本文選題：唐代 + 宮廷　； 參考：《廣西師范大學(xué)》2017年碩士論文

【摘要】：唐代宮廷女性詩人,是指以生活在唐代宮廷或深受唐代宮廷影響的后妃、公主、女官、宮人為創(chuàng)作主體的詩人群。宮廷女性具有雙重身份特征,即女性身份和宮廷身份。在中國古代文學(xué)史上女性文人較男性文人一直處于弱勢地位,宮廷女性詩人這一群體幾乎已經(jīng)被文學(xué)史所忽略。但是她們這一群體形象卻常常出現(xiàn)于文學(xué)作品之中,她們的詩歌創(chuàng)作與我們所熟知的宮詞和宮體詩有很大的不同,是一種特殊的存在。她們生活于封建社會(huì)權(quán)利的中心宮廷,因此她們的詩歌不僅能夠反映出唐代宮廷女性的生存狀態(tài),也能夠從一定程度上反映出整個(gè)唐代宮廷的風(fēng)貌。本文將以唐代宮廷女性及其詩歌為切入點(diǎn)進(jìn)行研究,從而展現(xiàn)其創(chuàng)作面貌。本論文由五部分組成。緒論部分,主要交代問題提出的依據(jù),從本分與非本分的角度來看唐代宮廷女性的詩歌創(chuàng)作以及對(duì)前人的研究成果以綜述的形式進(jìn)行闡述并對(duì)研究狀況作出簡要分析。第一章,為總概部分。首先,對(duì)唐前宮廷女性的詩歌創(chuàng)作進(jìn)行梳理,使其呈現(xiàn)出清晰的脈絡(luò)。其次,以唐代宮廷女性的身份為依據(jù)進(jìn)行分類,并進(jìn)行整體上的概述。第二章,則是從詩歌題材入手,從內(nèi)容出發(fā),主要將其分為郊廟祭祀歌辭、深宮幽怨之作以及游覽宴會(huì)之作幾大類。第三章,是從宮廷女性所作的詩歌入手,挖掘其獨(dú)特之處。首先,將男性詩人所作的宮詞和唐前宮廷女性所作的詩歌進(jìn)行比較得出其情感的矛盾性。其次,從身份地位入手分析其身份地位在詩歌中的獨(dú)特體現(xiàn)。最后,從宮廷這一環(huán)境出發(fā),分析宮廷在其詩歌創(chuàng)作中留下的烙印。第四章,則是從時(shí)間角度進(jìn)行分析。大唐王朝的三百年并不是波瀾不驚的,社會(huì)的變遷也促使了文學(xué)的變遷。本章按照傳統(tǒng)的分法,將唐代宮廷女性的詩歌創(chuàng)作分為初唐、盛唐、中唐、晚唐四個(gè)時(shí)期�？偨Y(jié)分析每個(gè)時(shí)期的創(chuàng)作特點(diǎn),并分析其變化的原因。
[Abstract]:The female poets in the Tang Dynasty refer to the people who lived in the court of the Tang Dynasty or were influenced by the imperial court of the Tang Dynasty, the princess, the female official and the palace as the main creative subject. Court women have dual identity characteristics, that is, female identity and court identity. In the history of ancient Chinese literature, female literati have always been in a weak position compared with male literati, and the group of court female poets has almost been neglected in literary history. However, their group images often appear in literary works, and their poetry creation is very different from the palace ci and palace poetry that we know well, and it is a special existence. They live in the central court of feudal society, so their poems can not only reflect the living state of women in the Tang Dynasty, but also reflect the style and features of the whole court in the Tang Dynasty to a certain extent. In this paper, the Tang Dynasty court women and their poems as the breakthrough point of study, thus showing its creative appearance. This paper consists of five parts. In the introduction part, the author mainly explains the basis of the question, from the perspective of the original and non-original, the poetry creation of the court women in the Tang Dynasty and the previous research results are expounded in the form of a summary and a brief analysis of the research situation is made. The first chapter is the general part. Firstly, the poetic creation of court women before the Tang Dynasty was combed to show a clear thread. Secondly, based on the status of court women in Tang Dynasty, it is classified and summarized as a whole. The second chapter starts with the theme of poetry and mainly divides it into three categories: the songs of sacrificial sacrifice in suburban temples, the works of deep palace enmity and the works of sightseeing banquets. The third chapter starts with the poems written by court women and excavates its uniqueness. First of all, comparing the poems of male poets with those written by court women before Tang Dynasty, the ambivalence of their emotions is obtained. Secondly, it analyzes the unique embodiment of its status in poetry from the position of identity. Finally, starting from the court environment, this paper analyzes the imprint left by the court in its poetry creation. The fourth chapter, is from the time angle carries on the analysis. The 300 years of the Tang Dynasty were not uneventful, and the changes of society promoted the changes of literature. According to the traditional division method, this chapter divides the poetry creation of women in the Tang Dynasty into four periods: the early Tang Dynasty, the prosperous Tang Dynasty, the Middle Tang Dynasty and the late Tang Dynasty. Summarize and analyze the creative characteristics of each period, and analyze the reasons for its change.
【學(xué)位授予單位】：廣西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.22

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本文編號(hào)：1987708