本文選題：1950年代 + 短篇小說(shuō)　； 參考：《揚(yáng)州大學(xué)》2017年碩士論文

【摘要】：由于特殊的時(shí)代政治環(huán)境,婚戀題材在1950年代的小說(shuō)創(chuàng)作中是個(gè)需要慎重對(duì)待的問(wèn)題。在建國(guó)初的1950年代文壇,有一批作家寫(xiě)出了一批描寫(xiě)婚姻愛(ài)情的作品,或者是一些涉及婚姻愛(ài)情的作品。對(duì)于這些作品,當(dāng)前的學(xué)者對(duì)它已有一定的研究,但將1950年代作為一個(gè)整體,從婚戀題材短篇小說(shuō)敘事與意識(shí)形態(tài)之間的關(guān)系出發(fā)對(duì)之進(jìn)行研究的就不多了,且研究成果帶有重復(fù)性。為了進(jìn)一步了解這一時(shí)代婚戀題材短篇小說(shuō)敘事與時(shí)代政治之間的關(guān)系,本文就對(duì)1950年代小說(shuō)創(chuàng)作中所涉及的婚戀書(shū)寫(xiě)進(jìn)行分析,歸納出這一時(shí)期不同婚戀故事呈現(xiàn)出來(lái)的具有共性的敘事模式以及產(chǎn)生這種敘事模式的原因,并探究其歷史意義。本論文除緒論和結(jié)語(yǔ)外共分為三章,分別為第一章:婚戀敘事的模式;第二章:婚戀敘事的特色及成因;第三章:婚戀敘事的歷史意義。緒論部分首先對(duì)1950年代文學(xué)的創(chuàng)作氛圍和婚戀題材短篇小說(shuō)整體概觀做一個(gè)說(shuō)明,然后對(duì)所選取的研究對(duì)象做一個(gè)界定從而確定本文的研究方法,接著對(duì)此選題做一個(gè)研究綜述進(jìn)而闡明本文的寫(xiě)作理由和目的。第一章主要討論1950年代婚戀題材短篇小說(shuō)的敘事模式。具體方法是從精確重復(fù)或帶有差異重復(fù)的小說(shuō)中按照婚戀發(fā)展規(guī)律概括出由4個(gè)基本敘事階段(擇偶標(biāo)準(zhǔn)、婚戀空間、婚戀生活、婚戀結(jié)局)組成的一個(gè)不變的敘事模式,并揭示這種敘事模式所蘊(yùn)含的政治意味。第二章主要研究1950年代婚戀題材短篇小說(shuō)敘事的特色及形成這種特色的原因。通過(guò)將其納入新文學(xué)有史以來(lái)婚戀敘事流變的大背景下,與五四時(shí)期、1930年代的左翼文學(xué)婚戀敘事做比較,從政府對(duì)婚戀的干預(yù)和婚禮的官方化兩個(gè)方面揭示1950年代婚戀題材短篇小說(shuō)敘事的政治性特征,并對(duì)這種敘事的成因展開(kāi)探究。就具體思路而言,主要是從兩個(gè)維度對(duì)其進(jìn)行挖掘:一是從客觀原因的維度進(jìn)行探究;二是從作家的創(chuàng)作心理展開(kāi)相應(yīng)的探究。第三章主要揭示1950年代婚戀題材短篇小說(shuō)敘事的歷史意義。1950年代的婚戀敘事作為婚戀小說(shuō)敘事史上的一個(gè)重要環(huán)節(jié),并且也是那個(gè)時(shí)代意識(shí)形態(tài)話(huà)語(yǔ)的重要組成部分,其存在必然有一定的歷史意義,具體可以分為《婚姻法》之宣傳和社會(huì)主義新人之培育。
[Abstract]:Due to the special political environment of the times, the subject of love and marriage is a matter of caution in the novels of the 1950 s.In the early 1950s, a group of writers wrote about marriage and love, or about marriage and love.For these works, current scholars have studied it to a certain extent, but in the 1950s as a whole, from the relationship between narrative and ideology of short stories of love and marriage, there is not much research on it.And the research results are repetitive.In order to further understand the relationship between the narrative of short stories about love and marriage in this era and the politics of the times, this paper analyzes the writing of marriage and love involved in the novels of the 1950s.This paper sums up the common narrative mode of different love and marriage stories in this period and the reasons for this kind of narrative mode, and probes into its historical significance.In addition to the introduction and conclusion, this thesis is divided into three chapters: the first chapter: the mode of love and marriage narrative; the second chapter: the characteristics and causes of love and marriage narrative; the third chapter: the historical significance of love and marriage narrative.In the introduction part, the author first gives an overview of the literary atmosphere of the 1950s and the short stories about love and marriage, and then defines the selected research object to determine the research method of this paper.Then a research review of this topic is made to clarify the reasons and purposes of this paper.The first chapter mainly discusses the narrative mode of the short stories about love and marriage in the 1950 s.The specific method is to generalize an invariable narrative model from the novel of exact repetition or with different repetition according to the law of the development of marriage and love, which consists of four basic narrative stages (the criteria of mate selection, the space of marriage and love, the life of marriage and love, the outcome of love and love).And reveals the political implication of this narrative model.The second chapter mainly studies the narrative characteristics of the short stories about love and marriage in the 1950 s and the reasons for their formation.Under the background of the change of marriage and love narration in the history of new literature, this paper compares it with the marriage narration of left-wing literature in the May 4th period and 1930s.This paper reveals the political characteristics of the narration of the short story of love and marriage in the 1950s from the government's intervention in marriage and the official wedding, and probes into the causes of this narrative.As far as the specific thinking is concerned, it is mainly excavated from two dimensions: one is from the dimension of objective reasons, the other is from the writer's creative psychology.The third chapter mainly reveals the historical significance of the short story narration of the subject of marriage and love in the 1950s. As an important link in the narrative history of the love and marriage novel in the 1950s, it is also an important part of the ideological discourse of that era.Its existence must have certain historical significance, it can be divided into the propaganda of Marriage Law and the cultivation of socialist newlyweds.
【學(xué)位授予單位】：揚(yáng)州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：I207.42

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