論符號化在當(dāng)代藝術(shù)中的運用
發(fā)布時間:2018-07-28 11:08
【摘要】:隨著時代的發(fā)展,社會的進步,科學(xué)技術(shù)和文化水平的不斷提高,圖像符號已經(jīng)在人們的日常生活中起著重要的視覺傳達作用。例如廣告、攝影、設(shè)計、媒體、電影等等圖像符號已經(jīng)占據(jù)人們的生活,圖像符號的時代已經(jīng)到來。人們更傾向于對視覺圖像的接收和傳播。這種現(xiàn)象也波及到當(dāng)代藝術(shù)領(lǐng)域,藝術(shù)家們也開始創(chuàng)造新的藝術(shù)視覺效果,建立新的藝術(shù)“符號化”語言。金融和商業(yè)的不斷發(fā)展導(dǎo)致消費文化的愈發(fā)盛行,這使符號世界的變得越來越復(fù)雜。致使當(dāng)代藝術(shù)中大量的、廣泛的盲目的使用符號性語言作為藝術(shù)家們主要的創(chuàng)作語言形式。不論是盲目跟風(fēng)的還是已經(jīng)成功的運用符號化形式進行創(chuàng)作的創(chuàng)作模式已經(jīng)被廣泛應(yīng)用在藝術(shù)家們的創(chuàng)作之中。社會經(jīng)濟和科學(xué)文化的高速發(fā)展一定程度上推進了當(dāng)今時代藝術(shù)的高度繁榮,相應(yīng)的也促進了當(dāng)代藝術(shù)的符號化進程。凡事都有兩面性,在經(jīng)歷肯定與追捧之后,符號化創(chuàng)作手段開始泛濫,這種盲目復(fù)制模仿跟風(fēng)的現(xiàn)象遭到藝術(shù)家和批評家們的強烈反感。但我們不得不承認(rèn)中國當(dāng)代藝術(shù)符號化語言的更新進步是具有時代意義的。這也說明藝術(shù)在不斷的發(fā)展。因此,符號化藝術(shù)語言的研究也要跟隨時代和社會的腳步,使其成為藝術(shù)進步的動力。所以說,探索符號化形式語言對中國當(dāng)代藝術(shù)來說具有深的現(xiàn)實意義。
[Abstract]:With the development of the times, the progress of society, the continuous improvement of science, technology and culture, image symbols have played an important role in the visual communication in people's daily life. For example, advertising, photography, design, media, movies and other image symbols have occupied people's lives, the age of image symbols has come. People tend to receive and transmit visual images. This phenomenon also spread to the field of contemporary art, and artists began to create new artistic visual effects and new art symbolization language. With the development of finance and commerce, consumer culture is becoming more and more popular, which makes the symbolic world more and more complicated. As a result, a large number of contemporary art, a wide range of blind use of symbolic language as the artist's main form of creative language. Regardless of blindly following the trend or has been successful in the use of symbolic forms of creative creation mode has been widely used in the creation of artists. The rapid development of social economy and science and culture to a certain extent has promoted the high prosperity of contemporary art, and also promoted the process of symbolization of contemporary art. There are two sides to everything. After experiencing affirmation and popularity, symbolic creative means began to flood, and this phenomenon of blindly copying and following the trend was strongly resented by artists and critics. But we have to admit that the renewal and progress of symbolized language in Chinese contemporary art is of great significance. This also shows that art is constantly developing. Therefore, the study of symbolic art language should follow the pace of the times and society, and make it the motive force of art progress. Therefore, the exploration of symbolic formal language is of deep practical significance to Chinese contemporary art.
【學(xué)位授予單位】:天津美術(shù)學(xué)院
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2015
【分類號】:J505
本文編號:2149927
[Abstract]:With the development of the times, the progress of society, the continuous improvement of science, technology and culture, image symbols have played an important role in the visual communication in people's daily life. For example, advertising, photography, design, media, movies and other image symbols have occupied people's lives, the age of image symbols has come. People tend to receive and transmit visual images. This phenomenon also spread to the field of contemporary art, and artists began to create new artistic visual effects and new art symbolization language. With the development of finance and commerce, consumer culture is becoming more and more popular, which makes the symbolic world more and more complicated. As a result, a large number of contemporary art, a wide range of blind use of symbolic language as the artist's main form of creative language. Regardless of blindly following the trend or has been successful in the use of symbolic forms of creative creation mode has been widely used in the creation of artists. The rapid development of social economy and science and culture to a certain extent has promoted the high prosperity of contemporary art, and also promoted the process of symbolization of contemporary art. There are two sides to everything. After experiencing affirmation and popularity, symbolic creative means began to flood, and this phenomenon of blindly copying and following the trend was strongly resented by artists and critics. But we have to admit that the renewal and progress of symbolized language in Chinese contemporary art is of great significance. This also shows that art is constantly developing. Therefore, the study of symbolic art language should follow the pace of the times and society, and make it the motive force of art progress. Therefore, the exploration of symbolic formal language is of deep practical significance to Chinese contemporary art.
【學(xué)位授予單位】:天津美術(shù)學(xué)院
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2015
【分類號】:J505
【參考文獻】
相關(guān)期刊論文 前1條
1 沈偉;;“當(dāng)代藝術(shù)”在當(dāng)代中國的含義[J];美術(shù)觀察;2007年12期
,本文編號:2149927
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