本文關(guān)鍵詞： 鮑照 “興頭” “冷寂” 鋪陳 反問 自我呈現(xiàn)　出處：《求索》2017年03期 　論文類型：期刊論文

【摘要】：關(guān)于鮑照詩歌的風格,歷代皆相推許其“驚挺”“險急”的詩端,卻忽視了其詩“冷寂”的收束。實際上鮑照有大量的詩歌都具有開端“興頭”、結(jié)句“冷寂”的構(gòu)思特點,并在一熱一冷的起伏間表達曲折回環(huán)的心理和深沉抑郁的痛苦,從而達成一種頓挫之致,形成峭促勁健的美學(xué)張力。在修辭手法上則形成了開端鋪陳與結(jié)句反問之間的對比。其用意是詩人從普遍人生中的種種悲哀現(xiàn)象來提煉現(xiàn)實的本質(zhì),以揭示一己人生悲哀的普遍性和典型化,這使得鮑照詩歌成為魏晉時期詩歌深化自我呈現(xiàn)的典范。
[Abstract]:As to the style of Bao Zhao's poetry, the past dynasties have all agreed with him that he was "frightened" and "desperate", but neglected the collection of his poem "cold silence." in fact, Bao Zhao has a large number of poems which have the characteristics of starting "interest" and concluding sentences "cold silence". And express the twists and turns of psychology and deep depression between the ups and downs of a hot and cold state, thus achieving a kind of frustration. It forms a sharp and vigorous aesthetic tension. In terms of rhetoric, it forms a contrast between the beginning and the conclusion. Its intention is to refine the essence of reality from the sorrowful phenomena of life in general. In order to reveal the universality and typicalization of the sorrow of one's own life, Baozhao's poetry has become the model of deepening self-presentation of poetry in Wei and Jin dynasties.
【作者單位】： 北京外國語大學(xué)中文學(xué)院;
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本文編號：1546538