use of the code and the decoration of algae, and the beauty of the parallelization of the epitaphs of the Southern Dynasty is deeply excavated. The fifth part is mainly about the influence of the epitaphs of the Southern Dynasty on the later generations. The epitaph of the Southern Dynasty was finalized after the grinding of time, and the unique style and style of writing were established, which had a profound influence on the writing of the epitaphs of later generations, especially in the Sui and Tang dynasties. Up to the beginning of Tang Dynasty, the epitaphs of the Southern Dynasty have continued to be written, so the influence of the epitaphs on the epitaphs of the Southern Dynasty is so deep.
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I206.2

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