本文選題：史鐵生　切入點(diǎn)：心魂　出處：《四川外國(guó)語(yǔ)大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：在中國(guó)當(dāng)代文壇上,史鐵生無(wú)疑是一位極為杰出的作家,也是一位相當(dāng)獨(dú)特的作家。他的獨(dú)特,不僅僅是因?yàn)椤盎畹阶羁裢哪挲g忽然沒(méi)有了雙腿”,從此殘疾與他一生相伴,更是因?yàn)樗奈膶W(xué)世界充滿了向內(nèi)的思索,他所潛心關(guān)注與描寫的不是現(xiàn)實(shí)世界,而是人的心魂世界,這也使他勇敢地反叛傳統(tǒng):不再塑造人物形象,而是運(yùn)用符號(hào)化的方式去描寫人物心魂。本文試圖深入地探究史鐵生作品中獨(dú)特的人物心魂世界,挖掘這種獨(dú)特的創(chuàng)作方式背后所蘊(yùn)含的深刻內(nèi)涵。本文擬分成三個(gè)部分,第一個(gè)部分對(duì)史鐵生所迷戀的人物心魂世界的內(nèi)容進(jìn)行解讀。本章將對(duì)心魂這一概念做出界定,并分析他放棄對(duì)現(xiàn)實(shí)的人物形象進(jìn)行塑造,選擇描繪人物心魂的理由。他之所以不再注目現(xiàn)實(shí),即因?yàn)樗J(rèn)為人物的心魂世界更為真實(shí)。同時(shí)討論他如何用記憶與印象充實(shí)人物心魂世界;第二個(gè)部分探究與闡釋史鐵生作品在構(gòu)筑人物心魂時(shí)體現(xiàn)的虛真觀念。虛真貫穿了他后期寫作的整個(gè)過(guò)程,成為構(gòu)筑人物心魂世界的一大重要因素。第三個(gè)部分討論史鐵生構(gòu)筑人物心魂世界的形式,即符號(hào)化。符號(hào)化是他構(gòu)筑人物心魂的具體藝術(shù)方式。在他的小說(shuō)與散文中,一些重復(fù)符號(hào)性人物多次出現(xiàn),如可怕的小孩、殘疾者、叛徒等。他選擇這些符號(hào)是有著自己的深意的。通過(guò)這些心魂符號(hào)的描寫,他追問(wèn)與思考著人生的永恒的困境。
[Abstract]:In the contemporary Chinese literary world, Shi Tiesheng is undoubtedly an extremely outstanding writer and a quite unique writer. He is unique not only because he "has no legs at his most arrogant age," and his disability has been with him since then. Even more because his literary world is full of inward thinking, what he focuses on and describes is not the real world, but the world of the soul of human beings, which also makes him brave to rebel against tradition: not to portray characters, This paper attempts to probe into the unique world of the soul of characters in Shi Tiesheng's works and dig out the profound connotation behind this unique way of creation. This paper is divided into three parts. The first part interprets the content of Shi Tiesheng's infatuated world of the heart and soul of the characters. This chapter will define the concept of the soul of the heart and analyze his abandonment of portraying the characters in reality. The reason for choosing to depict the soul of the character. The reason why he no longer focuses on reality is that he thinks that the world of the soul of the character is more real. At the same time, it discusses how he enriches the world of the soul of the character with memory and impression; The second part explores and interprets Shi Tiesheng's idea of "empty truth" in his works, which runs through the whole process of his later writing. The third part discusses the form of Shi Tiesheng's construction of the world of character's heart and soul, that is, symbolization. Symbolization is his specific artistic way of constructing the soul of character's heart. In his novels and prose, the third part discusses the form of Shi Tiesheng's construction of the world of character's heart and soul. Repeated symbolic characters appear many times, such as horrible children, disabled people, traitors and so on. He has his own meaning in choosing these symbols. Through the description of these symbols, he asks and ponders the eternal plight of life.
【學(xué)位授予單位】：四川外國(guó)語(yǔ)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I206.7

【參考文獻(xiàn)】

中國(guó)博士學(xué)位論文全文數(shù)據(jù)庫(kù) 前1條

1 張路黎;史鐵生哲思文體研究[D];華中師范大學(xué);2005年

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本文編號(hào)：1568600