本文選題：女性書寫　切入點(diǎn)：誤讀　出處：《青島大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：90年代的“女性書寫”是中國女性主義文學(xué)發(fā)展的一個新階段,影響廣泛。本文以新時期這一重要的文學(xué)現(xiàn)象作為研究對象,在西方女性主義文學(xué)理論(尤其是“身體寫作”理論)的視域下,運(yùn)用比較研究的方法,重點(diǎn)考察90年代女性寫作對于西方女性主義文學(xué)理論的接受,以及在這一接受過程中所產(chǎn)生的“誤讀”或“誤區(qū)”,并探討其原因。對于西方女性主義文學(xué)理論在中國的傳播影響與運(yùn)用,學(xué)術(shù)界已有論述。但是對于一個外來理論的運(yùn)用,我們難免會存在某些理解上的欠缺,其中有些重要問題并未引起足夠的重視與糾正。本文分四章展開論述,前三章,主要著眼于90年代女性寫作實(shí)踐中存在的理論“誤讀”與誤用現(xiàn)象,以女性主義理論為基礎(chǔ),同時結(jié)合敘事學(xué)、比較文學(xué)、消費(fèi)主義文化傳播學(xué)等理論研究方法,選取有代表性的作家及作品,探討中國女性寫作實(shí)踐在寫作內(nèi)涵開掘與立意方面、寫作視角方面、消費(fèi)主義文化導(dǎo)向下的女性創(chuàng)作方面等存在的理論“誤讀”之處。第四章則是在前三章的基礎(chǔ)上,力圖較系統(tǒng)地分析造成以上種種“誤讀”的原因,主要從“中國文化傳統(tǒng)的影響與社會發(fā)展階段的局限”、“女作家自身生活經(jīng)驗(yàn)的局狹”、“理論接收的片面性——閱讀理論的缺失”三個方面入手,力圖找出當(dāng)代女性寫作的新出路。女性寫作在促進(jìn)女性自我覺醒方面的作用是顯而易見的,但是,中國當(dāng)代女性寫作中存在的這諸多誤區(qū),卻需要全面系統(tǒng)地加以研究和辨析。因?yàn)轱@而易見,在90年代“女性書寫”以后,當(dāng)代女性主義寫作極其發(fā)展并不盡如人意,以至于有激進(jìn)批評者認(rèn)為女性寫作已陷入自我復(fù)制的“死胡同”。本文嘗試從理論根源上找到解決問題的思路與方法,這對當(dāng)代女性文學(xué)創(chuàng)作以及中國的女性主義發(fā)展都具有意義與價值。
[Abstract]:In 90s, "female Writing" is a new stage in the development of Chinese feminist literature, which has a wide influence. This paper focuses on this important literary phenomenon in the new period. From the perspective of western feminist literary theory (especially "body writing" theory), this paper, by means of comparative study, focuses on the acceptance of western feminist literary theory by female writing in 90s. And the "misreading" or "misunderstanding" produced in the course of this acceptance, and its reasons. The influence and application of the western feminist literary theory in China have been discussed in academic circles, but the application of a foreign theory has been discussed. It is inevitable that there will be some deficiencies in understanding, some of which have not attracted enough attention and correction. This paper is divided into four chapters, the first three chapters, In 90s, the author focuses on the theory of misreading and misusing in the practice of female writing in 90s, which is based on the feminist theory, and combines the theoretical research methods of narratology, comparative literature and consumerism cultural communication. By selecting representative writers and works, this paper probes into Chinese women's writing practice in the aspects of writing connotation and intention, writing angle of view, and so on. On the basis of the first three chapters, Chapter 4th tries to systematically analyze the causes of the above "misreading". It mainly starts from three aspects: the influence of Chinese cultural tradition and the limitation of the stage of social development, the narrow life experience of female writers, the one-sidedness of theory reception and the lack of reading theory. It is obvious that female writing plays an important role in promoting women's self-awakening. However, there are many misunderstandings in Chinese contemporary female writing. But it needs to be studied and analyzed in a comprehensive and systematic way, because it is obvious that, after "Women's Writing" in 90s, the development of contemporary feminist writing is far from satisfactory. So that some radical critics think that female writing has fallen into a "dead end" of self-replication. This paper tries to find ideas and methods to solve the problem from the theoretical root. This is of significance and value to contemporary female literary creation and the development of feminism in China.
【學(xué)位授予單位】：青島大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I206.7

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本文編號：1604500