發(fā)布時(shí)間：2019-07-02 15:57

【摘要】：民國(guó)時(shí)期的上海，雖然是帝國(guó)主義勢(shì)力控制的半殖民地城市，但是卻創(chuàng)生了中國(guó)現(xiàn)代史上一個(gè)史無(wú)前例的繁榮空間，成為了與紐約、巴黎、柏林等同步的全球都市，被視為具有吸引力的現(xiàn)代商業(yè)、工業(yè)和娛樂(lè)中心，同時(shí)亦形成了一個(gè)特殊的文化空間。從魯迅、茅盾等知名左翼作家到追求都市奇觀的新感覺(jué)派作家；從大批閃耀于上海灘的電影明星和影像經(jīng)典到顧盼窈窕的各式月份牌女郎，從女性時(shí)裝的風(fēng)靡到民國(guó)上海廣告的摩登……這一切在很大程度上，透遞出彼時(shí)上海都市文化的混雜性，既有感受民族國(guó)家危機(jī)的激進(jìn)主義或共產(chǎn)主義文化，也有癡迷十里洋場(chǎng)之都市夢(mèng)幻的消費(fèi)主義或享樂(lè)主義文化。1920年出生于上海的張愛(ài)玲，其多數(shù)作品均以上海作為書(shū)寫(xiě)對(duì)象，，其作品不可避免地呈示出彼時(shí)上海都市文化的特質(zhì)。 “大眾文化”雖然作為明確的理論概念，是學(xué)界在1980年代引入中國(guó)的，但是大眾文化所具有的商品化或市場(chǎng)化、復(fù)制性、世俗性、追求娛樂(lè)性、感官性等基本特征，在上海已然具備了催生和滋育的土壤，并切實(shí)形成了具備大眾文化特質(zhì)的諸多文化形態(tài)。正是基于此，本文以“大眾文化”作為理論視野來(lái)觀照張愛(ài)玲的作品，探掘張愛(ài)玲作品中具備的大眾文化的質(zhì)素，是順理成章亦是切實(shí)可行的。 張愛(ài)玲小說(shuō)受著上海都市商業(yè)文化的極度浸染，其作品風(fēng)靡，與大眾媒介的助推與知名文學(xué)評(píng)論家的捧場(chǎng)密不可分，這正是大眾文化追求商品化與市場(chǎng)化的恰切體現(xiàn)。《小團(tuán)圓》出版神話，便是適例。 張愛(ài)玲小說(shuō)試圖跨越精英文化與市民文化之間的界限，彰顯濃郁的世俗情懷。在書(shū)寫(xiě)世俗日常生活的同時(shí)，亦蘊(yùn)含著對(duì)人生境遇的悲涼思考，表現(xiàn)出雅俗交融的藝術(shù)效果，語(yǔ)言上也是文白交錯(cuò)，可讀性堪佳，以女性視域書(shū)寫(xiě)對(duì)男權(quán)的反叛更富感官性，上述特征在《傾城之戀》中均有不同程度的呈現(xiàn)。 影視是大眾文化的重要產(chǎn)品，其圖像化的敘事策略是大眾文化追求娛樂(lè)性的核心理念。張愛(ài)玲小說(shuō)極力營(yíng)構(gòu)“畫(huà)面感”，并借助電影“蒙太奇”的手法，敘述方式也空間化。這些“影視化”特征，為小說(shuō)增加了更多地視覺(jué)娛樂(lè)性色彩，《色·戒》實(shí)乃視覺(jué)盛宴手法之集大成者。 最后需要指出的是，正是張愛(ài)玲小說(shuō)具有大眾文化的諸多質(zhì)素，人們?cè)陂喿x接受張愛(ài)玲的小說(shuō)時(shí)，走向了淺薄庸俗化解讀路徑，而忽視了張愛(ài)玲小說(shuō)隱藏著的式微破落的頹勢(shì)，對(duì)私人生活關(guān)注，對(duì)價(jià)值的嘲弄與顛覆，以及對(duì)人性近乎殘酷的解剖等富有思想質(zhì)地的維度，這是值得警惕的。
[Abstract]:In the period of the Republic of China, while it is a semi-colonial city under the control of the imperialist forces, it has created an unprecedented prosperity space in the modern history of China, and has become a global city, such as New York, Paris, Berlin, etc., and is regarded as an attractive modern business. The industrial and entertainment center also forms a special cultural space. From the well-known left-wing writers, such as Lu Xun and Mao Dun, to the new feeling of the pursuit of the city's wonders, from a large number of movie stars and images of the Shanghai beach to a variety of mooners, from the fashion of women to the modern Shanghai advertisement. in a great extent, that mix of Shanghai's urban culture, which has both the radicalism or the communist culture of the nation's national crisis, also has an obsession with the consumerism or the hedonism culture of the urban dream of the 10-year-old city. In 1920, Zhang Ailing, born in Shanghai, Most of its works are written in Shanghai, and its works inevitably show the characteristics of Shanghai's urban culture. As a clear theoretical concept, the "mass culture" has introduced China in the 1980s, but the commercial or market-oriented, replicative, secularized, entertaining and sensual characteristics of the mass culture have already possessed the soil of birth and development in Shanghai. The soil is formed with a lot of cultural forms with the characteristics of mass culture. On the basis of this, this paper takes the "mass culture" as the theoretical field of view to view the works of Zhang Ailing, and explores the quality of popular culture in Zhang Ailing's works, and it is also practical and practical. As a result, Zhang Ailing's novel is deeply disseminated by the urban commercial culture in Shanghai. His works are popular, and the promotion of the mass media is closely related to the winning of the famous literary critics, which is the only way for the mass culture to pursue the commercialization and the market-oriented. Represent. Publish Myth, and then It is an appropriate case. Zhang Ailing's novel tries to cross the boundary between the elite culture and the citizen's culture to highlight the rich In the same time of writing the secular daily life, it also contains a reflection of the situation of life, which shows the artistic effect of the blending of the custom and the customs. The language is also a white and white cross, the readability is good, and the rebellion of the men's rights is written in the view of the female. It is more sensual, and the above-mentioned features are different in the love of the city. Film and TV is an important product of mass culture, and its image-based narrative strategy is the pursuit of mass culture. The core idea of music. Zhang Ailing's novel tries to construct the "the feeling of painting", and by means of the film "Montage", The method is also space-oriented. These "film and television" features add more visual and entertaining colors to the novel. The last thing to point out is that Zhang Ailing's novel has the quality of mass culture, and when reading the novel of Zhang Ailing, people go to a shallow and vulgar reading path, and ignore the way that Zhang Ailing's novel is hidden. A dimension of thought and texture that concerns private life, ridicule and subversion of value, and nearly cruel anatomy of human nature.
【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：I207.42

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本文編號(hào)：2509067

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