本文選題：《石點(diǎn)頭》 + 擬話(huà)本��； 參考：《遼寧大學(xué)》2016年碩士論文

【摘要】：本選題以明代擬話(huà)本小說(shuō)《石點(diǎn)頭》為研究對(duì)象�！妒c(diǎn)頭》是晚明擬話(huà)本小說(shuō)中頗具代表性的一部。然而,由于學(xué)界對(duì)古代白話(huà)短篇小說(shuō)的關(guān)注,長(zhǎng)期聚焦于“三言”“二拍”等名著,該書(shū)一直未受到足夠重視。本文在借鑒前人研究成果的基礎(chǔ)上,對(duì)該書(shū)進(jìn)行比較全面深入的研究和分析。論文分為五個(gè)部分,具體如下：緒論部分概括介紹《石點(diǎn)頭》的研究現(xiàn)狀及方法。第一章介紹《石點(diǎn)頭》的創(chuàng)作概況。首先討論該書(shū)作者。目前學(xué)界對(duì)該書(shū)作者究竟為誰(shuí),的確存在爭(zhēng)議。本文結(jié)合相關(guān)材料和研究成果,推定其為馮夢(mèng)龍的朋友之一。其次介紹《石點(diǎn)頭》的故事來(lái)源和材料處理方式。本書(shū)中的故事,大部分可于前代或大約同時(shí)代的筆記、雜傳、小說(shuō)、官私史著中找到本事。而對(duì)于這些材料,作者進(jìn)行了相應(yīng)的剪裁、組合、潤(rùn)色,并融進(jìn)了個(gè)人的思想志趣。最后討論作者的創(chuàng)作目的與立場(chǎng)。第二章重點(diǎn)介紹《石點(diǎn)頭》思想內(nèi)容。首先是婚戀觀,《石點(diǎn)頭》故事中涉及婚戀觀的內(nèi)容有很多,在十四篇小說(shuō)中,女性的角色占了一半以上,描寫(xiě)了婦女對(duì)婚姻的忠貞,誓死不嫁二夫的婚戀觀。然而,在一些篇目中,又可見(jiàn)對(duì)女性追求自由愛(ài)情的理解與肯定。這種頗顯矛盾的婚姻觀,應(yīng)當(dāng)是受到晚明個(gè)性解放思潮影響的結(jié)果。其次是忠孝觀,“忠”與“孝”是儒家思想的核心范疇。在本書(shū)中,作者對(duì)于“忠者”的闡釋與宣揚(yáng)是一貫的,幾乎覆蓋于整部書(shū)。第三是仕宦觀,科舉與官場(chǎng),是文人化作品中常見(jiàn)的題材,作為晚明文人意識(shí)滲透度極高的一部作品,《石點(diǎn)頭》中描寫(xiě)了大量的科場(chǎng)與官場(chǎng)的現(xiàn)象,而主要的態(tài)度是諷刺。第三章寫(xiě)《石點(diǎn)頭》的藝術(shù)特色。首先從敘事體制入手,討論作者對(duì)“入話(huà)”和“正話(huà)”這兩個(gè)結(jié)構(gòu)部件的利用。其次寫(xiě)《石點(diǎn)頭》的敘事結(jié)構(gòu),雙線(xiàn)交匯的敘事結(jié)構(gòu)是作為擬話(huà)本小說(shuō)最具特色的敘事方式。作者在此基礎(chǔ)上,進(jìn)行了個(gè)性化處理。最后寫(xiě)《石點(diǎn)頭》的藝術(shù)表現(xiàn)手法,從語(yǔ)言特色、心理描寫(xiě)、肖像描寫(xiě)三個(gè)方面入手。盡管小說(shuō)中出現(xiàn)的人物形象眾多,但語(yǔ)言較具個(gè)性,不同的人物有不同的語(yǔ)匯、聲口。而在人物口語(yǔ)的生活化之外,《石點(diǎn)頭》的敘述語(yǔ)言則多用典故,注重錘煉。結(jié)語(yǔ)討論《石點(diǎn)頭》對(duì)前期作品的承襲,及對(duì)后世作品的影響。本文將《石點(diǎn)頭》與同時(shí)期以及前后期作品進(jìn)行共時(shí)性和歷時(shí)性的比較,進(jìn)而分析其在文學(xué)發(fā)展過(guò)程中的地位。
[Abstract]:This thesis takes Shi nod, a representative novel in the late Ming Dynasty, as the object of study.However, due to the academic attention to ancient vernacular short stories, the long-term focus on "three words", "two pat" and other famous works, the book has not been paid enough attention to.Based on the previous research results, this paper makes a thorough study and analysis of the book.The paper is divided into five parts, as follows: the introduction introduces the research status and methods of Shi nod.The first chapter introduces the general situation of the creation of Stone nod.The author of the book is discussed first.At present, there is a dispute in academic circles about who the author of the book is.In this paper, we conclude that Feng Menglong is one of the friends of Feng Menglong according to the related materials and research results.Secondly, the author introduces the source of the story and the treatment of the material.Most of the stories in this book can be found in previous or about contemporaneous notes, biographies, novels, and official and private historical works.For these materials, the author tailor-made, combined, polished, and incorporated into the individual mind.Finally, the author's creative purpose and position are discussed.The second chapter focuses on the content of Shi nod.The first is the concept of love and marriage. There are a lot of contents in the story about the concept of love and marriage. In fourteen novels, the role of women accounts for more than half, describing women's loyalty to marriage and vowing not to marry two husbands.However, in some articles, we can see the understanding and affirmation of women's pursuit of free love.This contradictory view of marriage should be influenced by the trend of personality liberation in the late Ming Dynasty.Second is the concept of loyalty and filial piety, and loyalty and filial piety are the core categories of Confucianism.Throughout the book, the author's interpretation and preaching of the faithful is consistent, covering almost the whole book.The third is official view, imperial examination and officialdom are common themes in literati works. As a work with high penetration of literati consciousness in late Ming Dynasty, Shi nod describes a large number of phenomena of branch and officialdom, and the main attitude is satire.The third chapter is about the artistic features of Stone nod.Starting with the narrative system, this paper discusses the author's use of the two structural components of "Jin dialect" and "Zheng dialect".Secondly, the narrative structure of Shi nod is the most characteristic narrative way of fictions.On this basis, the author carried out personalized treatment.Finally, the artistic expression of stone nod is described from three aspects: language characteristics, psychological description and portrait description.Although there are a lot of characters in the novel, the language has its own personality, and different characters have different words and sounds.In addition to the life of the characters, Shi nodded the narrative language more with allusions, pay attention to exercise.The conclusion discusses the inheritance of the earlier works and the influence on the later works.In this paper, the author compares stone nod with synchronic and diachronic works in the same period and before and later period, and then analyzes its position in the process of literary development.
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類(lèi)號(hào)】：I207.41

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相關(guān)期刊論文 前6條

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本文編號(hào)：1736901