本文選題：視覺文化 + 視覺時代��； 參考：《浙江師范大學》2011年碩士論文

【摘要】：我們正處在一個文化轉(zhuǎn)型的時代,新的文化形態(tài)是以視覺形象和影像因素為特征的。電視的普及應(yīng)用使廣告、動畫等各種動態(tài)的、非動態(tài)的圖像時刻充斥著我們的生存環(huán)境。隨著科技的迅猛發(fā)展,視覺文化已經(jīng)飛越視覺藝術(shù)的邊界在整個大眾日常生活中蔓延開來。除了生活中的建筑、服飾、街牌廣告、電視圖像、報紙、雜志、網(wǎng)絡(luò)、商品宣傳冊等充斥視覺圖像、影像,而且音樂等非視覺領(lǐng)域也逐漸向視覺圖像、影像轉(zhuǎn)換,使得我們所處的環(huán)境發(fā)生著深刻變化。視覺文化時代的到來不僅在很大程度上改變了受眾的視覺體驗方式,同時也影響藝術(shù)家認知世界的方式,繼而,也就改變著藝術(shù)的創(chuàng)作理念、創(chuàng)作語言和創(chuàng)作手法。本文主要以當代視覺文化為研究背景和研究視野,以當代中國畫的創(chuàng)作為基點,重點來分析視覺文化背景下的當代中國畫的創(chuàng)作變化。 本文主要分為六個部分,第一部分主要是緒論和本文所涉及到的各課題的文獻綜述論述；第二部分論述在傳統(tǒng)人文環(huán)境中形成的中國繪畫的精神品格；第三部分主要論述在“圖文轉(zhuǎn)向”的趨勢中興起的“視覺文化”的各種特點以及其對社會文化形態(tài)的影響；經(jīng)過上幾部分的分別闡釋,第四部分把“視覺文化”和“中國畫”放在一起開始分析兩者價值取向的矛盾點；第五部分主要對視覺時代背景下中國畫創(chuàng)作的變化進行分析研究；此外,另辟一部分對70后在視覺文化環(huán)境中成長起來的新一代畫家進行專門論述。最后在結(jié)語部分探討現(xiàn)代中國畫的現(xiàn)實主義發(fā)展、包容發(fā)展和多元發(fā)展的趨勢。
[Abstract]:We are in the era of cultural transformation, the new cultural form is characterized by visual image and image factors. With the popularity of television, advertising, animation and other dynamic, non-dynamic images are always full of our living environment. With the rapid development of science and technology, visual culture has spread across the boundary of visual art in the daily life of the whole people. In addition to architecture, clothing, street advertising, television images, newspapers, magazines, networks, commodity brochures and other areas of life filled with visual images, and other non-visual areas such as music are also gradually changing to visual images, etc. The environment in which we live has undergone profound changes. The arrival of the age of visual culture not only changes the visual experience of the audience to a great extent, but also affects the way the artists perceive the world, and then changes the artistic creation idea, the creative language and the creative technique. This article mainly takes the contemporary visual culture as the research background and the research visual field, takes the contemporary Chinese painting creation as the basic point of view, emphatically analyzes the contemporary Chinese painting creation change under the visual culture background. The first part is the introduction and the literature review of the various topics involved in this paper, the second part discusses the spiritual character of Chinese painting formed in the traditional humanistic environment. The third part mainly discusses the various characteristics of "visual culture" rising in the trend of "graphic and text turning" and its influence on the social and cultural forms. The fourth part begins to analyze the contradiction of the value orientation of "visual culture" and "Chinese painting" together; the fifth part mainly analyzes the changes of Chinese painting creation under the background of visual age; in addition, Another part discusses the new generation of painters who grew up in the visual culture environment. Finally, the conclusion discusses the realistic development, inclusive development and pluralistic development trend of modern Chinese painting.
【學位授予單位】：浙江師范大學
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：J212

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本文編號：1985207