本文選題：文化內(nèi)涵 + 藝術(shù)表現(xiàn)　； 參考：《青島理工大學(xué)》2013年碩士論文

【摘要】：當(dāng)今社會(huì)已經(jīng)進(jìn)入了多元化的時(shí)代，社會(huì)的諸多因素如經(jīng)濟(jì)、文化、科技藝術(shù)等方面不斷地影響著產(chǎn)品設(shè)計(jì)行業(yè)，同時(shí)產(chǎn)品設(shè)計(jì)及其研究也在向著社會(huì)各方面快速滲透。我國(guó)的產(chǎn)品設(shè)計(jì)（狹義的工業(yè)設(shè)計(jì)）已經(jīng)有了20多年的歷史，盡管取得了一些優(yōu)異的成果，但基礎(chǔ)薄弱、起步較晚，至今還處在模仿的階段，總體上還落后于發(fā)達(dá)國(guó)家。究其原因是多方面的，而產(chǎn)品設(shè)計(jì)中文化內(nèi)涵與藝術(shù)表現(xiàn)缺乏是一個(gè)重要的原因。這的確是產(chǎn)品設(shè)計(jì)應(yīng)該研究中的一大課題。每一位設(shè)計(jì)工作者都應(yīng)該成為文化底蘊(yùn)深厚、藝術(shù)表現(xiàn)豐富、審美意識(shí)健康的勞動(dòng)者、探索者和表現(xiàn)者。 在產(chǎn)品設(shè)計(jì)中追求文化內(nèi)涵和藝術(shù)表現(xiàn)，是一種理念、也是一種傾向。本文從文化和藝術(shù)的角度，比較了在東西方文化背景下，結(jié)合不同的設(shè)計(jì)理念、設(shè)計(jì)風(fēng)格、設(shè)計(jì)方法，分析了國(guó)內(nèi)外優(yōu)秀設(shè)計(jì)成果或作品中的文化內(nèi)涵和藝術(shù)表現(xiàn)以及這些內(nèi)涵和表現(xiàn)在設(shè)計(jì)工作中不可替代的作用；列舉了部分直觀圖片和文字訊息，從產(chǎn)品、廣告、建筑以及相關(guān)的藝術(shù)門(mén)類(lèi)等多方面、多角度說(shuō)明了文化和藝術(shù)對(duì)產(chǎn)品設(shè)計(jì)及其研究的影響。通過(guò)博采多種設(shè)計(jì)風(fēng)格、設(shè)計(jì)流派之長(zhǎng)，闡述了具有豐厚文化內(nèi)涵和精巧藝術(shù)表現(xiàn)的設(shè)計(jì)成果長(zhǎng)久的生命力，同時(shí)也指出了強(qiáng)化文化內(nèi)涵與藝術(shù)表現(xiàn)也是設(shè)計(jì)研究、設(shè)計(jì)創(chuàng)新以及設(shè)計(jì)工作者健康成長(zhǎng)的必經(jīng)之路、必行之路；盡管文化和藝術(shù)不能代替設(shè)計(jì)，，但設(shè)計(jì)有其特有的的文化、更是一門(mén)獨(dú)立的藝術(shù)。還提出我國(guó)現(xiàn)階段與之相關(guān)的教育工作方面內(nèi)容落后、機(jī)構(gòu)欠缺等問(wèn)題。本文還用多元論、新視角對(duì)產(chǎn)品設(shè)計(jì)中文化內(nèi)涵和藝術(shù)表現(xiàn)進(jìn)了深入的思考和一定的分析、研究，試圖歸納概括出一些規(guī)律性的內(nèi)容和方法。
[Abstract]:Nowadays, the society has entered a pluralistic era, many factors of the society, such as economy, culture, science and technology art and so on, are constantly influencing the product design industry. At the same time, the product design and its research are also rapidly infiltrating into the various aspects of the society.The product design of our country (industrial design in narrow sense) has a history of more than 20 years. Although it has made some outstanding achievements, the foundation is weak, the start is relatively late, and it is still in the stage of imitation up to now, and still lags behind the developed countries on the whole.There are many reasons, but the lack of cultural connotation and artistic expression in product design is an important reason.This is indeed a major topic in product design that should be studied.Every designer should be a laborer, explorer and performer with deep culture, rich artistic expression and healthy aesthetic consciousness.The pursuit of cultural connotation and artistic expression in product design is both an idea and a tendency.From the point of view of culture and art, this paper compares different design concepts, styles and methods under the background of eastern and western cultures.This paper analyzes the cultural connotations and artistic expressions of outstanding design achievements or works at home and abroad and their irreplaceable role in the design work, enumerates some intuitive pictures and text messages from products, advertisements, etc.The influence of culture and art on product design and its research is explained from many aspects, such as architecture and related art categories.By adopting various design styles and schools of design, this paper expounds the long-term vitality of design results with rich cultural connotation and exquisite artistic expression, and points out that strengthening cultural connotation and artistic expression are also design studies.Although culture and art can not replace design, design has its own culture and an independent art.It also points out that the educational work in our country is backward in content and lack in institutions at the present stage.This article also uses the pluralism, the new angle of view to the product design cultural connotation and the artistic expression has entered the thorough thought and the certain analysis, studies, attempts to generalize some regular content and the method.
【學(xué)位授予單位】：青島理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：TB472;J05

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