本文關(guān)鍵詞： 藏族 當代 文學 現(xiàn)象　出處：《青海民族大學》2016年碩士論文　論文類型：學位論文

【摘要】：新中國成立及西藏和平解放以來,藏族當代文學創(chuàng)作得到了空前的繁榮,首先是西日嘉措大師對黨的路線政策用文學藝術(shù)形式宣傳開始,藏族新時期啟蒙文學思想產(chǎn)生在藏族文壇,由此一來,很多知名學者紛紛寫出了以啟蒙文學為思想的藏族當代文學,隨之,一批年輕的也不甘寂寞,自動上了文學創(chuàng)作的道路。尤其“四人幫”的粉碎及黨的民族政策的落實,二十世紀八十年代初,在藏區(qū)出現(xiàn)了《西藏文藝》、《章恰爾》、《剛尖梅朵》和《達賽爾》等藏語純文學刊物。改革開放的深入使藏族作家有了新的價值取向,從傳統(tǒng)的出世價值觀轉(zhuǎn)向現(xiàn)實世界,貼近現(xiàn)實,掀起了新的文學浪潮,出現(xiàn)新的文學現(xiàn)象。其中小說和詩歌扮演著重要角色。從此藏族現(xiàn)代文學從藝術(shù)形式上向世界文學看齊。從最初的現(xiàn)實主義文學現(xiàn)象到現(xiàn)在的現(xiàn)代主義文學,不管從思想內(nèi)容到藝術(shù)形式,新中國成立至今的六十多年所形成的當代文學值得研究。不同于當今世界嚴肅文學的處境,藏族當代文學蒸蒸日上,從事文學創(chuàng)作的作家越來越多,并對創(chuàng)作采取嚴肅認真態(tài)度,文學讀者依然層出不窮,居高不下,可以看出現(xiàn)代文學在社會上發(fā)展前途無量。藏族當代文學,可以說真正體現(xiàn)了百花齊放的景觀。黨的三中全會以后,政治的陰霾已逐漸散去,隨著改革開放和各種文藝思潮的涌入,這些敏感的年輕人,也開始大量吸收各種手法,借鑒一些新的的藝術(shù)表現(xiàn)技巧。文學作品顯得絢爛、耀眼、多樣化,令人目不暇接。其中不乏引起國內(nèi)外文壇的關(guān)注一些作品。但是從西藏和平解放藏族當代文學的興起到現(xiàn)在沒有歷史性的的評價,尤其文學現(xiàn)象方面的研究到目前為止是個空白,為此,筆者大膽嘗試選題藏族當代文學現(xiàn)象研究。并且較細致的研究,旨藏族當代文學研究引入新的領(lǐng)域。本文共分三章,文中主要引用了闡釋法、分析法、比較法及歸納法等研究方法。第一章主要敘述了當代文學現(xiàn)象研究的定義、特征、形成歷史、發(fā)展進程及主要代表人物和代表作品。第二章主要敘述了藏族啟蒙文學現(xiàn)象為主傷痕文學、贊頌文學、尋根文學的特征、形成歷史、發(fā)展進程及主要代表人物和代表作品。第三章主要敘述了藏族當代主義文學現(xiàn)象的特征、形成歷史、發(fā)展進程及主要代表人物和代表作品。因為,以往此研究領(lǐng)域的研究成果極度貧乏,對本論文撰寫帶來一定的難度,反之,本論文的完成也可以說具有原創(chuàng)意義。每個原創(chuàng)都難以避免有一定的瑕疵,加上工作繁重,時間緊迫,論文一定存在不盡人意的地方,希望批評指正。
[Abstract]:Since the founding of New China and the peaceful liberation of Tibet, Tibetan contemporary literary creation has gained unprecedented prosperity, first of all, Master Xiijiazuo began to propagate the Party's line and policy in the form of literature and art. The enlightenment literature thought of the Tibetan people in the new period came into being in the Tibetan literary world. As a result, many famous scholars wrote the Tibetan contemporary literature with the enlightenment literature as their thought. With this, a group of young people did not want to be lonely. On the road of literary creation, especially the smashing of the Gang of four and the implementation of the Party's national policy, in 1980s, "Tibetan Literature and Art" and "Zhang Chal" appeared in the Tibetan area. The deepening of reform and opening to the outside world has given Tibetan writers a new value orientation, from the traditional values of birth to the real world and close to the reality. Set off a new wave of literature. A new literary phenomenon appeared, in which novels and poems played an important role. From then on, Tibetan modern literature was in line with the world literature from the artistic form, from the original realism literature phenomenon to the modernist literature. Whether from the ideological content to the form of art, the contemporary literature formed in the past 60 years since the founding of New China is worth studying. Different from the situation of serious literature in the world today, Tibetan contemporary literature is flourishing day by day. There are more and more writers engaged in literary creation and take a serious attitude toward creation. Readers of literature still emerge in endlessly, high, can see the future of modern literature in the society. Tibetan contemporary literature. After the third Plenary session of the CPC Central Committee, the haze of politics has gradually dissipated. With the reform and opening up and the influx of various literary and artistic trends, these sensitive young people. Also began to absorb a large number of techniques, learn from some new artistic expression techniques. Literature is gorgeous, dazzling, diverse. Many of them have attracted the attention of the literary circles at home and abroad. But from the rise of Tibetan contemporary literature to the peaceful liberation of Tibet, there is no historical evaluation. In particular, the study of literary phenomena is a blank so far, for this reason, the author boldly tries to choose the topic of Tibetan contemporary literature phenomenon research. And more detailed research. This paper is divided into three chapters, in which the method of interpretation and analysis are mainly cited. The first chapter mainly describes the definition, characteristics and formation history of contemporary literary phenomenon research. The second chapter mainly narrates the Tibetan enlightenment literature phenomenon as the scar literature, the praise literature, the root seeking literature characteristic, forms the history. The third chapter mainly describes the characteristics of the Tibetan contemporary literary phenomenon, the formation of history, the development process and the main representative and representative works. In the past, the research results in this field are extremely poor, which brings some difficulties to the writing of this paper. On the contrary, the completion of this paper can also be said to have original significance. Plus heavy work, time is urgent, there must be unsatisfactory papers, I hope criticism and correction.
【學位授予單位】：青海民族大學
【學位級別】：碩士
【學位授予年份】：2016
【分類號】：I207.9

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