本文選題：姜亮夫　切入點：文字學(xué)　出處：《江西師范大學(xué)》2012年碩士論文

【摘要】：本文主要是對姜亮夫在文字學(xué)理論方面的研究進行總結(jié)和概括，并進行分析，找出其有價值的部分。從其古文字學(xué)理論、考釋文字方法、敦煌字體研究這三方面進行，總結(jié)出姜氏在文字學(xué)理論方面做出的貢獻。本文主要運用描寫法，對其文字學(xué)理論成果進行綜合與述評，在繼承前人的基礎(chǔ)上建立起自己的文字學(xué)理論體系，同時還運用比較法，將其文字學(xué)的相關(guān)理論進行比較，找到其創(chuàng)新之處。 前言，包括三個方面，一是介紹姜亮夫的生平；二是有關(guān)姜亮夫的研究綜述；三是說明本文的研究方法。 第一章，，姜亮夫古文字學(xué)理論。從三個方面進行論述：一是論漢字源流；主要是探討漢字的起源和甲骨文形體結(jié)構(gòu)中的_c飾觀。二是論漢字結(jié)構(gòu)理論；主要從象事字和轉(zhuǎn)注觀兩方面重點闡述。三是論漢字結(jié)構(gòu)的基本精神；主要是對其所表現(xiàn)出的寫實主義、人本主義、唯物而非唯心和對社會存在的反映這四個方面進行論述。 第二章，姜亮夫考釋文字的方法。從三個方面進行論述：一是二重證據(jù)法；闡述這個方法的意義及表現(xiàn)。二是系統(tǒng)貫通方法；借鑒此法來探求漢字的語源。三是從新的視角分析字詞。綜合各個學(xué)科的角度綜合分析字詞的意義，說明字與字之間的系聯(lián)。 第三章，姜亮夫敦煌文字學(xué)初探。從兩方面進行論述：一是姜亮夫與敦煌學(xué)；論述姜亮夫復(fù)制敦煌文獻材料的事跡及其在敦煌學(xué)方面的研究成果。二是姜亮夫敦煌字體研究貢獻，論述在敦煌字體類型研究方面的分類。 結(jié)尾，總結(jié)姜亮夫文字學(xué)理論研究成果及其在現(xiàn)代文字學(xué)的地位及意義。
[Abstract]:This paper summarizes and generalizes Jiang Liangfu's research on the theory of philology, analyzes it and finds out its valuable parts. It is carried out from three aspects: the theory of ancient Chinese characters, the methods of textual interpretation and the study of Dunhuang fonts. This paper summarizes Jiang's contribution to the theory of philology. This paper mainly uses descriptive method to synthesize and comment on the theoretical achievements of his philology, and establishes his own theoretical system of philology on the basis of inheriting the predecessors. At the same time, the comparative method is used to compare the relevant theories of its philology and find its innovation. The preface includes three aspects, one is to introduce Jiang Liangfu's life, the other is to summarize the research on Jiang Liangfu, and the third is to explain the research methods of this paper. The first chapter is the theory of ancient characters of Jiang Liangfu. It is discussed from three aspects: first, the origin of Chinese characters, mainly the origin of Chinese characters and the structure of oracle bone inscriptions, second, the theory of Chinese character structure; The third is the basic spirit of the structure of Chinese characters and the four aspects of realism, humanism, materialism rather than idealism and reflection of social existence. The second chapter is the method of Jiang Liangfu's textual interpretation. It is discussed from three aspects: one is the double evidence method, the other is the meaning and performance of this method. Using this method to explore the etymology of Chinese characters. The third is to analyze the words from a new perspective, to analyze the meaning of words from the perspective of various disciplines, and to explain the connection between characters and characters. In the third chapter, Jiang Liangfu's Dunhuang philology is discussed from two aspects: first, Jiang Liangfu and Dunhuang study; This paper discusses the deeds of Jiang Liangfu's reproduction of Dunhuang literature materials and his research achievements in Dunhuang studies. The second part is the contribution to the study of Jiang Liangfu's Dunhuang typography and the classification in the study of Dunhuang typography. At the end of this paper, the author summarizes Jiang Liangfu's achievements in the theoretical research of philology and its status and significance in modern philology.
【學(xué)位授予單位】：江西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：H12

【引證文獻】

相關(guān)博士學(xué)位論文 前1條

1 譚飛;羅振玉文字學(xué)之研究[D];華中科技大學(xué);2010年

本文編號：1672481