發(fā)布時(shí)間：2018-08-12 14:35

【摘要】： 現(xiàn)代意義上設(shè)計(jì)在我國已經(jīng)有近一個(gè)世紀(jì)的發(fā)展歷史,但關(guān)于設(shè)計(jì)的歸屬問題卻始終懸而未決,有人認(rèn)為設(shè)計(jì)該屬于工科類,因?yàn)樵O(shè)計(jì)藝術(shù)的大發(fā)展是伴隨著工業(yè)生產(chǎn)與工業(yè)革命,其中帶有工程技術(shù)的血脈;而有人則認(rèn)為設(shè)計(jì)屬于以繪畫為中心的藝術(shù)范疇.因?yàn)槿缙矫嬖O(shè)計(jì)、廣告設(shè)計(jì)、包裝設(shè)計(jì)、室內(nèi)設(shè)計(jì)等與工業(yè)相距較遠(yuǎn),而與審美觀念表現(xiàn)的更為密切。然而,筆者認(rèn)為隨著社會(huì)生產(chǎn)力與科學(xué)技術(shù)的不斷發(fā)展,現(xiàn)代意義上的設(shè)計(jì)藝術(shù)已經(jīng)遠(yuǎn)遠(yuǎn)超于工業(yè)學(xué)科,也逐漸脫離美術(shù)學(xué)而發(fā)展成為一門獨(dú)立的藝術(shù)學(xué)科,設(shè)計(jì)師和藝術(shù)家(繪畫藝術(shù))在現(xiàn)代生活中的不同意義和作用顯而易見。但縱觀設(shè)計(jì)與藝術(shù)的發(fā)展歷史,其二者在本質(zhì)上相互融合的關(guān)系更不可忽視。實(shí)質(zhì)上,實(shí)用與審美相結(jié)合賦予了使用物品物質(zhì)與精神上的雙重含義,這是人類設(shè)計(jì)活動(dòng)的基礎(chǔ)或基點(diǎn)。 事實(shí)證明,隨著人類社會(huì)的飛速發(fā)展,藝術(shù)的內(nèi)在結(jié)構(gòu)與外部范疇都發(fā)生很多變化,后現(xiàn)代設(shè)計(jì)在諸多方面都表現(xiàn)出其反現(xiàn)代設(shè)計(jì)純粹功用性的一面,轉(zhuǎn)而強(qiáng)調(diào)情感體驗(yàn)、個(gè)性審美、人文關(guān)懷等藝術(shù)范疇的原則。因而可以說,繪畫藝術(shù)與設(shè)計(jì)不但在其發(fā)展歷史中始終處于相互依存的狀態(tài),即便在當(dāng)今社會(huì)二者相對獨(dú)立的狀態(tài)下其本質(zhì)也有很多是不謀而合的,尤其我國當(dāng)代藝術(shù)的許多積極方面可以給予設(shè)計(jì)許多啟示,這正是本文所強(qiáng)調(diào)的重點(diǎn)。本文首先從繪畫與設(shè)計(jì)的歷史背景入手分析了看二者的關(guān)系,這一部分主要論述了兩個(gè)內(nèi)容——1古代繪畫與設(shè)計(jì)的發(fā)展情況,2近代繪畫與設(shè)計(jì)的發(fā)展情況,得出結(jié)論:設(shè)計(jì)從繪畫分離出來,但互為依存,相互促進(jìn)的關(guān)系。然后從我國當(dāng)代藝術(shù)與設(shè)計(jì)的發(fā)展現(xiàn)狀切入,分析了我國當(dāng)代藝術(shù)與當(dāng)代設(shè)計(jì)的發(fā)展?fàn)顩r以及存在的問題:當(dāng)代設(shè)計(jì)與當(dāng)代藝術(shù)聯(lián)系較少,較為獨(dú)立,接下來提出來解決的辦法,即本文的重點(diǎn)——當(dāng)代藝術(shù)中積極因素給予設(shè)計(jì)的啟示,文中強(qiáng)調(diào)當(dāng)代藝術(shù)的一些特點(diǎn):當(dāng)代藝術(shù)具有的強(qiáng)烈前衛(wèi)性特性、當(dāng)代藝術(shù)對人的生存環(huán)境與人的精神生活的深層關(guān)注、當(dāng)代藝術(shù)往往具有深刻的文化底蘊(yùn)及思想內(nèi)涵可以激勵(lì)當(dāng)代設(shè)計(jì)的嘗試與探索、可以引導(dǎo)當(dāng)代設(shè)計(jì)進(jìn)一步突出以人為本的思想、可以促進(jìn)當(dāng)代設(shè)計(jì)內(nèi)涵的構(gòu)建。 在全球化語境的環(huán)境下,源于繪畫藝術(shù)的我國當(dāng)代藝術(shù)與設(shè)計(jì)的相互融合是必然的,二者雖有著各自獨(dú)立的觀念與生存空間,但相互影響,共同發(fā)展,互為促進(jìn)卻是藝術(shù)與設(shè)計(jì)最為顯著的特征。
[Abstract]:In modern sense, design has a history of development in our country for nearly a century, but the ownership of design has always been unresolved. Some people think that design should belong to the category of engineering. Because the great development of design art is accompanied by industrial production and industrial revolution, with the blood of engineering technology, while some people think that design belongs to the art category centered on painting. Because such as graphic design, advertising design, packaging design, interior design and industrial distance, and more closely with the aesthetic concept. However, with the continuous development of social productivity and science and technology, the design art in the modern sense has been far more than the industrial discipline, and has gradually developed into an independent art subject from the art science. The different meanings and functions of designers and artists in modern life are obvious. But throughout the history of design and art, the relationship between the two in essence can not be ignored. In essence, the combination of utility and aesthetics endows the use of goods with both material and spiritual meanings, which is the basis or basis of human design activities. It has been proved that with the rapid development of human society, many changes have taken place in the internal structure and external category of art. Post-modern design has shown its purely functional side of anti-modern design in many aspects, emphasizing emotional experience instead. Individual aesthetic, humanistic care and other artistic categories of principles. Therefore, it can be said that painting art and design not only in its development history has always been in a state of interdependence, even in today's society, the nature of the two relatively independent state, there is also a lot of coincidence. In particular, many positive aspects of contemporary art in China can give a lot of inspiration to the design, which is the emphasis of this paper. This paper first analyzes the relationship between painting and design from the historical background of painting and design. This part mainly discusses the development of ancient painting and design and the development of modern painting and design. Draw a conclusion: design is separated from painting, but it is interdependent and mutually reinforcing. Then from the current situation of contemporary art and design in our country, it analyzes the development of contemporary art and contemporary design in China and the existing problems: contemporary design and contemporary art are less connected and more independent. Then the solution is put forward, that is, the focal point of this paper, the inspiration from the positive factors in contemporary art, which emphasizes some characteristics of contemporary art: the strong avant-garde characteristic of contemporary art, Contemporary art pays close attention to people's living environment and people's spiritual life. Contemporary art often has profound cultural connotation and ideological connotation, which can stimulate the attempt and exploration of contemporary design. Can guide contemporary design to further highlight the idea of people-oriented, can promote the construction of contemporary design connotation. In the context of globalization, the fusion of contemporary art and design, which originated from painting art, is inevitable. Although they have their own independent concepts and living space, they influence each other and develop together. Mutual promotion is the most prominent feature of art and design.
【學(xué)位授予單位】：內(nèi)蒙古師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2009
【分類號】：J50

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