本文關鍵詞：《樂府原》研究　出處：《江蘇師范大學》2017年碩士論文　論文類型：學位論文

  更多相關文章： 徐獻忠 《樂府原》 原題 選詩 評點

【摘要】：《樂府原》是明代嘉靖年間徐獻忠所編著的一部樂府詩選。清代四庫館臣對其評價不高,當今研究者王輝斌、吳相洲等提出異議,認為該書對樂府詩研究有可參之處,且有助于了解明代樂府學的特點。本文以徐獻忠《樂府原》為研究對象,在整理該書的基礎上,主要從該書的編者及編選情況、編排體例、選詩和評詩四個方面展開。第一章主要說明《樂府原》的編者及成書情況。關于徐獻忠的生平,已有研究者編過年譜,本文重點論述了他在松江地區(qū)的交游,仕途坎坷及歸隱吳興等經歷對其詩歌觀念的形成及編選《樂府原》一書的影響。他編著《樂府原》的目的,一是“原漢辭”,一是“昭世變”。該書初稿的編訂應早于嘉靖三十九年,常見版本有兩個,即嘉靖四十年刻本和萬歷三十七年刻本。第二章主要考察《樂府原》的編排體例。首先梳理了明前樂府詩在歷代正史《樂志》、政書、類書、總集及《樂府詩集》《古樂府》等著作中的選錄編排情況。然后詳細分析《樂府原》一書的體系,包括序言、分類與編排次序、選詩、評詩等,并與《樂府詩集》進行比較。第三章研究《樂府原》的選詩。本章在分析各樂類下選題情況的基礎上,總結其選詩特點:以“本辭”為主,重視歌辭內容是否符合曲題之本義,多有僅原題而不選詩的現象。第四章探究《樂府原》對樂府詩的評點。《樂府原》之“原”,可分為樂類之原和詩題之原,前者追溯各類音樂之起源及其在后世的流傳變化,后者是對題意的解讀與分析�！稑犯分性u點不同時期的樂府詩時明顯有所不同,故本章分漢古辭、魏晉樂府詩、南北朝樂府詩、隋唐樂府詩四個階段進行論述。其評詩的總體特色是尚“雅正”,尚“含蓄”,多以“風教”論詩,利用漢儒解經的方法進行評點。附錄部分有三,一是《樂府原》之“原題”,二是《樂府原》之選詩,三是《樂府原》之評點。此項工作將為以后的研究者提供便利。
[Abstract]:Yuefu Yuan was an anthology of Yuefu poems compiled by Xu Xianzhong during the Jiajing period of Ming Dynasty. The officials of Siku Guanfu in Qing Dynasty did not comment highly on it. Today's researchers Wang Huibin and Wu Xiangzhou raised objections. It is believed that the book has some references to the study of Yuefu poetry and is helpful to understand the characteristics of Yuefu study in Ming Dynasty. This paper takes Xu Xianzhong Yuefu as the object of study on the basis of collating the book. Mainly from the book's editor and the compilation situation, the arrangement style, the poem selection and the appraisal poem four aspects. The first chapter mainly explains the "Yuefu original" editor and the finished book situation. About Xu Xianzhong's life. Some researchers have compiled the Chinese New year's record. This paper focuses on his friends in the Songjiang area. The ups and downs of his official career and the influence of Wu Xing's experience on the formation of his poetic concept and the compilation of the book Yuefu. The purpose of his compilation of Yuefu was, first, the original Chinese speech. The first is "Zhaoshi change". The first draft of the book should be prepared 39 years earlier than Jiajing, there are two common editions. Namely Jiajing 40 years and Wanli 37 year engraving. The second chapter mainly examines the layout of the original Yuefu. First combing the Ming Dynasty Yuefu poetry in the history of the official history of "Le Zhi", political books, books. Then it analyzes the system of the book in detail, including the preface, classification and arrangement order, poetry selection, poetry evaluation and so on. And compared with Yuefu Poems. The third chapter studies the selected poems of Yuefu Yuan. Based on the analysis of the selected topics under various music categories, this chapter summarizes the characteristics of poetry selection: "this word" is the main. Pay attention to whether the content of songs conforms to the original meaning of the title, there is only the original title and not the phenomenon of poetry. 4th chapters explore the "Yuefu original" comments on Yuefu poetry. "the original" of "Yuefu", can be divided into the original music category and the original of the poem. The former traces the origin of all kinds of music and its spread and changes in later generations, the latter is the interpretation and analysis of the meaning of inscription. There are obvious differences in the evaluation of Yuefu poems in different periods in the original of Yuefu, so this chapter is divided into ancient Chinese words. Yuefu poems in Wei and Jin dynasties, Yuefu poems in Southern and Northern dynasties and Yuefu poems in Sui and Tang dynasties were discussed in four stages. There are three parts in the appendix, one is the original title of Yuefu, the other is the selected poem of Yuefu. Third, comments on Yuefu Yuan. This work will be convenient for future researchers.
【學位授予單位】：江蘇師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I207.22

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