本文選題：太極圖形 + 傳承　； 參考：《湖北工業(yè)大學(xué)》2009年碩士論文

【摘要】： 本論文主要針對傳統(tǒng)“太極圖”在現(xiàn)代設(shè)計中廣泛應(yīng)用進(jìn)行的研究。太極圖“對立統(tǒng)一、永恒運動、周而復(fù)始、生生不息”的特征已經(jīng)延伸到中國很多文化中。這樣就需要設(shè)計師在表現(xiàn)形式美的基礎(chǔ)上,挖掘“太極圖”的象征寓意和文化內(nèi)涵,設(shè)計出既符合民族傳統(tǒng)觀念、又融入時代視覺符號的現(xiàn)代設(shè)計作品。對此論述了在現(xiàn)代設(shè)計國際化的趨勢下,如何汲取本民族優(yōu)秀的傳統(tǒng)文化,恰當(dāng)?shù)厝谌氲浆F(xiàn)代設(shè)計中,體現(xiàn)富有民族個性和地域韻味的優(yōu)秀作品。在設(shè)計國際化的今天,各民族只有在深入領(lǐng)悟傳統(tǒng)藝術(shù)精神、充分認(rèn)識現(xiàn)代西方設(shè)計思潮的基礎(chǔ)上,兼收并蓄、融會貫通、尋找傳統(tǒng)與現(xiàn)代的契合點,才能打造出符合新時代要求的現(xiàn)代設(shè)計作品,如2001年的北京申奧標(biāo)志,整個造型運用了中國傳統(tǒng)造型藝術(shù)中特有的寫意手法,運用“中國結(jié)”和“太極拳”兩個意象,十分巧妙地將中國特色和奧林匹克精神元素結(jié)合在一起。這說明具有民族傳統(tǒng)文化特色的符號在現(xiàn)代設(shè)計中的運用,不僅對弘揚民族文化起到了傳承作用,又促進(jìn)了傳播作用。 太極圖形它的符號化、象征化的美學(xué)意義體現(xiàn)在:體現(xiàn)著中華民族傳統(tǒng)圖像思維模式,它所承載的中國傳統(tǒng)文化發(fā)展而出的道家的思想文化哲學(xué),與先人以八卦意向形成對世界萬物的象征自然融合在一起,象征著中國人的哲學(xué),宇宙世界觀,成為中國傳統(tǒng)文化的典型圖形,與中國傳統(tǒng)文化思想觀念遙相呼應(yīng),互為融合。太極圖形的演變代表了對于傳統(tǒng)圖形的深層次,對藝術(shù)表現(xiàn)深層次的追求,其間蘊(yùn)含了中國傳統(tǒng)藝術(shù)不羈的自由精神。 太極圖在現(xiàn)代設(shè)計中的運用主要體現(xiàn)在:標(biāo)志、廣告、建筑、產(chǎn)品、首飾和服裝設(shè)計中,太極圖形富有個性的符號形象,是抽象語言、幾何圖形所無法比擬和不可替代的。如太極圖形作為元素的標(biāo)志設(shè)計:鳳凰衛(wèi)視臺標(biāo)是對于太極圖形寓意的最好表現(xiàn),達(dá)到了傳統(tǒng)與現(xiàn)代巧妙結(jié)合。
[Abstract]:This paper mainly focuses on the traditional Taiji map, which is widely used in modern design. Taiji "unity of opposites, eternal movement, cycle, endless" has been extended to many Chinese cultures. On the basis of expressing formal beauty, designers should dig out the symbolic meaning and cultural connotation of Taiji map, and design modern design works which not only accord with the traditional national concept, but also blend into the visual symbols of the times. Under the trend of internationalization of modern design, this paper discusses how to absorb the excellent traditional culture of this nation, properly integrate it into modern design, and embody the excellent works with rich national personality and regional charm. Today, with the internationalization of design, all nationalities can only fully understand the spirit of traditional art and fully understand the trend of thought in modern western design, so as to find the point of convergence between tradition and modernity. In order to create modern design works that meet the requirements of the new era, such as the Beijing Olympic bid logo in 2001, the whole model uses the special freehand brushwork of Chinese traditional plastic arts, using the two images of "China knot" and "Taijiquan". The combination of Chinese characteristics and the Olympic spirit is very ingenious. This shows that the use of symbols with the characteristics of national traditional culture in modern design not only plays a heritage role in carrying forward national culture, but also promotes dissemination. The symbolic and symbolic aesthetic significance of Taiji figure is embodied in the traditional image thinking mode of the Chinese nation and the Taoist ideology and culture philosophy developed from the development of Chinese traditional culture. It is a symbol of Chinese philosophy, universal world outlook, typical figure of Chinese traditional culture, echoing and merging with Chinese traditional cultural ideas and ideas, which are formed by their ancestors' intention to gossip and symbolize the nature of all things in the world, and symbolize the Chinese philosophy and universal worldview. The evolution of Taiji graphics represents the deep level of traditional graphics and the deep pursuit of artistic expression, which contains the free spirit of Chinese traditional art. The application of Taiji figure in modern design is mainly reflected in: logo, advertisement, architecture, product, jewelry and clothing design, the symbol image of Taiji graphic is the abstract language, which can not be compared and replaced by geometric figure. For example, Taiji graphic is the symbol design of the element: Phoenix TV station logo is the best representation of Taiji graphic implication, and has achieved the combination of tradition and modern ingenuity.
【學(xué)位授予單位】：湖北工業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2009
【分類號】：J522

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 李靜;宋清華;;民俗符號在現(xiàn)代廣告中的寓意性表現(xiàn)[J];大眾文藝;2012年14期

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本文編號：1891220