【摘要】：隨著社會(huì)生活壓力的不斷加大，人們?cè)谧非笪镔|(zhì)生活充足的同時(shí)，對(duì)精神生活的需求越來(lái)越大，當(dāng)今社會(huì)中的各種藝術(shù)欣賞節(jié)目和娛樂(lè)活動(dòng)也就隨之層出不窮。但是并不是所有的藝術(shù)欣賞節(jié)目都能滿足人們的精神需求，人們的欣賞水平在不斷地提高，對(duì)各種娛樂(lè)形式的開(kāi)辦形式和質(zhì)量也要求的更高了。 朗誦作為一種悠久的藝術(shù)形式，不得不在人們追求更高的這種呼聲中加以改良。在朗誦的形式中，最具代表的是廣播朗誦和舞臺(tái)朗誦。廣播朗誦是從聽(tīng)覺(jué)上給聽(tīng)眾帶去享受和虛擬的形象美感；舞臺(tái)朗誦則是在滿足人們聽(tīng)覺(jué)享受的同時(shí)也給受眾的視覺(jué)帶來(lái)美的感官。所以，舞臺(tái)朗誦對(duì)朗誦者的要求來(lái)講可能更高一些，因?yàn)槲枧_(tái)朗誦中要融入除語(yǔ)言藝術(shù)之外的很多非語(yǔ)言表達(dá)藝術(shù)。舞臺(tái)中我們經(jīng)常用到的非語(yǔ)言符號(hào)諸如：背景、燈光、音樂(lè)、道具、服裝、配飾等等，這些都是可以與朗誦結(jié)合，去美化視覺(jué)感官的。當(dāng)然，需要我們注意的是，符號(hào)或者說(shuō)非語(yǔ)言符號(hào)的各種含義，，很多時(shí)候是需要我們?cè)偃ソo予界定的。那么舞臺(tái)朗誦中的非語(yǔ)言符號(hào)在使用時(shí)主要有哪些特殊的指向呢？本文中我們主要從體態(tài)符號(hào)和物化、活動(dòng)化、程式化的符號(hào)兩方面去談。 體態(tài)符號(hào)例如動(dòng)作、手勢(shì)、表情、姿勢(shì)、眼神、視線等等。一般情況下，體態(tài)語(yǔ)言既可以與語(yǔ)言一起使用，也可以獨(dú)立使用，體態(tài)語(yǔ)言在形成語(yǔ)境方面起著重要的作用，也是舞臺(tái)朗誦中主要的非語(yǔ)言符號(hào)。而物化、活動(dòng)化、程式化的符號(hào)在生活中到處都有，像馬路上紅色的交通指示燈等等，這類符號(hào)都具有象征性的意義，多數(shù)的象征意義都是我們?nèi)祟惾ベx予它的，舞臺(tái)朗誦中的這類非語(yǔ)言符號(hào)多見(jiàn)于服飾和配飾等等。 一個(gè)舞臺(tái)可以說(shuō)是一個(gè)完整的信息傳播平臺(tái)。相對(duì)于廣播來(lái)說(shuō)，舞臺(tái)可以借助影視產(chǎn)品這一媒介將訊息符號(hào)一一完整傳播出來(lái)——視覺(jué)上，大到光影、道具、服飾，小至傳播者的一笑一顰，盡收受眾眼底；聽(tīng)覺(jué)上，音樂(lè)、音響、傳播者發(fā)出的語(yǔ)言符號(hào)，無(wú)一不是受眾得知訊息的直接方式。 舞臺(tái)朗誦迎合了人們對(duì)“耳目一新”的感覺(jué)的追求。無(wú)論從聽(tīng)覺(jué)上的有聲語(yǔ)言、音樂(lè)的節(jié)律還是視覺(jué)上的舞臺(tái)設(shè)置、燈光效果等非語(yǔ)言手法的運(yùn)用，舞臺(tái)朗誦都可以當(dāng)之無(wú)愧地被稱之為是“藝術(shù)”。但是，只有讓更多的舞臺(tái)朗誦者不斷地自我完善，不斷地創(chuàng)作出更多更好更具有創(chuàng)意的朗誦節(jié)目，去提升有聲語(yǔ)言和非語(yǔ)言符號(hào)結(jié)合的舞臺(tái)魅力，我國(guó)的朗誦藝術(shù)才能在有聲語(yǔ)言表達(dá)方面再攀高峰。
[Abstract]:With the increasing pressure of social life, people in the pursuit of adequate material life at the same time, the demand for more and more spiritual life, today's social art appreciation programs and entertainment activities will emerge in endlessly. However, not all art appreciation programs can meet the spiritual needs of people, people's appreciation level is constantly improving, and all kinds of entertainment forms and quality are also required higher. Recitation, as a long-standing art form, had to be improved in the pursuit of higher standards. In the form of recitation, the most representative is broadcast recitation and stage recitation. Broadcast recitation is to bring enjoyment and virtual image aesthetic sense to the audience from the sense of hearing; stage recitation is to satisfy people's hearing enjoyment but also to bring beautiful senses to the audience's vision. Therefore, stage recitations may be more demanding for reciters, because stage recitations involve many non-verbal expressions other than the art of language. The nonverbal symbols we often use on stage include: background, lighting, music, props, costumes, accessories, etc., which can be combined with recitation to beautify the visual senses. Of course, we should pay attention to the various meanings of symbols or nonverbal symbols, which often need to be defined again. So what are the special points in the use of non-verbal symbols in stage recitation? In this paper, we mainly discuss two aspects: body symbol and materialization, activity and stylized symbol. Body signs such as actions, gestures, expressions, gestures, eyes, sight, etc. In general, body language can be used with or without language. Body language plays an important role in the formation of context and is also the main non-verbal symbol in stage recitation. And materialized, active, stylized symbols are everywhere in life, such as red traffic lights on the road, and so on. These symbols have symbolic meanings, and most of the symbolic meanings we humans have given it. Such non-verbal symbols in stage recitations are often found in costumes and accessories. A stage can be said to be a complete information dissemination platform. Relative to broadcasting, the stage can use film and television products as a medium to complete the dissemination of information symbols-visual, as big as light, props, costumes, as small as the communicator's smile, a copy of the audience; Hearing, music, sound, and the language symbols issued by the communicator are all direct ways for the audience to know the message. The stage recitation caters to the pursuit of "refreshing" feelings. No matter from the sound language of hearing, rhythm of music, stage setting of vision, lighting effect and other non-verbal techniques, stage recitation can be called "art". However, only by allowing more stage reciters to constantly improve themselves and create more and more better and more creative recitation programs to enhance the stage charm of the combination of verbal and non-verbal symbols, The art of reciting in our country can reach a new peak in terms of sound expression.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：H019

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