本文選題：設(shè)計(jì)批評(píng)　切入點(diǎn)：中國(guó)　出處：《武漢理工大學(xué)》2011年博士論文

【摘要】：設(shè)計(jì)理論、設(shè)計(jì)史和設(shè)計(jì)批評(píng)是構(gòu)成設(shè)計(jì)學(xué)的三大主干。在當(dāng)代中國(guó),設(shè)計(jì)批評(píng)的發(fā)展對(duì)于設(shè)計(jì)藝術(shù)教育、實(shí)踐、產(chǎn)業(yè)發(fā)展和設(shè)計(jì)師成長(zhǎng)的重要意義毋庸置疑。中國(guó)當(dāng)代設(shè)計(jì)的發(fā)展呈現(xiàn)出鮮明的時(shí)代性,設(shè)計(jì)學(xué)的內(nèi)涵、范疇、理念以及設(shè)計(jì)產(chǎn)業(yè)發(fā)展、教育實(shí)踐的融合、沖突、更新、發(fā)展與變革都比以往任何時(shí)候更為集中和突出。本文從社會(huì)發(fā)展的視野,對(duì)中國(guó)當(dāng)代設(shè)計(jì)和設(shè)計(jì)批評(píng)現(xiàn)狀、思潮以及重大批評(píng)事件進(jìn)行了學(xué)理性的梳理,對(duì)其中體現(xiàn)的特征規(guī)律進(jìn)行了定性分析,指出了中國(guó)當(dāng)代設(shè)計(jì)批評(píng)存在的問題,從方法論的角度,為促進(jìn)中國(guó)當(dāng)代設(shè)計(jì)批評(píng)發(fā)展提出了具體的原則、方法和策略。 本文在第一章闡述了研究目的和研究意義,對(duì)有關(guān)研究成果進(jìn)行了文獻(xiàn)綜述,重點(diǎn)對(duì)當(dāng)代設(shè)計(jì)以及設(shè)計(jì)批評(píng)的概念進(jìn)行了梳理；在第二章和第三章,本文立足中國(guó)設(shè)計(jì)和設(shè)計(jì)批評(píng)的當(dāng)代情境,從政治環(huán)境、經(jīng)濟(jì)環(huán)境、文化環(huán)境、生態(tài)環(huán)境等方面,對(duì)影響、制約設(shè)計(jì)和設(shè)計(jì)批評(píng)發(fā)展的社會(huì)環(huán)境進(jìn)行了分析。在此基礎(chǔ)上,以中共十四大、高校大規(guī)模擴(kuò)招、中國(guó)加入世貿(mào)組織等對(duì)中國(guó)設(shè)計(jì)產(chǎn)生深刻影響的時(shí)間節(jié)點(diǎn)為標(biāo)志,對(duì)中國(guó)當(dāng)代設(shè)計(jì)的發(fā)展階段進(jìn)行了界定,對(duì)中國(guó)當(dāng)代設(shè)計(jì)的發(fā)展歷程進(jìn)行了歸納總結(jié),進(jìn)而分析了設(shè)計(jì)批評(píng)對(duì)中國(guó)當(dāng)代設(shè)計(jì)的價(jià)值和意義。 在第四章和第五章,本文重點(diǎn)對(duì)中國(guó)當(dāng)代設(shè)計(jì)批評(píng)思潮及存在的問題進(jìn)行了分析研究。首先歸納了中國(guó)當(dāng)代設(shè)計(jì)批評(píng)的一些重要思潮,如從“中國(guó)制造”到“中國(guó)創(chuàng)造”以及“為中國(guó)而設(shè)計(jì)”等命題體現(xiàn)了設(shè)計(jì)批評(píng)的民族情懷；由奢侈包裝、建筑設(shè)計(jì)、裝幀設(shè)計(jì)等引發(fā)的設(shè)計(jì)批評(píng),體現(xiàn)了對(duì)設(shè)計(jì)倫理和環(huán)境生態(tài)的深沉思考；快速發(fā)展的設(shè)計(jì)教育和設(shè)計(jì)大展備受關(guān)注,設(shè)計(jì)師及其廣告創(chuàng)意能力也引發(fā)了廣泛批評(píng)；關(guān)于“工藝美術(shù)”論辯,對(duì)數(shù)字設(shè)計(jì)以及智能設(shè)計(jì)的關(guān)注,體現(xiàn)出中國(guó)當(dāng)代設(shè)計(jì)批評(píng)對(duì)理論問題的探討和前瞻性課題的敏銳觀察。其次,對(duì)關(guān)于北京西客站、國(guó)家大劇院、奧運(yùn)“鳥巢”、奧運(yùn)標(biāo)志設(shè)計(jì)、央視新大樓、上海世博會(huì)的批評(píng)等中國(guó)當(dāng)代重大設(shè)計(jì)批評(píng)事件進(jìn)行了分析研究。然后,總結(jié)了中國(guó)當(dāng)代設(shè)計(jì)批評(píng)的特征規(guī)律。在此基礎(chǔ)上,指出了中國(guó)當(dāng)代設(shè)計(jì)批評(píng)的問題,并從不同的角度對(duì)這些問題進(jìn)行了反思。 在第六章和第七章,本文圍繞我們需要怎樣的設(shè)計(jì)批評(píng)以及怎樣促進(jìn)中國(guó)設(shè)計(jì)批評(píng)發(fā)展兩個(gè)問題進(jìn)行了研究。首先從產(chǎn)品智能化等六個(gè)方面對(duì)未來(lái)中國(guó)設(shè)計(jì)的發(fā)展趨勢(shì)進(jìn)行了分析；其次,從方法論的角度提出了開展設(shè)計(jì)批評(píng)的原則,如矛盾分析原則、適宜性原則、民族性原則、時(shí)代性原則、審美性原則、科學(xué)性原則、功能性原則、倫理性原則、理論和實(shí)踐結(jié)合原則、未來(lái)性原則等等。最后,對(duì)促進(jìn)中國(guó)設(shè)計(jì)批評(píng)發(fā)展做了一些思考,提出了提升設(shè)計(jì)批評(píng)主體的問題意識(shí)、拓展設(shè)計(jì)批評(píng)的渠道和載體、加強(qiáng)設(shè)計(jì)批評(píng)教育和理論研究等渠道路徑,從批評(píng)家、設(shè)計(jì)師、民眾和主流媒體、互聯(lián)網(wǎng)、展會(huì)、國(guó)際話語(yǔ)能力以及理論研究、教學(xué)改革等層面提出了具體的思路。尤其是根據(jù)“各美其美、美人之美、美美與共、和而不同”的文化自覺理論,認(rèn)為推動(dòng)中國(guó)當(dāng)代設(shè)計(jì)批評(píng)的發(fā)展,更需要我們認(rèn)清“自己深處”的價(jià)值,在時(shí)代語(yǔ)境中“放眼世界”,重塑設(shè)計(jì)批評(píng)的“正大氣象”。
[Abstract]:The design theory, design history and design criticism is the three main structure design. In contemporary Chinese, development of design criticism for the design art education, practice, significance of IT industry development and growth. The development of China that designers of contemporary design showing a distinct era, the connotation, design category, concept design and development of industry, the integration of educational practice, conflict, renewal, development and reform than ever more focused and prominent. This paper from the social development perspective, the status quo of Chinese contemporary design and design criticism, thoughts and major events for the rational criticism of combing, which embodies the characteristics of the qualitative analysis, pointed out the existence of China contemporarydesign criticism, from the perspective of methodology, in order to promote the development of contemporary Chinese design criticism put forward specific principles, methods and strategies.
Describes the research purpose and significance of this paper in the first chapter, the results of the literature review, mainly summarizes the concept of contemporary design and design criticism; in the second chapter and the third chapter, based on the contemporary situation China design and design criticism, from the political environment, economic environment, cultural environment, ecological environment so, in effect, restrict the design and design criticism of the social environment of the development are analyzed. On this basis, to the 14th National Congress of CPC, the enrollment of University, China joined WTO on the time node profound impact design Chinese as the sign, defines the development stage of Chinese contemporary design, the development of contemporary Chinese the design are summarized, and then analyzes the value and significance of contemporary criticism China design.
In the fourth chapter and the fifth chapter, this paper focuses on the criticism and China contemporary design issues are analyzed. Firstly, summarizes some important thoughts China criticism of contemporary design, such as the "China manufacturing" to "create China" and "China designed" proposition design reflects the criticism of national feelings; by the design of building luxury packaging, design, graphic design and other triggered criticism, embodies the deep thinking of design ethics and ecological environment; the rapid development of design education and design exhibition has attracted much attention, the designer and advertising creative ability also sparked widespread criticism; on the "Arts and crafts" debate on digital design and focus on intelligent design the topic of discussion and prospective reflects the theoretical problem of keen observation Chinese contemporary design criticism. Secondly, on the Beijing West Railway Station, the National Grand Theatre, Austria Transport the "bird's nest", the design of the Olympic Games, the new CCTV building, Shanghai World Expo Chinese criticism of contemporary design major events were analyzed. Then, summarizes the characteristics of the Chinese criticism of contemporary design. On this basis, points out the China criticism of contemporary design problems, and the reflection from different angles on the the problem.
In the sixth chapter and the seventh chapter, this paper focuses on how to design criticism we need and how to promote the development of two China design criticism is studied. Firstly, the development trend of future Chinese design from six aspects of intelligent products were analyzed; secondly, from the perspective of methodology put forward the principles of design criticism. As the contradiction analysis principle, appropriate principle, principle of nationality, age principle, aesthetic principle, scientific principle, functional principle, ethics principle, theory and practice combination principle, the principle of the future and so on. Finally, to promote the development of Chinese design criticism has done some thinking, put forward to improve the subject of design criticism problem consciousness, expand design criticism channel and carrier, strengthen channel design criticism education and theoretical research methods from the critics, designers, people and the mainstream media, Internet, exhibition, China International discourse and theoretical research, teaching reform and other aspects put forward specific ideas. Especially according to the United States and its beauty, beauty, beauty and cultural consciousness, the theory of harmony but not Sameness ", to promote the development of Chinese that criticism of contemporary design, the more we need to understand the" deep "value, in the context of the times in the" Remodeling of design criticism have the whole world in view "," Chia weather.

【學(xué)位授予單位】：武漢理工大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2011
【分類號(hào)】：J505

【引證文獻(xiàn)】

相關(guān)期刊論文 前3條

1 黎翠霞;謝云峰;;淺論醫(yī)療產(chǎn)品設(shè)計(jì)中的人因要素[J];包裝世界;2012年04期

2 伍健聰;;中國(guó)元素在網(wǎng)頁(yè)界面設(shè)計(jì)中的應(yīng)用及案例解析[J];科技致富向?qū)?2013年18期

3 皮佳;;藝術(shù)設(shè)計(jì)的發(fā)展特征研究[J];學(xué)園;2014年21期

相關(guān)碩士學(xué)位論文 前3條

1 李春鋒;新現(xiàn)代形態(tài)觀在家具設(shè)計(jì)中的探尋及應(yīng)用[D];西北農(nóng)林科技大學(xué);2012年

2 羅昱;卡通形象在企業(yè)實(shí)際應(yīng)用研究[D];首都師范大學(xué);2014年

3 王林;基于創(chuàng)造學(xué)的產(chǎn)品設(shè)計(jì)方法研究及應(yīng)用[D];廣東工業(yè)大學(xué);2014年

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本文編號(hào)：1657358