【摘要】：聲調(diào)作為漢藏語系重要的語音特征,具備較多可比性。本文以漢語普通話聲調(diào)的研究成果為參照,對藏語拉薩話和夏河話進(jìn)行分析研究。 首先,對課題來源、對象、意義及國內(nèi)外研究現(xiàn)狀做了簡要說明；其次,從現(xiàn)代語音學(xué)角度,用聲學(xué)方法提取參數(shù),為聲調(diào)分析做準(zhǔn)備；再次,依據(jù)各項參數(shù),以普通話聲調(diào)類型為基礎(chǔ)總結(jié)藏語單、雙調(diào)類型和變調(diào)規(guī)律,并構(gòu)建音域模型；之后,分析喉塞對拉薩話聲調(diào)的影響；最后,分別對藏語聲調(diào)縱向和漢、藏語聲調(diào)橫向進(jìn)行比較,得出以下結(jié)論： 1)拉薩話聲調(diào)系統(tǒng)相對完善,有四種調(diào)型六個調(diào)值,高低二調(diào)區(qū)別明顯；夏河話習(xí)慣調(diào)只有降調(diào),體現(xiàn)不出高低二調(diào)區(qū)別。拉薩話中有喉塞的音節(jié)調(diào)型由平調(diào)變降調(diào)。 2)拉薩話雙字調(diào)變調(diào)規(guī)律：第一音節(jié)為清聲母字時,除QS組合中雙塞音調(diào)值不變外,其余均變平調(diào),第二音節(jié)為降調(diào)；第一音節(jié)為濁聲母字時,升調(diào)變平調(diào)、降調(diào),曲折調(diào)變升調(diào)和降調(diào),第二音節(jié)調(diào)型隨前一音節(jié)變化。 3)夏河話雙音節(jié)變調(diào)規(guī)律：第一音節(jié)由降調(diào)變平調(diào),第二音節(jié)不變。 4)漢、藏語相比：單字調(diào)時,拉薩話與普通話一樣有四種調(diào)型；雙字調(diào)時,普通話變調(diào)集中在第一音節(jié),第二音節(jié)基本不變；拉薩話變調(diào)以第一音節(jié)為主,第二音節(jié)也會發(fā)生變化。
[Abstract]:As an important phonetic feature of the Chinese-Tibetan language family, tone has more comparability. Based on the research results of Chinese Putonghua tone, this paper makes an analysis of Tibetan Lhasa and Xia he dialect. Firstly, the source, object, significance and current situation of the research at home and abroad are briefly explained; secondly, from the perspective of modern phonetics, the parameters are extracted by acoustic method to prepare for tone analysis. Thirdly, according to the parameters, based on the tone types of Putonghua, the author summarizes the single, double tone types and variations of Tibetan language, and constructs a range model, and then analyzes the influence of throat plug on the tones of Lhasa dialect. Finally, the author compares the vertical tone of Tibetan tone with that of Chinese and Tibetan respectively, and draws the following conclusions: 1) Lhasa dialect tone system is relatively perfect, there are four kinds of tone types and six tone values, the difference between high and low tones is obvious; Xia he dialect habit only down tone, can not reflect the difference between high and low two tones. In Lhasa dialect, the syllable type with throat plug changes from flat tone to lower tone. 2) in Lhasa dialect, when the first syllable is the Qing consonant, the other two syllables are flat and the second syllable is the descending tone except for the QS combination. When the first syllable is a turbid consonant, the ascending tone changes the flat tone, the descent tone, the zigzag tone and the descent tone, and the second syllable type changes with the preceding syllable. 3) the law of double syllable variation in Xiahe dialect: the first syllable is changed from descending tone to flat tone, while the second syllable is unchanged. 4) in Han and Tibetan languages, Lhasa has four kinds of tones as Putonghua, while in double tone, the change of Putonghua is concentrated on the first syllable, while the second syllable is basically unchanged. Lhasa dialect changes to the first syllable, the second syllable will also change.
【學(xué)位授予單位】：西北民族大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：H214;H11

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 王士元;劉漢城;張文軒;;聲調(diào)的音系特征[J];國外語言學(xué);1987年01期

2 胡坦;;藏語(拉薩話)聲調(diào)研究[J];民族語文;1980年01期

3 張濟(jì)川;;藏語拉薩話聲調(diào)分化的條件[J];民族語文;1981年03期

4 瞿靄堂;;藏語的變調(diào)[J];民族語文;1981年04期

5 譚克讓;;藏語拉薩話聲調(diào)分類和標(biāo)法芻議[J];民族語文;1982年03期

6 黃布凡;;十二、十三世紀(jì)藏語(衛(wèi)藏)聲母探討[J];民族語文;1983年03期

7 譚克讓;孔江平;;藏語拉薩話元音、韻母的長短及其與聲調(diào)的關(guān)系[J];民族語文;1991年02期

8 鮑懷翹;徐昂;陳嘉猷;;藏語拉薩話語音聲學(xué)參數(shù)數(shù)據(jù)庫[J];民族語文;1992年05期

9 黃布凡;藏語方言聲調(diào)的發(fā)生和分化條件[J];民族語文;1994年03期

10 孔江平;藏語（拉薩話）聲調(diào)感知研究[J];民族語文;1995年03期

，

本文編號：2406903