本文關鍵詞： 宋元 商業(yè)性演出 說唱文學 體式演進　出處：《蘭州學刊》2017年10期 　論文類型：期刊論文

【摘要】：宋元時代純粹商業(yè)性的演出,即使說唱文學疏離唐五代慣用的弘揚佛教文化的主題,又促進了說唱文學種類與體式的演進。不僅傳統(tǒng)的話本小說吸收了唐代變文、講經文等說唱文學乃至傳奇小說的體式特點,形成了篇首、入話、頭回、正話、篇尾等各具商業(yè)妙用的新式說唱文學結構;全新的說唱文學諸宮調,其宏大的體制創(chuàng)設、巧妙的關目處理、說少唱多的布局,以及"曲調"中入聲字消失而多用襯字,也都與商業(yè)演出利益的驅動分不開。
[Abstract]:The Song and Yuan dynasties were purely commercial performances, even when singing literature was alienated from the traditional theme of carrying forward Buddhist culture in the Tang and five dynasties. Not only did the traditional novels absorb the style characteristics of Tang Dynasty variations, lecturing and singing literature and even legendary novels, but also formed the first, the first, the first, the correct. At the end of the article, there is a new literary structure of the novel theory and singing. The creation of the grand system, the skillful handling of the subject, the arrangement of saying less and singing more, and the disappearance of the words entering the tune and the more use of the songwriting are all inseparable from the driving force of the interests of the commercial performance as a result of the creation of the grand system of the new saying and singing literature, and the arrangement of saying less and singing more than the other.
【作者單位】： 廣東財經大學人文與傳播學院;
【基金】：教育部社科基金項目“宋元商業(yè)文明與文學”(項目編號:11YJA751004)研究成果之一
【分類號】：I207.41
【正文快照】： 在敦煌遺書中,就有了成熟的民間說唱文學變文、講經文、因緣等,但這些說唱文學的播演皆與佛教徒大有關系。到了宋元時代,政府建設的以商業(yè)化文藝演出為主要功能的瓦舍在城市中出現(xiàn),使得民間說唱文學的播演擺脫了與佛教徒的聯(lián)系,完全成為民間藝人發(fā)揮主導作用的領域。這樣,說唱，

本文編號：1492309