本文選題：歌劇《白毛女》　切入點：文本生產(chǎn)　出處：《西南交通大學學報(社會科學版)》2017年03期

【摘要】：歌劇《白毛女》的文本生產(chǎn)經(jīng)歷了民間奇聞傳說—現(xiàn)代革命故事—個人化的小說改寫—集體創(chuàng)作的歌劇四個階段。在文本生產(chǎn)的過程中,原先處于自在自為狀態(tài)的民間口頭敘述是豐富的、多樣的、雜草叢生的,在進入到大規(guī)模的、有組織的國家文學生產(chǎn)之前,民間文學形態(tài)已經(jīng)經(jīng)歷了一個民眾/個人“去除雜草”的過程。正源于這種剔除,民間文化形態(tài)才會與官方意志達成默契、交融,進而進入延安文藝“把關人”的視野中,最終將其確立為重點建設的文藝項目進行集體創(chuàng)作,成為了解放區(qū)文藝的一種創(chuàng)作方式。
[Abstract]:The production of the opera "White-haired Girl" has experienced four stages: folklore legend, modern revolutionary story, individualized novel rewriting and collective opera creation.In the process of text production, the folk oral narratives, which were originally in a state of freedom and self-sufficiency, were rich, diverse, and overgrown with weeds, before entering into large-scale, organized national literature production.The form of folk literature has gone through a populace / individual "weed removal" process.It is precisely from this kind of culling that the folk culture form will reach a tacit understanding with the official will and blend into the field of view of the "gatekeepers" of Yan'an literature and art, and finally establish it as a key construction literary and artistic project for collective creation.It has become a creative way of literature and art in liberated areas.
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本文編號：1689894